Jonathan Beller
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Film theorist
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Jonathan Bellerphilosophy Degrees
Philosophy
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#13670
Historical Rank
#1812
USA Rank
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World Rank
#12729
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#1840
USA Rank
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Philosophy
Jonathan Beller's Degrees
- PhD Film and Media Studies University of California, Berkeley
- Masters Film and Media Studies University of California, Berkeley
- Bachelors Film Studies University of California, Santa Cruz
Why Is Jonathan Beller Influential?
(Suggest an Edit or Addition)According to Wikipedia, Jonathan Beller is a film theorist, culture critic and mediologist. He currently holds the position of Professor of Humanities and Media Studies and Critical and Visual Studies, Pratt Institute, Brooklyn, NY. He is the recipient of numerous awards and fellowships including Mellon, J.P. Getty and Fulbright Foundation grants and honors.
Jonathan Beller's Published Works
Published Works
- The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle (2006) (233)
- The Message is Murder: Substrates of Computational Capital (2017) (21)
- Cinema, Capital of the Twentieth Century (1994) (19)
- Third Cinema in a Global Frame: Curacha, Yahoo, and Manila by Night (2001) (18)
- The Programmable Image of Capital: M-I-C-I′-M′ and the World Computer (2016) (14)
- Fragment from The Message Is Murder (2016) (12)
- The Circulating Eye (1993) (12)
- Texas-(s)ized Postmodernism; Or, Capitalism without the Dialectic (2016) (11)
- The Spectatorship of the Proletariat (1995) (10)
- WAGERS WITHIN THE IMAGE: RISE OF VISUALITY, TRANSFORMATION OF LABOUR, AESTHETIC REGIMES (2012) (9)
- Dziga Vertov and the Film of Money (1999) (9)
- The cinematic mode of production: towards a political economy of the postmodern (2003) (8)
- Desiring the Involuntary: Machinic Assemblage and Transnationalism in Deleuze and Robocop 2 (1996) (8)
- Acquiring Eyes: Philippine Visuality, Nationalist Struggle, and the World-Media System (2008) (7)
- Iterations of the impossible: questions of digital revolution in the Philippines (2008) (6)
- Directing the real (1998) (6)
- Informatic Labor in the Age of Computational Capital (2016) (6)
- The World Computer (2021) (3)
- Preface to the revolution: digital specters of communism and the expiration of politics (2018) (2)
- Advertisarial relations and aesthetics of survival: Advertising –> advertisign (2013) (2)
- WAGERS WITHIN THE IMAGE (2013) (1)
- Grammar of the McMultitudes: The Labor (Value) of Theory (2010) (1)
- Rethinking Money and Credit in a Cryptoeconomy: Securing Liquidity without the Need for Central Control of Issuance (2020) (1)
- Pathologistics of Attention (2013) (1)
- From the Cinematic Mode of Production to Computational Capital (2019) (1)
- The Martial Art of “Cinema”: Modes of Virtuosity à la Hong Kong and the Philippines (2011) (1)
- Sociality at the End of the World (2021) (0)
- REVIEW ESSAY (2004) (0)
- Theory Hogs of the Political Unconscious (2014) (0)
- Nationalism in Scenes and Spaces of H.R. Ocampo (2012) (0)
- Notes on contributors (2003) (0)
- Writing Video Art (1998) (0)
- PMLA Abroad (1998) (0)
- Bidirectional authentication with a public key and key bargain for low-cost terminals (1994) (0)
- YOU ARE HERE: HOME (/) ARCHIVE (/INDEX.PHP/30-ARCHIVE) LFU/23 (/INDEX.PHP/56-ARCHIVE/LFU-23) JONATHAN BELLER / THE CINEMATIC PROGRAM (2018) (0)
- Poetry Against Calamity Post-capitalist Economic Media and the Decolonization of Money (2022) (0)
- From Social Realism to the Specter of Abstraction: Conceptualizing the Visual Practices of H. R. Ocampo (2004) (0)
- T100 Communism Must Wager on Economic Media by Brian Massumi (review) (2020) (0)
- Digitality and Racial Capitalism (2022) (0)
- The Art of War, Or Coco Fusco's Occupation (2009) (0)
- Contributors (1988) (0)
- Desiring the Involuntary: Machinic Assemblage and Transnationalism in Deleuze and Robocop2 (2020) (0)
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