Julie Sanders

Julie Sanders's AcademicInfluence.com Rankings

Julie Sanders

Literature

#4754

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#7484

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Literature

Why Is Julie Sanders Influential?

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According to Wikipedia, Julie Sanders is the Principal of Royal Holloway, University of London. Career Sanders gained her doctorate at the University of Warwick, and studied at Ca' Foscari University of Venice and at University of California, Berkeley. In 1995 she took a lectureship at Keele University and in 2004 joined the University of Nottingham as Chair of English Literature and Drama. She was Head of the School of English from 2010 to 2013 and was subsequently seconded for two years to the Ningbo, China, joint venture campus as Vice Provost, launching the Arts and Humanities Research Council's first centre in China for Digital Copyright and IT research. In 2015, Sanders was appointed Pro-Vice Chancellor for the Faculty of Humanities and Social Sciences at Newcastle University, and at the same institution she served as Deputy Vice-Chancellor from 2017 to 2022. Sanders was awarded the Rose Mary Crawshay Prize by the British Academy for international women’s scholarship.

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Julie Sanders's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Adaptation and appropriation (2005) (635)
Refashioning Ben Jonson (1998) (32)
Novel Shakespeares: Twentieth-Century Women Novelists and Appropriation (2002) (30)
The Cultural Geography of Early Modern Drama, 1620-1650 (2011) (27)
Shakespeare and Music: Afterlives and Borrowings (2007) (18)
Ben Jonson’s Theatrical Republics (1998) (16)
The Cultural Geography of Early Modern Drama, 1620–1650: Neighbourhoods and networks (2011) (16)
Ben Jonson in Context (2014) (14)
Caroline Drama: The Plays of Massinger, Ford, Shirley, Brome (1999) (12)
Early Modern Women Poets: An Anthology (2001) (11)
The 1630s : interdisciplinary essays on culture and politics in the Caroline era (2006) (10)
Ben Jonson's Walk to Scotland: An Annotated Edition of the 'Foot Voyage' (2014) (8)
Refashioning Ben Jonson : gender, politics and the Jonsonian Canon (1998) (8)
Interviewing and Evaluating (1999) (7)
Jonson, The Sad Shepherd and the North Midlands (1999) (7)
The Cambridge Introduction to Early Modern Drama, 1576–1642: Comedy, pastoral and romantic (2014) (7)
Bubblegum and Revolution: Angela Carter’s Hybrid Shakespeare (2006) (6)
Caroline Salon Culture and Female Agency: The Countess of Carlisle, Henrietta Maria, and Public Theatre (2000) (6)
Beggars' Commonwealths and the Pre-Civil War Stage: Suckling's "The Goblins," Brome's "A Jovial Crew," and Shirley's "The Sisters" (2002) (6)
The Cambridge Introduction to Early Modern Drama, 1576-1642 (2014) (5)
"The Day's Sports Devised in the Inn": Jonson's "The New Inn" and Theatrical Politics (1996) (5)
Print, Popular Culture, Consumption and Commodification in The Staple of News (1998) (5)
Rehearsing across Space and Place: Rethinking A Masque Presented at Ludlow Castle (2012) (4)
Ecocritical Readings and the Seventeenth-Century Woodland: Milton's `Comus' and the Forest of Dean (2001) (4)
Mixed Messages: The Aesthetics of The Two Noble Kinsmen (2007) (3)
‘In the Friars’: The Spatial and Cultural Geography of an Indoor Playhouse (2015) (3)
Three seventeenth-century plays on women and performance (2006) (3)
Midwifery and the New Science in the Seventeenth Century: Language, Print and the Theatre (1999) (3)
Editing, Performance, Texts: New Practices in Medieval and Early Modern English Drama (2014) (3)
Neighbourhoods: Thick Description in the City (2017) (3)
Writings of Exile in the English Revolution and Restoration. By Philip Major. Farnham: Ashgate. 2013. x, 198 pp. £55.00. ISBN 9781409430698. (2014) (3)
“The Collective Contract Is a Fragile Structure”: Local Government and Personal Rule in Jonson's A Tale of a Tub (1997) (2)
Secondary Pleasures, Spatial Occupations and Postcolonial Departures: Park Chan-wook's Agassi/The Handmaiden and Sarah Waters's Fingersmith (2019) (2)
The Sonnets as an Open-Source Initiative (2011) (2)
Under the Skin: A Neighbourhood Ethnography of Leather and Early Modern Drama (2018) (1)
The Pennyles Pilgrimage of John Taylor: Poverty, Mobility and Performance in Seventeenth-Century Literary Circles (2013) (1)
‘Here’s a strange alteration’: Shakespearean appropriations (2015) (1)
‘A WOMAN WRITE A PLAY!’ : Jonsonian strategies and the dramatic writings of Margaret Cavendish; or, did the Duchess feel the anxiety of influence? (2002) (1)
Editing, Performance, Texts (2014) (1)
Shakespeare Going Out Here and Now: Travels in China on the 450th Anniversary (2016) (1)
Gender, Exile and The Hague Courts of Elizabeth, Queen of Bohemia and Mary, Princess of Orange in the 1650s (2011) (1)
Early Modern Women's Writing: where we are today (2008) (1)
Shakespeare and popular music (2011) (1)
Stratfordian Perambulations; or, Walking with Shakespeare (2012) (1)
A Parody of Lord Chief Justice Popham in The Devil is an Ass (1997) (1)
Shakespeare’s Ocean: An Ecocritical Exploration by Dan Brayton (review) (2016) (0)
Introduction: New Practices (2014) (0)
Introduction: Jonson’s ‘Foot Voyage’ and the Aldersey manuscript (2014) (0)
Synecdoche, Adaptation, and the Staged Screenplay: Van Hove's Obsession(s) (2018) (0)
The End of History and the Last Man: Kenneth Branagh’s Hamlet (2000) (0)
Ben Jonson's Walk to Scotland: Canesco (2014) (0)
Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations (review) (2010) (0)
The Cambridge Introduction to Early Modern Drama, 1576–1642: ‘Little eyases’: the children's companies and repertoire (2014) (0)
The visual rhetoric of dumb show (2013) (0)
A note on names (2014) (0)
Rehearsing across Space and Place (2012) (0)
Saying Something About Venice (1998) (0)
The Cambridge Introduction to Early Modern Drama, 1576–1642: Topical theatre and 1605–6: ‘Remember, remember the fifth of November’ (2014) (0)
Jonson's 'Foot Voyage' to Edinburgh: Introduction (2015) (0)
Performing Impact (2013) (0)
‘The Closet Opened’: A Reconstruction of ‘Private’ Space in the Writings * of Margaret Cavendish (2018) (0)
Title pages and plays in print (2013) (0)
Wooden Os: Shakespeare’s Theatres and England’s Trees by Vin Nardizzi (review) (2015) (0)
Jonson's 'Foot Voyage' to Edinburgh (2015) (0)
Notes on Bothal and York (2014) (0)
The social life of things: skulls on the stage (2014) (0)
The Cambridge Introduction to Early Modern Drama, 1576–1642: Satire (2014) (0)
Water Memory and the Art of Preserving: The Comedies and Early Modern Cultures of Remembrance (2018) (0)
The Cambridge Introduction to Early Modern Drama, 1576–1642: Opening scenes (2014) (0)
Conclusion: ‘The End of (T)his Commonwealth Does Not Forget the Beginning’ (1998) (0)
Jonson's 'Foot Voyage' to Edinburgh: Text and notes (2015) (0)
Shakespeare Beyond English: Creative Exploitation and Talking Back (2013) (0)
Broken Harmony: Shakespeare and the Politics of Music (review) (2012) (0)
Changing Places and Transitional Spaces: Plays, Masques, and Performances (2019) (0)
Republicanism and Theatre (1998) (0)
‘Other versions’ of fairy tale and folklore (2015) (0)
‘We “other Victorians”’: Or, rethinking the nineteenth century (2015) (0)
Here/There: National Theatre Wales’s Coriolan/us, 8–18 August 2012, Hangar 858, RAF St Athan, Vale of Glamorgan (directed by Mike Pearson and Mike Brookes)1 (2013) (0)
Richard III at the Globe (2013) (0)
Feigning commonwealths? : Ben Jonson and republicanism (1994) (0)
The Cambridge Introduction to Early Modern Drama, 1576–1642: An outdoor theatre repertoire: the Rose on Bankside (2014) (0)
Roman Frames of Mind (1998) (0)
Water Memory and the Art of Preserving (2018) (0)
The Cambridge Introduction to Early Modern Drama, 1576–1642: The boy actor: body, costume and disguise (2014) (0)
Scenes of hospitality (2014) (0)
Ben Jonson's Walk to Scotland: My gossip Jonson his Foot Voyage and mine into Scotland (2014) (0)
The Cultural Geography of Early Modern Drama, 1620–1650: Introduction: Entering the bear pit (2011) (0)
The genres of a walk (2014) (0)
Musicking Shakespeare: A Conflict of Theatres (review) (2008) (0)
‘It’s a very old story’: Myth and metamorphosis (2015) (0)
‘In Windsor Forest and at the Boar’s Head’: The ‘Falstaff Plays’ and English Music in the Early Twentieth Century (2007) (0)
Broken Harmony: Shakespeare and the Politics of Music. By Joseph M. Ortiz. (2012) (0)
Alternative Societies: The New Inn and the Late Plays (1998) (0)
The Cambridge Introduction to Early Modern Drama, 1576–1642: Introduction: Brick, lime, sand, plaster over lath and ‘new oaken boards’: the early modern playhouse (2014) (0)
The Cambridge Introduction to Early Modern Drama, 1576–1642: Conclusion: The wind and the rain: the wider landscape of early modern performance (2014) (0)
The Alternative Commonwealth of Women (1998) (0)
REDEEMING SHAKESPEARE’S SINS: MEASURE FOR MEASURE AND WILSON BARRETT’S THE SIGN OF THE CROSS (2010) (0)
Review of Shakespeare's Macbeth (directed by Lucy Pitman-Wallace) at Nottingham Playhouse, October–November 2008 (2009) (0)
Shakespeare and Contemporary Fiction: Theorizing Foundling and Lyric Plots, by Barbara L. Estrin. Newark: University of Delaware Press, 2012. xxvii + 255pp. ISBN 978-1-61149-369-6. $80.00 (cloth) (2021) (0)
Lauren Shohet Reading Masques: The English Masque and Public Culture in the Seventeenth Century (2013) (0)
The Cambridge Introduction to Early Modern Drama, 1576–1642: Tragicomedy (2014) (0)
The Cambridge Introduction to Early Modern Drama, 1576–1642: The dramaturgy of scenes (2014) (0)
Ben Jonson's Walk to Scotland: Jonson’s foot work (2014) (0)
Staging Spectatorship in the Plays of Philip Massinger , by Joanne Rochester (2011) (0)
Re-Making Jonson in the Digital World; or, Jonson, Our Contemporary? (2020) (0)
The Cambridge Introduction to Early Modern Drama, 1576–1642: List of illustrations (2014) (0)
Moving through the landscape (2011) (0)
Staging Spectatorship in the Plays of Philip Massinger (review) (2011) (0)
Editing, Text, Performance: New Directions in Medieval and Early Modern English Drama (2014) (0)
The Republic in the Fair (1998) (0)
Writing the city (2011) (0)
Ben Jonson's Walk to Scotland: Printed Works cited (2014) (0)
Cave, Richard, gen. ed., Michael Leslie, Eleanor Lowe, Lucy Munro, Marion O’Connor, Helen Ostovich, Julie Sanders, Elizabeth Schafer, Matthew Steggle, eds. Richard Brome Online. Edition (2022) (0)
Appropriation (2019) (0)
The Cultural Geography of Early Modern Drama, 1620–1650: ‘Hospitable fabrics’ (2011) (0)
Speaking for Nature: Women and Ecologies of Early Modern England. Sylvia Bowerbank. Baltimore: Johns Hopkins University Press, 2004. Pp. xii+288. (2007) (0)
Shakespeare and Classical Music (2011) (0)
The Cultural Geography of Early Modern Drama, 1620–1650: Into the woods (2011) (0)
Shakespeare and the Digital World: Shakespeare at a distance (2014) (0)
International Urban Design Studio : Shanghai 2010 (2010) (0)
Collaborative writing or the literary workshop (2013) (0)
Andrew Higson, Film England: Culturally English Filmmaking since the 1990s (2011) (0)
Kendra Preston Leonard Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations (2009) (0)
Stratfordian Perambulations (2019) (0)
The Commonwealth of Paper: Print, News and The Staple of News (1998) (0)
Shakespeare's Memory Theatre: Recollections, Properties, and Character (2012) (0)
Local Government and Personal Rule in A Tale of a Tub (1998) (0)
Jonson and Space (2013) (0)
Book Reviews (2008) (0)
‘Here, in the Friars’: the second Blackfriars indoor playhouse (2013) (0)
The Cambridge Introduction to Early Modern Drama, 1576–1642: City comedies (2014) (0)
Ben Jonson's Walk to Scotland: Brief additional passages (2014) (0)
Staging violence and the space of the stage (2014) (0)
Constructing alternative points of view (2015) (0)
The Commonwealth of Hell: The Devil is an Ass (1998) (0)
THE CITY OF STREETSBORO, OHIO SERVICE COMMITTEE MEETINGAGENDA (2013) (0)
Preface: an outline of approaches taken (2013) (0)
Borrowers and Lenders 7.1 (2012) (0)
Introduction: Refashioning Ben Jonson (1998) (0)
Musicking Shakespeare: A Conflict of Theatres. By Daniel Albright. (2008) (0)
Customized narratives: Copyright and the work of art in the age of technological reproducability (2015) (0)
CHAPTER 3.5 Romeo and Juliet with Chinese characteristics: Questions of usefulness and engagement in twenty-first-century China (2021) (0)
Cambridge Introductions to . . . (2013) (0)
Geographies of Performance in the Early Modern Midlands (2014) (0)

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Other Resources About Julie Sanders

en.wikipedia.org

What Schools Are Affiliated With Julie Sanders?

Julie Sanders is affiliated with the following schools:

Newcastle University