Johannes Birringer
#114,990
Most Influential Person Now
American choreographer
Johannes Birringer's AcademicInfluence.com Rankings
Johannes Birringercommunications Degrees
Communications
#9460
World Rank
#12810
Historical Rank
#4190
USA Rank

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Communications
Johannes Birringer's Degrees
- PhD Dance Arizona State University
- Masters Dance Arizona State University
Why Is Johannes Birringer Influential?
(Suggest an Edit or Addition)According to Wikipedia, Johannes Birringer is an independent media choreographer and artistic director of AlienNation Co., a multimedia ensemble that has collaborated on various site-specific and cross-cultural performance and installation projects since 1993. He lives and works in Houston and London.
Johannes Birringer's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Dance and Media Technologies (2002) (52)
- Theatre, Theory, Postmodernism (1991) (42)
- Contemporary Performance/Technology (1999) (37)
- Wearable performance (2009) (25)
- Performance on the Edge: Transformations of Culture (2000) (25)
- Dance and Interactivity (2004) (24)
- Media & Performance : Along the Border (1998) (23)
- Interacting (2006) (21)
- Pina Bausch: Dancing across Borders (1986) (19)
- Moveable worlds/Digital scenographies (2010) (15)
- Interactive dance, the body and the Internet (2004) (15)
- Thinking Images (2008) (14)
- The Sound of Movement Wearables: Performing UKIYO (2013) (13)
- Performance and Science (2007) (13)
- Makrolab: A Heterotopia (1998) (11)
- After Choreography (2008) (11)
- Dance and Not Dance (2005) (10)
- Video Art/Performance: A Border Theory (1991) (9)
- The Valley of the Shadow of Death (2013) (8)
- Bauhaus, Constructivism, Performance (2013) (8)
- Choreographic Objects: Stifters Dinge (2013) (7)
- Between Body and Language: "Writing" the Damnation of Faustus (1984) (7)
- The Sound of Movement Wearables (6)
- What score? Pre-choreography and post-choreography (2013) (6)
- Thinking Images: Paul Kaiser and Marc Downie in conversation with Johannes Birringer (2008) (6)
- Really Actually Windy: On Environments, Technologies, and Dividual Performances (2017) (6)
- The Movement of Memory: Scanning Dance (2017) (6)
- Marlowe's Violent Stage: "Mirrors" of Honor in Tamburlaine (1984) (6)
- This is the Theatre that was to be Expected and Foreseen (1996) (6)
- Wearable technology for the performing arts (2009) (5)
- The Emergent Dress: Transformation and intimacy in streaming media and fashion performance (2006) (5)
- "Medea": Landscapes beyond History (1990) (5)
- Constructions of the Spirit: The Struggle for Transfiguration in Modern Art (1983) (4)
- Dancing in the Museum (2011) (4)
- Saira Virous: Game Choreography in Multiplayer Online Performance Spaces (2006) (4)
- Postmodern Performance and Technology (2018) (4)
- Invisible Cities/Transcultural Images (2018) (4)
- The Utopia of Postutopia (1997) (4)
- Bodies of Color (2007) (4)
- Interactivity: ‘user testing’ for participatory artworks (2005) (4)
- Homosexuality and the Nation: An Interview with Jorge Perugorria (1996) (4)
- Marina Abramovic on the Ledge (2003) (3)
- Audible and Inaudible Choreography (2014) (3)
- Performance Systems (2003) (3)
- Debating "Ways of Speaking, Loci of Cognition" (1988) (3)
- Corpo, Carne e Espírito: Musical Visuality of the Body (2010) (2)
- The Theory-Death of the Avant-Garde@@@The Object of Performance: The American Avant-Garde Since 1970@@@Performing Drama/Dramatizing Performance: Alternative Theatre and the Dramatic Text@@@Theatre, Theory, Postmodernism (1993) (2)
- The Theatre and Its Screen Double (2014) (2)
- Robert Wilson’s Vision (2018) (2)
- Sound and Wearables (2019) (2)
- Cultural-based visual expression: emotional analysis of human face via Peking Opera Painted Faces (POPF) (2016) (2)
- Immersive dance and virtual realities (2017) (2)
- TEXTS, PLAYS AND INSTABILITIES (1987) (2)
- User testing for participatory artworks (2006) (2)
- FutureHouse, Blind City: A Life (2006) (2)
- Audible Scenography (2013) (2)
- Rhapsodies of Words: "Trapicality" in Shakespeare's Theater* (1986) (1)
- 2.2 Postmodernism and Theatrical Performance (1997) (1)
- Wearables in performance (2008) (1)
- Becoming-atmosphere (2018) (1)
- Reviews (2001) (1)
- Choreographic Performance Systems (2017) (1)
- Eye into Earth (2008) (1)
- Lively Bodies, Live Machines: Split Realities (2017) (1)
- Metakimosphere no.3 (2016) (1)
- Suite Fantastique: Architecure and the Digital (2001) (1)
- Body art and technological transformations: rhythms of real time (2003) (1)
- The Telematic Dress: Evolving garments and distributed proprioception in streaming media and fashion performance (2005) (1)
- Atmospheres of Dividual Performance (2016) (1)
- Art in America (The Dream) (1998) (1)
- La danse et la perception interactives (2004) (1)
- The ride across Lake Constance (1973) (1)
- Subtle Technologies 03 (2003) (1)
- Imprints and Re-Visions: Carolee Schneemann’s Visual Archeology (1993) (1)
- Marlowe's Dr Faustus and Tamburlaine: Theological and Theatrical Perspectives (1983) (1)
- Bodies of Colour/Media Skins (2012) (0)
- Old Materials/New Materialism (2019) (0)
- Sound and Wearables_BirringerDanjoux (2019) (0)
- Re-Scripting the Stage: Performance and Interactivity (0)
- Joe Annie Street (2014) (0)
- Artist's statement 2 - Transspacial light and virtual choreography (2004) (0)
- Raumwirkung: the case of Wozzeck (2015) (0)
- Reviews (2007) (0)
- Composition of atmospheres (2021) (0)
- yers in the aftermath of the Black Plague and a leap in litigious activ- ity. But the fashion peaked in the sixteenth and seventeenth centu- (2018) (0)
- La Melancolia de la Jaula (The Melancholy of the Cage) (1996) (0)
- Absolute terror, or what do you see behind the masks? (2015) (0)
- Very Very Important Salvation (2023) (0)
- Rammstein's Rite of Fire Nottingham Arena, February 7, 2005 (2005) (0)
- Envisioning Dance on Film And Video, edited by Judy Mitoma with Elizabeth Zimmer (text) and Dale Ann Stieber (DVD). 2002. New York and London: Routledge. 448 pp., photographs, notes, bibliography, index, anda companion DVD. $40.00paper, $95.00 cloth. (2004) (0)
- IN OTHER SCHOLARLY JOURNALS (2005) (0)
- Queering the Bauhaus (2020) (0)
- Digital Cultures Lab, 2005 (2006) (0)
- Algorithms for Movement: CD-ROMs by William Forsythe & Jo Fabian (2002) (0)
- Choreographic and Performance Systems (0)
- Puntos de Fuga (Vanishing Points): Performance Writing for the Digital Theater (2010) (0)
- Art Lies, Volume 18, Spring 1998 (1998) (0)
- Notes on Contributors (2006) (0)
- tedr: a telematic performance between Nottingham, Sydney and Phoenix. [Online performance at the Powerhouse, Victoria Studios, Nottingham Trent University] (2005) (0)
- Interactive environments and digital perception (2005) (0)
- Physical camera and telematic performance: a performance workshop given by Johannes Birringer (2005) (0)
- The New Digital Materialism (2015) (0)
- Cultural-based visual expression: emotional analysis of human face via Peking Opera Painted Faces (POPF) (2015) (0)
- Projection environments and animated light (2021) (0)
- The Un-Seeing Eyes of the Foot (2012) (0)
- Editorial: Interculturalism and Performance (2018) (0)
- Random Dance: Choreography and the brain (2005) (0)
- Retro-Engineering: Wearable Sound (2013) (0)
- Theory and the Theatre (2018) (0)
- Bodies of Color / Media Skins (2009) (0)
- Dance and cognition: yearbook no. 15 (2005) (0)
- Kinetic Atmospheres: Performance and Immersion (2021) (0)
- Atmospheres of choreographic design (2015) (0)
- Sensory hallucinations in the extended choreographic (2019) (0)
- The Controversial 1985–86 Theatre Season: A Politics of Reception (2018) (0)
- EXPOSED Elizabeth Stephens and Annie Sprinkle The International Workshop Festival/The Chelsea Theatre, London September 19-22, 2007 (2008) (0)
- Gestural materialities and the worn dispositif (2015) (0)
- THEATER IN Berlin: Self-Consuming Artifact: Grüber's Hamlet (1984) (0)
- Gravel Maraboutage: a brief manifesto (2022) (0)
- Kimospheres and immersive dance (2017) (0)
- The openness of the atmosphere (2021) (0)
- Trans-sensory hallucination (2021) (0)
- New Visions in Performance: The Impact of Digital Technologies, Gavin Carver and Colin Beardon (eds), (2004) (2005) (0)
- A New Europe (2003) (0)
- Correction (2017) (0)
- New environments for interactive dance (2005) (0)
- Really actually windy (2021) (0)
- Inside Dancing, No Fixed Points (2021) (0)
- Standing Still Dancing in a Circle: Performance Dissent and Failed Gestures in Public Protest (2018) (0)
- Ad Mortem: An AIDS Performance Project (2010) (0)
- Somatic gestures in mixed reality/virtual reality immersive choreographies (2017) (0)
- The stage and its screen double (2021) (0)
- Kinetic Atmospheres and Immersion Architecture (2018) (0)
- Augmenting virtuality (2018) (0)
- Metakimosphere no.2 (2016) (0)
- Kimospheres, or Shamans in the Blind Country (2016) (0)
- El Automóvil Gris at the Wexner Center for the Arts in Columbus, Ohio (2004) (0)
- Performance In the Cabinet of Curiosities: Or, The Boy Who Lived in the Tree (2016) (0)
- Low-End Resilience Theory (2019) (0)
- Resonances: The sound of performance (2015) (0)
- Wearable futures: the telematic dress: evolving garments and proprioception in streaming media and fashion performance (2005) (0)
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What Schools Are Affiliated With Johannes Birringer?
Johannes Birringer is affiliated with the following schools: