Joseph Nechvatal
American artist
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Computer Science
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(Suggest an Edit or Addition)According to Wikipedia, Joseph Nechvatal is an American post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Life and work Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University. He earned a Doctor of Philosophy in Philosophy of Art and Technology at the Planetary Collegium at University of Wales, Newport and has taught art theory and art history at the School of Visual Arts. He has had many solo exhibitions, including one in Berlin
Joseph Nechvatal's Published Works
Published Works
- Towards an Immersive Intelligence (2001) (24)
- Immersion Into Noise (2011) (19)
- Immersive Ideals / Critical Distances (2009) (13)
- Origins of Virtualism: An Interview with Frank Popper (2004) (13)
- Immersive Excess in the Apse of Lascaux (2005) (5)
- Before and Beyond the Bachelor Machine (2018) (1)
- Review of Paul Virilio's 'Ce qui arrive' / 'Unknown Quantity' (2002) (1)
- La beaut tragique: Mapping the Militarization of Spatial Cultural Consciousness (2001) (1)
- Reorganized Meditations on Mnemonic Threshold (2000) (0)
- Post-Photographic Frenzy (2019) (0)
- Styling Sagaciousness (2022) (0)
- La Beauté tragique: Olkowski, Deleuze, and the ‘Ruin of Representation’ (2001) (0)
- Destroyer of Naivetés (2015) (0)
- Viractuality and Post-Conceptual Art (2019) (0)
- Photography Reproduction Production (Exhibition Catalogue) (1992) (0)
- Voluptuous Viractualism: Hermaphroditic Codes, Robotic Art and Immersive Excess (2015) (0)
- Determined indeterminacy : a review of 'The third mind' at Le Palais de Tokyo curated by Ugo Rondinone (2007) (0)
- Ecstatic Ascott (2018) (0)
- Portrait of the 45th President of the United States (2016) (0)
- Compassion Rules the Destruction of the Regime Eclipse Transconceptual Interconnected Causalities The Information Cult's Panopticonic Subject as Decentered Data (1989) (0)
- Blast 3 : Remaking Civilization (1994) (0)
- Theoretical Statement concerning Computer/Robotic Paintings (1988) (0)
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