Julian Johnson | Academic Influence

Julian Johnson 's AcademicInfluence.com Rankings

Julian Johnson

Philosophy

#10971

World Rank

#15066

Historical Rank

Logic

#9895

World Rank

#12619

Historical Rank

philosophy Degrees

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Philosophy

Julian Johnson 's Degrees

PhD Musicology University of Vienna
Masters Musicology University of Vienna
Bachelors Music University of Vienna

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Why Is Julian Johnson Influential?

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According to Wikipedia, Julian Michael Johnson FBA is a musicologist, specialising in music history and the aesthetics of modern music. Since 2013, he has been Regius Professor of Music at Royal Holloway, University of London. After completing his undergraduate degree at Pembroke College, Cambridge, Johnson studied for his master's degree at the University of Sussex, which also awarded him his doctorate in 1994. He then lectured at Sussex until 2001, when he became a reader in the University of Oxford's Faculty of Music, and a fellow of St Anne's College, Oxford. In 2007, he joined Royal Holloway as Professor of Music.

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Julian Johnson 's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Who needs classical music? : cultural choice and musical value (2002) (97)
Who Needs Classical Music (2002) (32)
Webern and the Transformation of Nature (1999) (30)
Mahler's Voices: Expression and Irony in the Songs and Symphonies (2009) (30)
Mahler's voices (2009) (20)
Out of Time: Music and the Making of Modernity (2015) (20)
Grounds for Concern (1999) (9)
The Status of the Subject in Mahler's Ninth Symphony (1994) (9)
MUSIC IN HEGEL'S AESTHETICS: A RE-EVALUATION (1991) (8)
Analysis in Adorno's Aesthetics of Music@@@Adorno's Aesthetics of Music (1995) (7)
Transformations of Musical Modernism (2015) (6)
Deeper than Reason: Emotion and its Role in Literature, Music, and Art (review) (2008) (5)
Deeper than Reason: Emotion and its Role in Literature, Music, and Art. By Jenefer Robinson. (2007) (4)
The Nature of Abstraction: Analysis and the Webern Myth (1998) (4)
The Sound of Nature? - Mahler Klimt and the changing representation of Nature in early Viennese Modernism (1999) (3)
Liquid Crystals and Ordered Fluids: Volume 2 (2013) (3)
After Debussy (2020) (3)
The ethics of performance practice in complex music after 1945 (2015) (2)
Music and the Ineffable (review) (2004) (2)
Editorial: Twentieth-Century music - Ten years on (2014) (2)
Marcel Proust in Context: Music (2013) (2)
After Debussy: Music, Language, and the Margins of Philosophy (2020) (2)
Sharing a stage: the growing proximity between modernism and popular music (2015) (2)
Schoenberg, modernism, and metaphysics (2010) (1)
The Invention of Beethoven and Rossini: Very much of this world: Beethoven, Rossini, and the historiography of modernity (2013) (1)
The Breaking of the Voice (2011) (1)
Music as Art (2002) (1)
Musik in der Moderne = Music and modernism (2011) (1)
Valentin Silvestrov and the symphonic monument in ruins (2015) (1)
Webern's "Middle Period": Body of the Mother or Law of the Father? (2011) (1)
Radically idiomatic instrumental practice in works by Brian Ferneyhough (2015) (1)
Nature's Voice (2000) (1)
Music and the Aesthetics of Modernity: Essays. Ed. by Karol Berger and Anthony Newcomb. (2007) (1)
Rehearing Lost Time: Proust and Mahler (2014) (1)
Return of the repressed: particularity in early and late modernism (2015) (1)
Montage in modernity: scattered fragments, dynamic fragments (2015) (0)
Discovering Mahler: Writings on Mahler 1955–2005. By Donald Mitchell.The Cambridge Companion to Mahler. Ed. by Jeremy Barham. (2009) (0)
Epilogue (2020) (0)
Historical Musicology and Philosophy (2020) (0)
Music, Time and the Aesthetics of Appearing (2021) (0)
Sound Figures (review) (2001) (0)
Anne Bulckens’ Analysis of the Proportions of the Parthenon and its Meanings Oб авторе (2006) (0)
Le Corps Sonore (2015) (0)
The Old, The New, and The Contemporary (2002) (0)
Arnold Whittall, Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge: Cambridge University Press, 2003), ISBN 0 521 81642 4 (hb), 0 521 01668 1 (pb) (2004) (0)
Taking place (2020) (0)
Remembrance and prognosis in the music of György Ligeti (2015) (0)
Sirènes (2020) (0)
Editorial (2014) (0)
Calling Forth a Voice (2009) (0)
Ritual and Eros in James Dillon's Come live with me (2015) (0)
Epilogue: Being musical (2020) (0)
An Introduction to Music Studies: Composition (2009) (0)
Music and the Aesthetics of Modernity: Essays (review) (2008) (0)
Writing the body (2020) (0)
Present Absence: Debussy, Song, and the Art of (Dis)appearing (2017) (0)
Vertige!: Debussy, Mallarmé, and the Edge of Language (2018) (0)
Prologue: Music and language (2020) (0)
Thinking in sound (2020) (0)
English Abstracts of the German Essays (2011) (0)
Writing the female voice from Debussy to Boulez (2021) (0)
Karl Kraus and the Schoenberg School (2000) (0)
The lure of the Sublime: revisiting the modernist project (2015) (0)
Placing the Self (2015) (0)
Discovering Mahler: Writings on Mahler 1955–2005, and: The Cambridge Companion to Mahler (review) (2009) (0)
Ways of Telling (2009) (0)
The craft of inspiration: intellect and intuition in the formation of the aesthetic and moral self (2011) (0)
Music Language Dwelling (2021) (0)
Mirrors (2020) (0)
Vertige!: (2018) (0)
Like a Language (2015) (0)
Uses and Abuses (2002) (0)
Mahler and the Musical Voice (2009) (0)
Coming to presence (2020) (0)
Michael Cherlin, Varieties of Musical Irony: from Mozart to Mahler (Cambridge: Cambridge University Press, 2017). xvii + 282 pp. £64.99 (hb.). ISBN 978‐1‐107‐14129‐2. (2019) (0)
Identity and Voice in the Music of Gustav Mahler (2011) (0)
Performance as critique (2015) (0)
Life as an Aesthetic Idea of Music (2019) (0)
Transformations of appearance: suddenness and the modernist fragment (2015) (0)
Mélisande and the silence of music (2020) (0)
the garden of eden (2010) (0)
LANGUAGE, MUSIC, AND DESIRE: (2018) (0)
Genre and Voice (2009) (0)
Anton Webern, the Social Democratic Kunststelle and Musical Modernism (2022) (0)
'Music & Letters' Awards (2005) (0)
‘Unwrapping’ the voice: Cathy Berberian and John Cage's Aria (2015) (0)
Vienna, Modernism, and Modernity (2009) (0)
Mallarmé and the edge of language (2020) (0)
Constructing a Voice (2009) (0)

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What Schools Are Affiliated With Julian Johnson ?

Julian Johnson is affiliated with the following schools: