John Onians

Q: What Schools Are Affiliated With John Onians

John Onians is affiliated with the following schools: University of East Anglia, University of Oxford, The Courtauld Institute of Art, University of Cambridge

John Onians's AcademicInfluence.com Rankings

John Onians

Education

#1396

World Rank

#1989

Historical Rank

Pedagogy

#203

World Rank

#265

Historical Rank

education Degrees

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Education

John Onians's Degrees

Bachelors Classics University of Oxford
Masters Classics University of Oxford
PhD Classics University of Oxford

Why Is John Onians Influential?

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According to Wikipedia, John B Onians, FSA is Professor Emeritus of World Art at the University of East Anglia, Norwich and specialised in architecture, especially the architectural theory of the Italian Renaissance; painting, sculpture and architecture in Ancient Greece and Rome; Byzantine art, material culture, metaphor and thought; perception and cognition, and the biological basis of art. His recent work has been instrumental in the establishment of Neuroarthistory as a distinct set of methodologies.

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John Onians's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

"Bearers of Meaning. The Classical Orders in Antiquity, the Middle Ages and the Renaissance", John Onians, Princeton 1988 : [recenzja] / Anna Kilian. (1993) (124)
ABSTRACTION AND IMAGINATION IN LATE ANTIQUITY (1980) (122)
Taste and the Antique. The Lure of Classical Sculpture (1500–1900) (1981) (93)
Neuroarthistory: From Aristotle and Pliny to Baxandall and Zeki (2008) (44)
Bearers of Meaning (1990) (40)
World art studies and the need for a new natural history of art (1996) (25)
Art and Thought in the Hellenistic Age: the Greek World View 350-50 B.C (1981) (23)
THE ORIGINS OF ART (1978) (22)
Classical Art and the Cultures of Greece and Rome (2000) (22)
On Picturing a Candle: The Prehistory of Imagery Science (2016) (21)
Architecture, metaphor and the mind (1992) (15)
Rethinking the canon (1996) (15)
Atlas of World Art (2004) (15)
The Eye's mind – Visual imagination, neuroscience and the humanities (2018) (14)
BRUNELLESCHI: HUMANIST OR NATIONALIST? (1982) (13)
Compression vs. Expression: Containing and Explaining the World's Art (2007) (13)
Sight & insight : essays on art and culture in honour of E.H. Gombrich at 85 (1994) (9)
Neuroarchaeology and the Origins of Representation in the Grotte de Chauvet: a Neural Approach to Archaeology (2007) (9)
Alberti and ΦΙΛΑΡΕΤΗ: A Study in Their Sources (1971) (8)
The Art Atlas (2008) (6)
The Role of Experiential Knowledge in the Ultimate Design Studio: The Brain (2011) (6)
ON HOW TO LISTEN TO HIGH RENAISSANCE ART (1984) (5)
Neuroarthistory: Reuniting Ancient Traditions in a New Scientific Approach to the Understanding of Art (2011) (4)
The Greek Temple and the Greek brain (2002) (4)
War, Mathematics, and Art in Ancient Greece (1989) (4)
Art, the visual imagination and neuroscience: The Chauvet Cave, Mona Lisa's smile and Michelangelo's terribilitá (2017) (4)
Idea and Product: Potter and Philosopher in Classical Athens (1991) (4)
European Art: A Neuroarthistory (2016) (4)
World art: Ways Forward, and a way to escape the ‘autonomy of culture’ delusion (2011) (3)
John Onians. Review of "Is Art History Global?" by James Elkins. (2008) (1)
Beauty in the Brain of the Beholder: Art, Neural Plasticity and Visual Pleasure (2015) (1)
Atlas of World Art@@@Toward a Geography of Art (2004) (1)
AN INVITATION TO ANSWER BACK (1987) (1)
Plural Imagination: Diversity in Mind and Making (2022) (0)
10. Editing In vs. Editing Out: World Art Studies and the Pathologies of Academe (2008) (0)
Michael David Kighley Baxandall 1933–2008 (2011) (0)
LETTERS TO AND FROM THE EDITOR (1988) (0)
Foreword (2010) (0)
Architecture and painting: the biological connection (2002) (0)
2. The Other Hippocampus: Neuroscience and Early Christian Art (2018) (0)
Beauty in the Brain of the Beholder (2015) (0)
Gombrich and biology (2003) (0)
The Distinctive Creativity of Leonardo and Michelangelo (2019) (0)
The natural origins of Greek art and culture, Greek landscape and the Greek brain (2014) (0)
Alberti and the Neuropsychology of Style (2001) (0)
Reviews : Stephen Bann, The True Vine: on visual representation and the western tradition. Cambridge: Cambridge University Press, 1990. £35.00 (1992) (0)
Review Notices : Architecture in Italy 1400-1600. By Ludwig H. Heydenreich and Wolfgang Lotz. Harmondsworth : Penguin Books, 1974. 432 pp, 360 plates. £14 (1976) (0)
Art History and Memory, From the Couch to the Scanner: On How the New Art History Woke Up to a Neural Future (2017) (0)
The biological basis of Renaissance aesthetics (2019) (0)
Bombrich and biology (2003) (0)
Extended Imagining: the case of the aphantasic artist (2020) (0)
Sir Ernst’s last laugh: How the New Art Historians came to see the importance of nature and the brain (2018) (0)
Review: Pythagorean Palaces. Magic and Architecture in the Italian Renaissance by George L. Hersey (1978) (0)
The ‘masterpiece’: a social or neural phenomenon? (2016) (0)
IN REVIEW: PAUL BAROLSKY, MICHELANGELO'S NOSE (1991) (0)
Books Received (1994) (0)

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Other Resources About John Onians

en.wikipedia.org

What Schools Are Affiliated With John Onians?

John Onians is affiliated with the following schools:

John Onians's Academic­Influence.com Rankings