Johanna Drucker
#11,992
Most Influential Person Now
American art historian
Johanna Drucker's AcademicInfluence.com Rankings
Johanna Druckereducation Degrees
Education
#430
World Rank
#640
Historical Rank
#198
USA Rank
Pedagogy
#47
World Rank
#66
Historical Rank
#15
USA Rank
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Education
Johanna Drucker's Degrees
- Masters Art History University of California, Berkeley
Why Is Johanna Drucker Influential?
(Suggest an Edit or Addition)According to Wikipedia, Johanna Drucker is an American author, book artist, visual theorist, and cultural critic. Her scholarly writing documents and critiques visual language: letterforms, typography, visual poetry, art, and lately, digital art aesthetics. She is currently the Martin and Bernard Breslauer Professor in the Department of Information Studies at the Graduate School of Education and Information Studies at UCLA. In 2023, she was elected to the American Philosophical Society.
Johanna Drucker's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Humanities Approaches to Graphical Display (2011) (308)
- Graphesis: Visual Forms of Knowledge Production (2014) (190)
- The century of artists' books (1995) (136)
- Performative Materiality and Theoretical Approaches to Interface (2013) (122)
- SpecLab: Digital Aesthetics and Projects in Speculative Computing (2009) (109)
- The Visible Word: Experimental Typography and Modern Art, 1909-1923 (1995) (105)
- Humanistic Theory and Digital Scholarship (2012) (94)
- Humanities Approaches to Interface Theory (2011) (80)
- The Alphabetic Labyrinth: The Letters in History and Imagination (1995) (73)
- Sweet Dreams: Contemporary Art and Complicity (2005) (62)
- Is There a “Digital” Art History? (2013) (57)
- Knowledge Design (2014) (56)
- Speculative Computing: Aesthetic Provocations in Humanities Computing (2007) (53)
- Graphic Devices: Narration and Navigation (2008) (44)
- The new concrete (2015) (42)
- Graphical Approaches to the Digital Humanities (2015) (32)
- Why Distant Reading Isn't (2017) (31)
- The Virtual Codex from Page Space to E‐Space (2013) (27)
- Conceptual Art : Theory, Myth and Practice (2004) (26)
- Reading Interface (2013) (25)
- Entity to Event: From Literal, Mechanistic Materiality to Probabilistic Materiality (2009) (23)
- Theorizing Modernism: Visual Art and the Critical Tradition (1994) (22)
- Digital Ontologies: The Ideality of Form in/and Code Storageor Can Graphesis Challenge Mathesis? (2001) (21)
- Materiality, Data Epistemology and Enunciation Visualization and Interpretation. Humanistic Approaches to Display (2022) (20)
- Debates in the Digital Humanities 2019 (2016) (20)
- Experimental Visual Concrete. Avant-Garde Poetry Since the 1960s. (1996) (19)
- Visual Performance of the Poetic Text (1998) (18)
- Debates in the Digital Humanities (2012) (18)
- Theory as Praxis: The Poetics of Electronic Textuality (2002) (18)
- The Why and How of Middleware (2016) (17)
- What is Graphic about Graphic Novels (2008) (17)
- Graphic design history : a critical guide (2009) (16)
- The Book as Art: Artists' Books from the National Museum of Women in the Arts (2006) (15)
- Distributed and conditional documents: conceptualizing bibliographical alterities (2014) (14)
- Non-representational approaches to modeling interpretation in a graphical environment (2017) (14)
- Contemporary Feminism: Art Practice, Theory, and Activism—An Intergenerational Perspective (1999) (13)
- Diagrammatic Writing (2013) (12)
- Humanistic Data Research: An Encounter between Epistemic Traditions (2019) (12)
- Who's Afraid of Visual Culture? (1999) (12)
- M/E/A/N/I/N/G : an anthology of artists' writings, theory, and criticism (2000) (10)
- Collaboration without Object(s) in the Early Happenings (1993) (10)
- Making Space: Image Events in an Extreme State (2008) (9)
- Letterpress Language: Typography as a Medium for the Visual Representation of Language (2008) (9)
- Digital art history: the American scene (2015) (8)
- The Self-Conscious Codex: Artists' Books and Electronic Media (1997) (8)
- Graphesis and Code (2009) (8)
- Harnett, Haberle, and Peto: Visuality and Artifice among the Proto-Modern Americans (1992) (8)
- Images as the text: Pictographs and pictographic rhetoric (2000) (7)
- Information visualization and/as enunciation (2017) (7)
- Digital Reflections: The Dialogue of Art and Technology (1997) (7)
- Humanities Games and the Market in Digital Futures (2006) (6)
- Artists' Books and the Cultural Status of the Book (1994) (6)
- Sustainability and complexity: Knowledge and authority in the digital humanities (2021) (6)
- Sense and sensibility women artists and minimalism in the Nineties (1994) (6)
- Designing Ivanhoe (2004) (6)
- A Conversation on Digital Art History (2019) (5)
- Philip Meggs and Richard Hollis: Models of Graphic Design History (2009) (5)
- Letterpress Language: Typography as a Medium for the Visual Representation of Language (2017) (5)
- Species of Espaces and other spurious concepts addressed to reading the invisible features of signs within systems of relations (2010) (5)
- Introduction: Reflections on the Ivanhoe game (2003) (4)
- Visualization Methods for Media Studies (4)
- The Story of Graphic Design (2011) (4)
- Philosophy and Digital Humanities: A review of Willard McCarty, Humanities Computing (London and NY: Palgrave, 2005) (2007) (4)
- Typographically Speaking: The Art of Matthew Carter (2003) (4)
- Graphic design history (2009) (3)
- Concepts of Production (2014) (3)
- The Dual Muse: The Writer As Artist, the Artist As Writer (1997) (3)
- Modelling Interpretation in 3DH: New dimensions of visualization (2017) (3)
- Le Petit Journal des Refusées: A Graphical Reading (2010) (3)
- New Zealand Association for Research in Education Conference ( Hyatt Regency Hotel) (2003) (3)
- Performative metatexts in metadata, and mark-up (2007) (3)
- Formalism's Other History (1996) (3)
- Stephane Mallarme's Un Coup De Des and the Poem And/as Book as Diagram (2011) (3)
- Reconstructing the Subject: Modernist Painting in Western Germany, 1945-1950 (review) (1997) (3)
- The Digital Humanities Coursebook (2021) (2)
- 'Through Light and the Alphabet:' An Interview with Johanna Drucker (1997) (2)
- Exhibition catalogs in the age of digital proliferation (2007) (2)
- Artists' Books: Visual Studies Workshop Press 1971–2008 (2009) (2)
- Diagrammatic And Stochastic Writing And Poetics (2014) (2)
- Simulation/spectacle: Beyond the boundaries of the old avant‐garde and exhausted modernism (1993) (2)
- DHQ: Digital Humanities Quarterly: Humanities Approaches to Graphical Display (2022) (1)
- Digital Humanities als epistemische Praxis (2017) (1)
- Critical Perspectives on Experimental, Visual and ConcretePoetry: An Introduction to this Volume. (1996) (1)
- Site Unscene: Medial Ideology and the Literary Interface (2019) (1)
- Images of a Displaced Past (1996) (1)
- VIS Capstone Address: Visualizing Temporality and Chronologies for the Humanities (2019) (1)
- Artists' Book Books@@@Artists' Books: The Book as a Work of Art, 1963-1995@@@The Century of Artists' Books (1997) (1)
- Frame jumps and mixed modalities: Reading and/as interface (2013) (1)
- Diagrammatic Form and Performative Materiality (2016) (1)
- Intimations of (Im)materiality: Text as Code in the Electronic Environment (2009) (1)
- Modernity and complicity: A dialogue (2004) (1)
- From Digital Humanities to Speculative Computing (2009) (1)
- Collaborative Ty/Opography (1999) (1)
- Manifesto for the New Humanities : A Review of Digital _ Humanities (2014) (1)
- At the intersection of computational methods and the traditional humanities (2016) (1)
- Critical Journalism in Graphic Design? (2013) (1)
- Knowledge Design and Illusions/Delusions of Agency (2017) (1)
- Information Visualizations and the Interpellation of a Social Subject (2022) (0)
- Language, Voice, and Performance (2017) (0)
- Aesthetics and New Media (2009) (0)
- Dynamic and spatial variables in data visualization systems (2022) (0)
- Book Reviews (2007) (0)
- Todd Presner, "The Ethics of the Algorithm: Close and Distant Listening to the Shoah Foundation Visual History Archive," forthcoming in: History Unlimited: Probing the Ethics of Holocaust Culture (2014) (0)
- Speculative Computing: Basic Principles and Essential Distinctions (2009) (0)
- Digital Aesthetics and Critical Opposition (2009) (0)
- Bound to Speak: Accounts of Illness in Artists’ Books (2019) (0)
- Modernist surface, semiotic signs, and the hermeneutic trace: Jackson Pollock (1994) (0)
- The Back End: Infrastructure Design for Scholarly Research (2018) (0)
- DHQ: Digital Humanities Quarterly: The Why and How of Middleware (2022) (0)
- Review: Crossing The Boulevard, by Warren Lerher and Judith Sloan (2004) (0)
- Four. Subjectivity and Modernity (1994) (0)
- Images of a Displaced Past: Michael Flanagan and Medrie MacPhee (1996) (0)
- Art and the Digital Revolution@@@Abstracting Craft: The Practiced Digital Hand@@@Immersed in Technology@@@Photography after Photography@@@The Photographic Image in Digital Culture@@@Virtualities: Television, Media Art, and Cyberculture@@@Creating Killer Websites@@@Website Graphics: The Best of Globa (1999) (0)
- Type tells tales (2017) (0)
- Orit Halpern. Beautiful Data: A History of Vision and Reason since 1945. (2016) (0)
- The Patacritical Demon (2009) (0)
- Resident Artist (Guest): Testament Of Women (2008) (0)
- Castleman and Drucker: Re-Viewing the Artists' BookA Century of Artists BooksThe Century of Artists' Books (1997) (0)
- What is Modeling and What is Not? (2014) (0)
- Sight (2020) (0)
- Language, Voice, and Performance. Notes on Lily Greenham’s Sound Poetry (2017) (0)
- Dada Collage and Photomontage@@@Max Ernst: Dada and the Dawn of Surrealism@@@Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Hoch@@@John Heartfield (1993) (0)
- Art and Entertainment: Forum (2011) (0)
- THIS IS A WORK IN PROGRESS. PLEASE DO NOT CITE OR CIRCULATE. Physical and Cognitive Frames: What makes Hokusai Manga? (2010) (0)
- Viewpoint: Hetero-ontologies and taxonomies in the wild (2021) (0)
- Review of Maria Dondero's 'Language of Images: The Forms and the Forces' (2020) (0)
- DHQ: Digital Humanities Quarterly: Performative Materiality and Theoretical Approaches to Interface (2022) (0)
- A Review of Matthew Kirschenbaum, Mechanisms: New Media and the Forensic Imagination Cambridge, MA and London, UK: MIT University Press, 2008 (2009) (0)
- Digital Hybridity and the Question of Aesthetic Opposition (2002) (0)
- Heterochronologies: a platform for correlation and research in temporal graphics (2022) (0)
- Artists’ books and picturebooks (2017) (0)
- Political epistemology of the autographic mark (2022) (0)
- Visual Pleasure: A Feminist Perspective (2020) (0)
- Rachel Teukolsky. Picture World: Image, Aesthetics, and Victorian New Media. New York: Oxford University Press, 2020. 480 pp. (2022) (0)
- From sociality of media to the social as a medium: Diagrams and models of media theory (2016) (0)
- An interview with Johanna Drucker on Poetry, Research, Digital Humanities and their future (2017) (0)
- New Models of Digital Materialities (2011) (0)
- Postmodernism@@@Postmodern Perspectives: Issues in Contemporary Art@@@The Cultural Politics of "Postmodernism" (1990) (0)
- Speculative Aesthetics and Digital Media (2007) (0)
- Book Reviews: Postmodernism (1990) (0)
- The next body and beyond: Meta-organisms, psycho-pros-theses and aesthetics of hybridity (1998) (0)
- Database Narrative in Book and Online (2015) (0)
- The visible library and legible spaces (2019) (0)
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What Schools Are Affiliated With Johanna Drucker?
Johanna Drucker is affiliated with the following schools:
