Joseph Kerman

Q: What Schools Are Affiliated With Joseph Kerman

Joseph Kerman is affiliated with the following schools: University of California, Berkeley, Princeton University, New York University, Harvard University

Joseph Kerman's AcademicInfluence.com Rankings

Joseph Kerman

Philosophy

#3343

World Rank

#5415

Historical Rank

#1072

USA Rank

Logic

#5682

World Rank

#7099

Historical Rank

#902

USA Rank

philosophy Degrees

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Philosophy

Joseph Kerman's Degrees

PhD Musicology Princeton University

Why Is Joseph Kerman Influential?

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According to Wikipedia, Joseph Wilfred Kerman was an American musicologist and music critic. Among the leading musicologists of his generation, his 1985 book Contemplating Music: Challenges to Musicology was described by Philip Brett in The Grove Dictionary of Music and Musicians as "a defining moment in the field". He was Professor Emeritus of Musicology at the University of California, Berkeley.

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Joseph Kerman's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Contemplating Music: Challenges to Musicology (1985) (186)
How We Got into Analysis, and How to Get out (1980) (180)
Opera As Drama (1958) (122)
A Few Canonic Variations (1983) (120)
The Beethoven Quartets (1967) (80)
A Profile for American Musicology (1965) (62)
The Masses and motets of William Byrd (1980) (24)
The Elizabethan Madrigal: A Comparative Study (1962) (17)
American Musicology in the 1990s (1991) (16)
The New Grove Beethoven (1983) (14)
An Elizabethan Edition of Lassus (1955) (13)
Art of Fugue: Bach Fugues for Keyboard, 1715–1750 (2005) (12)
Write All These Down: Essays on Music (1994) (11)
William Byrd and His Contemporaries: Essays and a Monograph (2006) (9)
Verdi and the undoing of women (2006) (8)
A ROMANTIC DETAIL IN SCHUBERT'S SCHWANENGESANG (1962) (8)
Autograph miscellany from circa 1786 to 1799 : British Museum Additional Manuscript 29801, ff. 39-162 (The 'Kafka sketchbook') (1970) (7)
Byrd's Motets: Chronology and Canon (1961) (7)
Music at the turn of century: A 19th-century music reader (1990) (6)
Counsel for the Defense (1950) (6)
A History of Art and Music (1969) (6)
Opera a la Mode (1954) (5)
Elizabethan Anthologies of Italian Madrigals (1951) (5)
American Music: The Columbia Series (II) (1958) (5)
The Elizabethan Motet: A Study of Texts for Music (2011) (4)
BEETHOVEN'S EARLY SKETCHES (1970) (4)
Chromatic Fantasy and Fugue, BWV 903 (2005) (4)
Music and Politics: The Case of William Byrd (1540-1623) (2000) (4)
Beethoven's Opus 131 and the Uncanny (2001) (4)
Representing a Relationship: Notes on a Beethoven Concerto (1992) (4)
Byrd's Settings of the Ordinary of the Mass (1979) (4)
The Early Music Debate: Ancients, Moderns, Postmoderns (1992) (3)
Remarks from the Chair (1990) (3)
ON WILLIAM BYRD'S EMENDEMUS IN MELIUS (1963) (3)
Opera and the Morbidity of Music (2008) (3)
Wagner: Thoughts in Season (1960) (3)
An Italian Musician in England, 1562-1578 (1993) (2)
Beethoven: The Single Journey: Quartet in A Minor, Op. 132 (1952) (2)
Bach in 1950 (1951) (2)
Direct Approach to Counterpoint in 16th-Century Style . Gustave Frederic Soderlund . (1948) (2)
MORLEY AND ‘THE TRIUMPHS OF ORIANA’ (1953) (2)
Verdi's "Otello," or Shakespeare Explained (1953) (2)
Grimes and Lucretia (1949) (2)
Beethoven Sketchbooks in the British Museum (1966) (2)
A Tallis Mass (1999) (2)
Auden's "Magic Flute" (1957) (2)
The Grove of Academe (II): The New Grove Dictionary of Music & Musicians . Stanley Sadie. (1981) (1)
William Byrd, 1543-1623 (1973) (1)
Piano concerto in C major K. 503 : the score of the new Mozart edition, historical and analytical essays (1970) (1)
The tender land : opera in three acts (1956) (1)
The Byrd Edition—in print and on disc (2001) (1)
Renaissance polyphony. The Byrd edition - in print and on disc (2001) (1)
The Grove of Academe (1981) (1)
Thematic Return in Late Bach Fugues (2006) (1)
Mozart: Three Elevations (1949) (1)
The Voice of Masters (2005) (1)
Terror and Self-Pity: Alban Berg's "Wozzeck" (1952) (1)
"I Lombardi" in San Diego (1980) (1)
A Gift to Be Simple (1955) (1)
"The Proper Study of Music": A Reply (1963) (1)
Review: Instrumental Music by David G. Hughes (1959) (1)
Opera, Novel, Drama: The Case of La Traviata (1978) (1)
The Place of Music in Basic Education (1960) (1)
Narrativity in Music (1991) (0)
Music on the CD (1999) (0)
Conversation-stopper (After-words) (1999) (0)
1. Getting Started (1999) (0)
Piano concertos by Mozart and Beethoven (1997) (0)
Letter from Joseph Kerman (1963) (0)
Recovering a Song of OriginThe Sonata in A Major, D. 959 (2001) (0)
Hanslick's Critics (1952) (0)
3. Reciprocity, Roles, and Relationships (1999) (0)
The American Art Journal IArt Treasures in the British IslesThe Aesthetic Movement, Prelude to Art NouveauIranian ArtDirectory of American PhilosophersThe Far PointGustave CourbetPhilosophy and Science as Modes of KnowingArt, Music and IdeasCaravaggio Studies (1970) (0)
Rhetoric and Technique in J. S. Bach (1949) (0)
That Old Labyrinth Song (2004) (0)
ON BWV849/2 (2004) (0)
EpilogueTelling, Retelling, and Untelling Schubert (2001) (0)
Fugue in C MinorThe Well-Tempered Clavier, Book 1 (2005) (0)
Fields of Resonance (2001) (0)
Fugue on “Jesus Christus Unser Heiland”Clavierübung, Book 3 (2005) (0)
Leonora's Last Act: Essays in Verdian Discourse . Roger Parker . (1998) (0)
Review: Musicians in English Society from Elizabeth to Charles I by Walter L. Woodfill (1954) (0)
Close Readings of the Heard Kind (1994) (0)
2. Particularity and Polarity (1999) (0)
Displacing the SonataThe Opus 142 Impromptus (2001) (0)
PrologueSchubert after Winterreise (2001) (0)
Susannah. A Musical Drama in 2 Acts, Text and Vocal Score by the Composer (1958) (0)
Beethoven In the Image of SchubertThe Sonata in C Minor, D. 958 (2001) (0)
Review: Madrigali italiani in Inghilterra by Alfredo Obertello (1951) (0)
Opera as an Art Form (1957) (0)
Art of Fugue (2015) (0)
Fughetta in C Major, BWV 952 (2005) (0)
MASTER ALFONSO AND THE ENGLISH MADRIGAL (1952) (0)
Schubert's Last “Wanderer”The Sonata in B♭ Major, D. 960 (2001) (0)
"The new grove. Beethoven", oprac. Joseph Kerman, Alan Tyson, Douglas Johnson, William Drabkin, Londyn-Basingstoke 1983 : [recenzja] / Irena Poniatowska. (1991) (0)
Prelude and Fugue in E-flat MajorThe Well-Tempered Clavier, Book 1 (2005) (0)
Mozart's Magic Marriage (2006) (0)
Fugue in A MinorFantasy and Fugue in A Minor, BWV 904 (2005) (0)
Insight on Beethoven (1967) (0)
Retelling the “Unfinished” (2001) (0)
Carl Dahlhaus, 1928-1989 (1989) (0)
The Wanderer's Tracks (2001) (0)
Fugue in C-sharp MinorThe Well-Tempered Clavier, Book 1 (2005) (0)
Orpheus and the Neoclassic Vision of Opera (1956) (0)
The Grove of Academe (II) (1982) (0)
Fugue in A-flat MajorThe Well-Tempered Clavier, Book 1 (2005) (0)
The English Madrigalists. Vol. 15 Songs of Sundry Natures (1589)@@@The English Madrigalists. Vol. 31a Third Set of Books (1610)@@@The English Madrigalists. Vol. 31b Fourth Set of Books (1618)@@@The English Madrigalists. Vol. 35a First Set of Madrigals (1607)@@@Ayres, Songs, and Dialogues (1963) (0)
Review: Direct Approach to Counterpoint in 16th-Century Style by Gustave Frederic Soderlund (1948) (0)
First Performances (1972) (0)
GigueEnglish Suite no. 3 in G Minor (2005) (0)
Ludwig van Beethoven : autograph muscellany from circa 1786 to 1799 : British Museum additional manuscript 29801, ff. 39-162, the "Kafka Sketchbook" (1971) (0)
Instrumental Music . David G. Hughes . (1959) (0)
Back Matter (1984) (0)
Round Table VIII: Analysis and Interpretation in Musical Criticism (1987) (0)
Progress Report on Stravinsky (1950) (0)
Contrapunctus 10The Art of Fugue (2005) (0)
Music Criticism in America (1949) (0)
Rita, Operacomique in One Act (1958) (0)
Schindler's Beethoven (1967) (0)
W. DEAN SUTCLIFFE THE KEYBOARD SONATAS OF DOMENICO SCARLATTI AND EIGHTEENTH-CENTURY MUSICAL STYLE Cambridge: Cambridge University Press, 2003 pp. xi + 400, ISBN 0 521 48140 6 (2005) (0)
6. The Sense of an Ending (1999) (0)
Rigoletto, Opera in 3 Acts@@@Gianni Schicchi@@@The Impresario (Der Schauspieldirektor). A Comic Opera in 1 Set@@@Il Campanello (The Night Bell). A Gay Melodrama in 1 Set (1961) (0)
Review: Leonora's Last Act: Essays in Verdian Discourse by Roger Parker (1998) (0)
Expanding the Scope of Schubertian TonalityThe Opus 90 Impromptus as the Stations of a Tonal Quest (2001) (0)
Beethoven Sketchbooks The Composer at Work; The Concertos; The Eroica (1972) (0)
Musicians in English Society from Elizabeth to Charles I . Walter L. Woodfill . (1954) (0)

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What Schools Are Affiliated With Joseph Kerman?

Joseph Kerman is affiliated with the following schools:

Joseph Kerman's Academic­Influence.com Rankings