Jonathan Dunsby

Q: What Schools Are Affiliated With Jonathan Dunsby

Jonathan Dunsby is affiliated with the following schools: University of Leeds, University of Oxford, University of Reading, Bath Spa University, King's College London

Jonathan Dunsby's AcademicInfluence.com Rankings

Jonathan Dunsby

Philosophy

#12729

World Rank

#17762

Historical Rank

Logic

#9667

World Rank

#12289

Historical Rank

philosophy Degrees

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Philosophy

Jonathan Dunsby's Degrees

Masters Musicology University of Oxford

Why Is Jonathan Dunsby Influential?

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According to Wikipedia, Jonathan Mark Dunsby is a British classical pianist, musicologist, author and translator, particularly known for his research in musical analysis. His introductory textbook, Music Analysis in Theory and Practice , co-authored with Arnold Whittall, is a standard work in the field. Dunsby has held professorships at the University of Reading in the UK, and SUNY University at Buffalo and the Eastman School of Music, University of Rochester in the United States, and was the founding editor-in-chief of the journal Music Analysis .

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Jonathan Dunsby's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Music analysis in theory and practice (1988) (91)
The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning, edited by Richard Parncutt and Gary E. McPherson. Oxford: Oxford University Press, 2002. xii + 388 pp, £37.50 hardback (2003) (43)
Performing Music: Shared Concerns (1995) (27)
CONSIDERATIONS OF TEXTURE (1989) (24)
Schoenberg, Pierrot lunaire (1992) (20)
Roland Barthes and the Grain of Panzéra's Voice (2009) (19)
Music and Semiotics: The Nattiez Phase (1983) (18)
Structural ambiguity in Brahms: Analytical approaches to four works (1981) (18)
Thematic and motivic analysis (2002) (14)
The Battle of Chronos and Orpheus: Essays in Applied Musical Semiology (2004) (12)
Early Twentieth-Century Music@@@Musical Form and Transformation: 4 Analytic Essays (1995) (11)
Musical Performance: Performers on performance (2002) (10)
Twelve-note Composition (1988) (8)
Making Words Sing: Nineteenth- and Twentieth-Century Song (2009) (6)
Studying the Lied:: Hermeneutic Traditions and the Challenge of Performance (2014) (5)
Pitch-class Sets (1988) (4)
The Case for a Schenkerian Semiotic (1981) (4)
LISZT'S NUAGES GRIS AND KAGEL'S UNGUIS INCARNATUS EST: A MODEL AND ITS ISSUE (1985) (3)
Why sing? Lieder and song cycles (2007) (3)
The battle of Chronos and Orpheus: essays in applied semiology (2004) (2)
Making Words Sing: Contents (2004) (2)
The Formal Repeat (1987) (2)
Chamber music and piano (2001) (2)
A Bagatelle on Beethoven's WoO 60 (1984) (2)
Early twentieth-century music (1993) (2)
On Repeat: How Music Plays the Mind by Elizabeth Hellmuth Margulis (review) (2014) (1)
Harmony – and Symmetry (1988) (1)
Anthony Pople, 1955–2003: an Appreciation (2004) (1)
Analysis@@@A Guide to Musical Analysis@@@Music Analysis in Theory and Practice (1989) (1)
Three Essays from 'Neue Revue' (1894-7) (1988) (1)
Adorno's Image of Schubert's Wanderer Fantasy Multiplied by Ten (2005) (1)
Metapoesis in Trecento Song: 'Divisio' at the Intersection of Love, Poetic Form, and Music (2018) (1)
'Pierrot lunaire' and the Resistance to Theory (1989) (1)
Making Words Sing (2004) (1)
The Philosophy of Music: Theme and Variations. By Aaron Ridley. pp. viii + 178. (Edinburgh University Press, Edinburgh, 2004, £16.99. ISBN 0-7486-0902-4.) (2006) (1)
Scenarios, Mostly from the Early Days of MusA (2002) (1)
HISTORY, THEORY, SCARLATTI’S K. 87 (ABSTRACT) (2010) (0)
Reply to André Lamblin (1988) (0)
Developments of Schenker:: Katz and Salzer (1988) (0)
Schenker the Theorist (1988) (0)
Schoenberg and Musical Logic (1988) (0)
By way of brief conclusion (2004) (0)
From Means to Meaning:: Analysis and the Theory of Signs (1988) (0)
Making Words Sing: To Amherst via Vienna (2004) (0)
Making Words Sing: An introduction with no words, with intended words, and untheory (2004) (0)
The Philosopher’s Touch: Sartre, Nietzsche, and Barthes at the Piano by François Noudelmann (review) (2014) (0)
Making Words Sing: Boundless opulence: postscripts on Schoenberg's premonition (2004) (0)
Analyst's Primer? (1988) (0)
Music lessons : the Colle??ge de France lectures / Pierre Boulez ; edited and translated by Jonathan Dunsby, Jonathan Goldman and Arnold Whittall. (2019) (0)
RMA volume 117 issue 2 Cover and Front matter (1992) (0)
Heinrich Schenker and the Free Counterpoint of Strict Composition (1980) (0)
What kind of history is The Cambridge History of Twentieth-Century Music? / COOK, N. and A. POPLE (dir.) (2004), The Cambridge History of Twentieth-Century Music, Cambridge/New York, Cambridge University Press, 818 p. (2005) (0)
What Was New Music:: Arrigo and Bartók in Lourenço (2016) (0)
Charging the Battery (1997) (0)
'HISTORY, THEORY, SCARLATTI'S K. 87' (2010) (0)
Onset asynchrony in Western art music (2021) (0)
Summary of the Discussions (1958) (0)
The Philosophy of Music: Theme and Variations (review) (2006) (0)
All the dancers know it and it is valid for all times: Goehr, Kafka and 'The Law of the Quadrille' (2003) (0)
'Music & Letters' Awards (2006) (0)
Harmony and Voice-leading (1988) (0)
Liszt’s Symbiosis: The Question of Virtuosity and the Concerto Arrangement of Schubert’s Wanderer Fantasy (2020) (0)
Not Only Schenker (1988) (0)
Making Words Sing: Introduction (2004) (0)
Guidelines for Further Study (1988) (0)
Form – and Duration (1988) (0)
Book Review: The Practice of Performance: Studies in Musical Interpretation (1997) (0)
Order and disorder : music-theoretical strategies in 20th-century music : proceedings of the International Orpheus Academy for Music Theory 2003 (2004) (0)
Why Classical Music still Matters. By Lawrence Kramer. (2008) (0)
Letter from Jonathan Dunsby (1988) (0)
Summary of the Discussions (1956) (0)
The Structure of Atonal Music:: Synthesis or Symbiosis? (1988) (0)
RMA volume 119 issue 1 Cover and Front matter (1994) (0)
Revision and Reversion:: Hindemith, Réti, Meyer (1988) (0)
The British Context:: Tovey (1988) (0)
: Music Theory in Concept and Practice . James M. Baker, David W. Beach, Jonathan W. Bernard. (1999) (0)
Why Classical Music still Matters (review) (2008) (0)
Music-analytical trends of the twentieth century (2004) (0)
The History of Theory and Analysis:: A Short Survey (1988) (0)
Making Words Sing: A love song: Brahms's ‘Von ewiger Liebe’ (2004) (0)
British Musical Modernism: The Manchester Group and Their Contemporaries. By Philip Rupprecht (2018) (0)
Models of Musical Analysis: Early Twentieth-Century Music (1995) (0)
Interlude on peace, laws, flowers, and men flying (2004) (0)
'A Slight Oversimplification': An Interview with Arnold Whittall (1995) (0)
Music Theory in Concept and Practice. Edited by James M. Baker, David W. Beach, and Jonathan W. Bernard. Rochester, N.Y.: University of Rochester Press, 1997 (1999) (0)
The Philosopher’s Touch: Sartre, Nietzsche, and Barthes at the Piano. By François Noudelmann. Translated by Brian J. Reilly. (2014) (0)
Acts of Recall (1997) (0)

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Other Resources About Jonathan Dunsby

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What Schools Are Affiliated With Jonathan Dunsby?

Jonathan Dunsby is affiliated with the following schools:

Jonathan Dunsby's Academic­Influence.com Rankings