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According to Wikipedia , Julian Stallabrass is a British art historian, photographer and curator. He was educated at Leighton Park School and New College, Oxford University where he studied PPE . A Marxist, he has written extensively on contemporary art , photography and the history of twentieth-century British art.
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Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
1970 1980 1990 2000 2010 0 12.5 25 37.5 50 62.5 75 87.5 100 112.5 125 137.5 150 162.5 Published Works Art Incorporated: The Story of Contemporary Art (2004) (110)The Icing of an Unheated, Nonrotating Cylinder. Part I: A Simulation Model (1983) Internet Art: The Online Clash of Culture and Commerce (2003) (71)High Art Lite: British Art in the 1990s (1999) (62)‘Empowering Technology: The Exploration of Cyberspace’ (1995) (55)The Icing of an Unheated, Nonrotating Cylinder. Part II. Icing Wind Tunnel Experiments (1983) Gargantua: Manufactured Mass Culture (1996) (49)Contemporary Art: A Very Short Introduction (2006) On the adhesion of ice to various materials (1962) Experiments on the Cloud Droplet Collision Efficiency of Cylinders (1987) Sebastião Salgado and Fine Art Photojournalism (1997) (30)High Art Lite: The Rise and Fall of Young British Art (1999) (27)‘Just Gaming: Allegory and Economy in Computer Games’ (1993) (26)What's in a Face? Blankness and Significance in Contemporary Art Photography (2007) SPECTACLE AND TERROR (2006) (18)The Branding of the Museum (2014) Occupational Hazard: Critical Writing on Recent British Art (1998) (12)The Aesthetics of Net.art (2003) Museum Photography and Museum Prose (2010) (12)Can Art History Digest Net Art (2009) (9)Negative Dialectics in the Google Era: A Conversation with Trevor Paglen (2011) Net Pioneers 1.0 : Contextualizing Early Net-Based-Art (2009) (7)Curating New Media (2002) (7)Locus solus : site, identity, technology in contemporary art (2000) (7)‘The Idea of the Primitive. British Art and Anthropology 1918-1930' (1990) (7)Memory of Fire: Images of War and the War of Images (2013) (7)The Power and Impotence of Images (2008) (6)AIRBORNE SNOW CONCENTRATION AND VISIBILITY (1979) (5)Types and Prospects of Radical Art (2004) In and Out of Love with Damien Hirst (1996) (5)Rehearsal of Memory (2002) (4)Elite Art in an Age of Populism (2013) (4)Methods for alleviation of ship icing (1970) (4)An Interview with Mark Wallinger (2008) Round Table: Tate Modern (2001) Red art: new utopias in data capitalism (2014) (4)‘Memory and Icons: Photography in the War on Terror’ (2017) (3)‘The Dead, Our Dead. Murals and Banners of the Zapatistas’ (1997) Ways of seeing: 40th anniversary issue (2012) (2)The Mother and Child Theme in the Work of Henry Moore (1992) (2)Ground Control: Technology and Utopia (1997) (2)Engine Snow Ingestion in the Bell 206A Jet Ranger Helicopter (1971) (2)In Conversation (2009) Looking for Marshall McLuhan in Afghanistan (2013) (2)‘Conservatism and Class Difference in Twentieth-Century British Art’ (2008) (2)The Effect of Roughness on the Rate of Ice Accretion on a Cylinder (1985) ‘Free Trade / Free Art’ (2003) (2)Success and Failure of Peter Fuller (1994) (2)Contemporary Art in a Neoliberal Climate (2006) (1)War/Photography: Images of Armed Conflict and its Aftermath (2014) The Decline and Fall of Art Criticism (1998) (1)Histories, Theories and Practices of Sound Art (2014) (1)High Art Lite at the Royal Academy (1998) Reasons to Hate Thomson and Craighead (2005) (1)'Artist-Curators and the New British Art’ (1997) (1)Radical Camouflage at Documenta 13 (2012) (1)‘Rearranging Corpses, Curatorially’ (2008) (1)Obama on Flickr (2009) At Tate Modern (2015) (0)‘Spies and Saboteurs: Prevent Spying in the Classroom’ (2016) (0)Computer Art and Demotic Art (1999) (0)Un art radical ? / Radical Art? (2012) (0)A View from the Fish Tank (2004) (0)Review of icing detection for helicopters (1962) (0)Ways of Selling (2012) Facing War (2020) The Fracturing of Globalisation (2009) (0)Art I Like (2000) (0)'A nova cartilha da guerra’ : [Broomberg and Chanarin’s War Primer 2] (2013) (0)On the Margins (1994) ‘Lawler’s Victory’ (2017) (0)‘Electronic Superhighway’ (Whitechapel Gallery) (2016) (0)Brand Strategy of Art Museum (2011) (0)5. The end of the end of History (2020) The effect of icing during helicopter ground run-up (1967) (0)4. Uses and prices of art (2006) ‘Rather a Hawk? The Photography of Larry Burrows’ (2012) (0)Introduction to ‘Globalisation’ section (2002) (0)Contribution to ‘Art and Entertainment Forum’ (2011) (0)The Missile and the Paperclip (2014) (0)Young British Art on the Global Stage (2013) (0)Shop Until You Stop (2002) (0)2. New world order (2006) 'The Ideal City and the Virtual Hive: Modernism and Emergent Order in Computer Culture’ (1999) Notes to Plates (2018) ‘Faces and Facades: Rich and Poor Images in the Work of Roland Fischer’ (2012) (0)‘Vampires and Peacocks’ Tails’ (1997) (0)The Birth and Death of Young British Artists (2012) (0)‘“A Production Line of Destruction”: Parts of a Conversation between Michael Landy and Julian Stallabrass’ (2001) (0)Paris : photographiè 1900-1968 (2002) (0)Frozen Dialectics in the Work of Haegue Yang (2011) (0)‘Broomberg and Chanarin, Fig.’ (2007) (0)‘Bureaucracy and Crime: Photography at Guantanamo’ (2010) (0)3. Consuming culture (2020) Art and Entertainment: Forum (2011) ‘The Fate of “Young British Art”’ (2002) (0)Token images (2000) The Politics of the Political Catalogue Essay (2008) (0)5. The rules of art now (2006) Corona Equivalents (2021) Shadow and Scale in the KYOPO Project (2011) (0)1. A zone of freedom (2006) 6. Fracture (2020) 'Fetishism, Youth and Violence in the Work of Tom Sachs’ (2006) (0)La industria de Hockney (2012) (0)Transcript of lecture on Internet art (2002) (0)‘High Art Lite at the Royal Academy’ [review of Sensation] (1998) (0)'The Canon After the Internet’: (Discussion with Katrina Sluis and Christiane Paul) (2013) (0)1. A zone of freedom? (2020) Extended captions to ten works by Henry Moore (1998) (0)In conversation with Malcolm Bull, ‘Money and Attention on the Global Art Scene’ (2010) (0)A Conversation with Trevor Paglen (2011) (0)Autographs and Images. Snapshots of Prague and Berlin (1991) (0)Facing War: Photography and Humanism (2018) Thomson & Craighead (minigraph) (2005) (0)Locus Solus: Technology, Identity and Site in Contemporary Art (1999) (0)Ground Control (2002) More Papers This paper list is powered by the following services:
Other Resources About Julian Stallabrass What Schools Are Affiliated With Julian Stallabrass? Julian Stallabrass is affiliated with the following schools:
