Kaja Silverman
American film theorist
Kaja Silverman's AcademicInfluence.com Rankings
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Philosophy
Kaja Silverman's Degrees
- PhD Film Studies University of California, Berkeley
- Masters Film Studies University of California, Berkeley
- Bachelors English University of California, Berkeley
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Why Is Kaja Silverman Influential?
(Suggest an Edit or Addition)According to Wikipedia, Kaja Silverman is an American art historian and critical theorist. She is currently the Katherine and Keith L. Sachs Professor of Art History at the University of Pennsylvania. She received B.A. and M.A. degrees in English from the University of California Santa Barbara and a Ph.D. in English from Brown University. Thereafter, she taught at Yale University, Trinity College, Simon Fraser University, Brown University, the University of Rochester and for many years was the Class of 1940 Professor in the Rhetoric Department at the University of California, Berkeley. She was awarded a Guggenheim Fellowship in 2008, and is currently the holder of an Andrew W. Mellon Foundation Distinguished Achievement Award.
Kaja Silverman's Published Works
Published Works
- The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1988) (644)
- Male Subjectivity at the Margins (1992) (534)
- The Threshold Of The Visible World (1995) (496)
- The subject of semiotics (1983) (389)
- Fragments of a fashionable discourse (1986) (93)
- Masochism and Male Subjectivity (1988) (72)
- Flesh of My Flesh (2020) (45)
- Speaking about Godard (2020) (42)
- Fassbinder and Lacan: A Reconsideration of Gaze, Look, and Image (1989) (39)
- The miracle of analogy or the history of photography (2015) (38)
- Reducing self-injury and corresponding self-restraint through the strategic use of protective clothing. (1984) (33)
- A Conversation with Leo Bersani (1997) (27)
- History, Figuration and Female Subjectivity in "Tess of the d'Urbervilles" (1984) (19)
- The Author as Receiver (2001) (17)
- What Is a Camera?, or: History in the Field of Vision (1993) (14)
- The Dream of the Nineteenth Century (2002) (13)
- All Things Shining (2019) (12)
- White Skin, Brown Masks: The Double Mimesis, or With Lawrence in Arabia (1989) (10)
- The Lacanian Phallus (1992) (7)
- In Her Place (1996) (5)
- Subject in/of/to History and His Story@@@Alice Doesn't: Feminism, Semiotics, Cinema@@@The Subject of Semiotics (1986) (5)
- Kaspar Hauser's "Terrible Fall" into Narrative (1981) (5)
- Seeing through the Gendered I: Recent Theories on Women and Cinema (1990) (4)
- Historical Trauma and Male Subjectivity (2017) (4)
- Apparatus for the Production of an Image (2000) (4)
- Looking with Leo (2010) (3)
- To Love to Work and to Work to Love — A Conversation about Passion (1993) (3)
- Visionary Politics? Feminist Interventions in the Culture of Images (2000) (3)
- Girl Love (2003) (3)
- Waiting, Hoping, among the Ruins of All the Rest (2011) (2)
- The Cure by Love (2005) (2)
- Too Early/Too Late: Male Subjectivity and the Primal Scene (2017) (1)
- Being and Nothingness@@@The Subject of Semiotics (1983) (0)
- HOW SOON IS NOW? (2020) (0)
- The Dominant Fiction (2017) (0)
- Learning to Dance: Advancing Women's Reproductive Health and Well-Being from the Perspectives of Public Health and Human Rights (2006) (0)
- A Woman's Soul Enclosed in a Man's Body: Femininity in Male Homosexuality (2017) (0)
- Love’s Sexualising the Space of (2006) (0)
- The Language of Care (2017) (0)
- Die Sprache der Dinge (2015) (0)
- HISTORY AND HIS STORY (2016) (0)
- Masochistic Ecstasy and the Ruination of Masculinity in Fassbinder's Cinema (2017) (0)
- Semiotics Unlimited@@@A Theory of Semiotics (1976) (0)
- Reflections on Gerhard Richter’s Cologne Cathedral Window (2019) (0)
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