José Esteban Muñoz
American academic
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Anthropology
José Esteban Muñoz's Degrees
- PhD Performance Studies New York University
- Masters Performance Studies New York University
- Bachelors English Sarah Lawrence College
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Why Is José Esteban Muñoz Influential?
(Suggest an Edit or Addition)According to Wikipedia, José Esteban Muñoz was a Cuban American academic in the fields of performance studies, visual culture, queer theory, cultural studies, and critical theory. His first book, Disidentifications: Queers of Color and the Performance of Politics examines the performance, activism, and survival of queer people of color through the optics of performance studies. His second book, Cruising Utopia: the Then and There of Queer Futurity, was published by NYU Press in 2009. Muñoz was Professor in, and former Chair of, the Department of Performance Studies at New York University's Tisch School of the Arts. Muñoz was the recipient of the Duke Endowment Fellowship and the Penn State University Fellowship . He was also affiliated with the Modern Language Association, American Studies Association, and the College Art Association.
José Esteban Muñoz's Published Works
Published Works
- Cruising Utopia: The Then and There of Queer Futurity (2009) (1898)
- Disidentifications: Queers Of Color And The Performance Of Politics (1999) (1764)
- Ephemera as Evidence: Introductory Notes to Queer Acts (1996) (302)
- Feeling Brown, Feeling Down: Latina Affect, the Performativity of Race, and the Depressive Position (2006) (233)
- Feeling Brown: Ethnicity and Affect in Ricardo Bracho's The Sweetest Hangover (and Other STDs) (2000) (214)
- Everynight Life: Culture and Dance in Latin/o America (1998) (94)
- Hope and hopelessness: A dialogue (2009) (88)
- Women & Performance: a journal of feminist theory (2006) (70)
- Forum: Conference Debates (2006) (57)
- Theorizing Queer Inhumanisms (2015) (56)
- Pop Out: Queer Warhol (2012) (52)
- Cruising the Toilet: LeRoi Jones/Amiri Baraka, Radical Black Traditions, and Queer Futurity (2007) (50)
- Stages: Queers, Punks, and the Utopian Performative (2006) (44)
- “Gimme Gimme This... Gimme Gimme That” Annihilation and Innovation in the Punk Rock Commons (2013) (44)
- "The White to Be Angry": Vaginal Davis's Terrorist Drag (1997) (40)
- Thinking beyond Antirelationality and Antiutopianism in Queer Critique (2006) (34)
- 9. Race, sex, and the incommensurate: Gary Fisher with Eve Kosofsky Sedgwick (2020) (28)
- The Vulnerability Artist: Nao Bustamante And the Sad Beauty of Reparation (2006) (25)
- “Chico, what does it feel like to be a problem?” The Transmission of Brownness (2017) (25)
- Teaching, Minoritarian knowledge, and love (2005) (23)
- Theorizing Queer Inhumanisms: The Sense of Brownness (2015) (18)
- After Criticism : New Responses to Art and Performance (2005) (17)
- Vitalism's after-burn: The sense of Ana Mendieta (2011) (16)
- Toward a Methexic Queer Media (2013) (16)
- The Sense of Brown (2020) (16)
- Queer Minstrels for the Straight Eye: Race as Surplus in Gay TV (2004) (15)
- Pedro Zamora’s Real World of Counterpublicity: Performing an Ethics of the Self (2012) (14)
- No es facil: Notes on the Negotiation of Cubanidad and Exilic Memory in Carmelita Tropicana's "Milk of Amnesia" (1995) (14)
- Preface: Fragment from the Sense of Brown Manuscript (2018) (14)
- Photographies of Mourning: Melancholia and Ambivalence in Van Der Zee, Mapplethorpe, and Looking for Langston (2020) (14)
- Dead White: Notes on the Whiteness of the New Queer Cinema (1998) (13)
- From surface to depth, between psychoanalysis and affect (2009) (12)
- Queerness as Horizon: Utopian Hermeneutics in the Face of Gay Pragmatism (2008) (11)
- Performing the State of Exception: Coco Fusco’s Operation Atropos and A Room of One’s Own (2008) (11)
- The Future in the Present: Sexual Avant-Gardes and the Performance of Utopia (2010) (10)
- Rebellions of Everynight Life (2020) (10)
- Famous and Dandy Like B. ‘n’ Andy: Race, Pop, and Basquiat (2012) (9)
- A Forum on Theatre and Tragedy: A Response to September 11, 2001 (2002) (9)
- Performing greater Cuba: Tania Bruguera and the burden of guilt (2000) (9)
- THE PERFORMANCE AND PEDAGOGY OF NEOLIBERAL AFFECT (2010) (5)
- The Onus of Seeing Cuba: Nilo Cruz's Cubania (2000) (4)
- The Sense of Watching Tony Sleep (2007) (4)
- The Wildness of the Punk Rock Commons (2018) (3)
- Cruising Utopia, 10th Anniversary Edition (2020) (2)
- Race, Sex, and the Incommensurate: (2019) (2)
- Impossible Spaces: Kevin McCarty's The Chameleon Club (2005) (2)
- The Event of the Poem “the gramsci monument” (2014) (2)
- Locating hope and futurity in the anticipatory illumination of queer performance (2011) (2)
- Choteo/camp style politics: Carmelita Tropicana's performance of self‐enactment (1995) (2)
- Utopia's Seating Chart: Ray Johnson, Jill Johnston, and Queer Intermedia as System (2008) (1)
- Impact of abusive leader behavior on employee job insecurity: A mediating roles of emotional exhaustion and abusive peer behavior (2022) (1)
- One-Dimensional Man@@@Pop Out: Queer Warhol@@@Andy Warhol Prints: A Catalogue Raisonne, 1962-1987@@@The Warhol Look: Glamour, Style, Fashion@@@Andy Warhol's Religious and Ethnic Roots: The Carpatho-Rusyn Influence on His Art@@@The Critical Response to Andy Warhol@@@Andy Warhol, Poetry, and Gossip in (1998) (1)
- Pedro Zamora's Real World of Counterpublicity: Performing an Ethics of the Self (2020) (0)
- The Contributors (1996) (0)
- The Future in the Present (2020) (0)
- Book Reviews (2005) (0)
- Performance Studies, Minoritarian Identity, and Academic Wildness (2021) (0)
- Famous and Dandy Like B. 'n' Andy: Race, Pop, and Basquiat (2020) (0)
- Tabletop role-playing games as queer utopian method (2021) (0)
- The Queer Social Text (2009) (0)
- Uncloseting Drama: American Modernism and Queer Performance (review) (2012) (0)
- Pedro Zamora's Real World of Counterpublicity (2020) (0)
- Reconfiguring Black Womanhood: Disidentification in the Work of Mickalene Thomas and Juliana Huxtable BY RAE WITHERSPOON (2019) (0)
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