Johanna Hanink
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Most Influential Person Now
American classicist
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Literature
#4232
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#6789
Historical Rank
Classical Studies
#37
World Rank
#74
Historical Rank
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Literature
Why Is Johanna Hanink Influential?
(Suggest an Edit or Addition)According to Wikipedia, Johanna Hanink is Associate Professor of Classics at Brown University. She specialises in ancient Greek theater and performance and the cultural life and afterlife of ancient Athens. Hanink also serves as a contributor to Aeon Magazine, the Chronicle for Higher Education, and Eidolon.
Johanna Hanink's Published Works
Published Works
- Lycurgan Athens and the Making of Classical Tragedy (2014) (25)
- The Classical Debt: Greek Antiquity in an Era of Austerity (2017) (20)
- Creative Lives in Classical Antiquity: Poets, Artists and Biography (2016) (18)
- ‘Lives’ as parameter: the privileging of ancient lives as a category of research, c. 1900 (2016) (17)
- The artist as anecdote: creating creators in ancient texts and modern art history (2016) (14)
- Literary politics and the Euripidean Vita (2008) (13)
- Close encounters with the ancient poets (2016) (12)
- Archives, Repertoires, Bodies, and Bones: Thoughts on Reperformance for Classicists (2017) (11)
- The Classical Tragedians, from Athenian Idols to Wandering Poets (2010) (9)
- Aristotle and the Tragic Theater in the Fourth Century b.c .: A Response to Jennifer Wise (2011) (8)
- Epitaphioi mythoi and tragedy as encomium of Athens (2013) (6)
- The Life of the Author in the Letters of “Euripides” (2010) (5)
- The epitaph for Atthis: a late Hellenistic poem on stone (2010) (4)
- ‘Why 386 BC?’ Lost Empire, Old Tragedy and Reperformance in the Era of the Corinthian War (2015) (4)
- The Great Dionysia and the End of the Peloponnesian War (2014) (2)
- Aeschylus and His Afterlife in the Classical Period: “My Poetry Did Not Die with Me” (2016) (2)
- Appian (2009) (2)
- What's in a Life? Some forgotten faces of Euripides (2016) (1)
- Lycurgan Athens and the Making of Classical Tragedy: Courtroom Drama: Aeschines and Demosthenes (2014) (1)
- Introduction: Through the Lycurgan looking glass (2014) (1)
- Orientation: what we mean by ‘creative lives’ (2016) (1)
- How to Think about War (2019) (1)
- Lycurgan Athens and the Making of Classical Tragedy: Aristotle and the Theatre of Athens (2014) (1)
- WAS THE POLIS A PERSON IN CLASSICAL ATHENS? CIVIC BODIES AND CHORAL POLITICS IN THE THEATER (2021) (0)
- Malalas and Euripides (2011) (0)
- Actors and Icons of the Ancient Theater (review) (2012) (0)
- Lycurgan Athens and the Making of Classical Tragedy: Bibliography (2014) (0)
- Scripts and statues, or a law of Lycurgus’ own (2014) (0)
- Reviews of Books (1984) (0)
- Imagination dead imagine: Diogenes Laertius' work of mourning (2016) (0)
- Lycurgan Athens and the Making of Classical Tragedy: Civic Poetry in Lycurgus’ Against Leocrates (2014) (0)
- National poets and viri illustri, from fourth-century Athens to quattrocento Florence (2009) (0)
- ‘It is Orpheus when there is singing’: the mythical fabric of musical lives (2016) (0)
- Parallel Lives. Civic Rhetoric in the Native Receptions of Euripides and Dante (2009) (0)
- A poetic possession: Pindar's Lives of the poets (2016) (0)
- On bees, poets and Plato: ancient biographers' representations of the creative process (2016) (0)
- Reviewing Christopher Witmore’s Old Lands: A Chorography of the Eastern Peloponnese (London: Routledge, 2020) (2021) (0)
- Epilogue: Classical tragedy in the Age of Macedon (2014) (0)
- ANTIQUITY TODAY (2018) (0)
- Knowledge Transmission: Ancient Archives and Repertoires (2017) (0)
- INTRODUCTION: IN TERMS OF ATHENS (2021) (0)
- Pausanias’ Dead Poets Society (2018) (0)
- The Letters of Themistocles (2009) (0)
- (P.) O'Sullivan and (C.) Collard Eds. Euripides: Cyclops and Major Fragments of Greek Satyric Drama (Aris and Phillips Classical Texts). Oxford, Oxbow Books: 2013. Pp x + 528. £50. 9781908343772. (2015) (0)
- Chimeras of Classicism in Dionysius of Halicarnassus’ Reception of the Athenian Funeral Orations (2021) (0)
- Lycurgan Athens and the Making of Classical Tragedy: Classical tragedy and its comic lovers (2014) (0)
- Aristotle, Actors, and Tragic Endings: A Counter-Response to (2017) (0)
- Literary Evidence for New Tragic Production: The View from the Fourth Century (2014) (0)
- Lycurgan Athens and the Making of Classical Tragedy: Site of change, site of memory: The ‘Lycurgan’ Theatre of Dionysus (2014) (0)
- SOPHOCLES' OC AND ATHENIAN TRAGEDY (2014) (0)
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What Schools Are Affiliated With Johanna Hanink?
Johanna Hanink is affiliated with the following schools: