Karen Redrobe | Academic Influence

Karen Redrobe's AcademicInfluence.com Rankings

Karen Redrobe

Philosophy

#13051

World Rank

#18315

Historical Rank

Logic

#10157

World Rank

#13000

Historical Rank

philosophy Degrees

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Philosophy

Karen Redrobe's Degrees

PhD Film Studies University of California, Berkeley
Masters Film Studies University of California, Berkeley
Bachelors English University of California, Berkeley

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Why Is Karen Redrobe Influential?

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According to Wikipedia, Karen Redrobe is Elliot and Roslyn Jaffe Endowed Professor in Film Studies and chair of the department of the History of Art at the University of Pennsylvania. Her research has dealt with film theory, animation, and feminism, among other topics.

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Karen Redrobe's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Relation of sexual abuse and bulimia in college women. (1990) (63)
Vanishing Women: Magic, Film, and Feminism (2003) (44)
Still moving : between cinema and photography (2008) (43)
Animating Film Theory (2014) (43)
Telescopes, Transparency, and Torture: Trevor Paglen and the Politics of Exposure (2007) (7)
Trends in police research: A Cross-sectional analysis of the 2000 literature (2003) (6)
Terrorism, Feminism, Sisters, and Twins: Building Relations in the Wake of the World Trade Center Attacks (2002) (6)
Crash: Cinema and the Politics of Speed and Stasis (2010) (5)
Animating Film Theory: An Introduction (2020) (5)
Nothing to Say: The War on Terror and the Mad Photography of Roland Barthes (2009) (5)
Trends in Police Research: A Cross‐Sectional Analysis of the 2002 Literature (2005) (5)
On Writing with Photography (2013) (5)
The Tortoise, the Hare, and the Constitutive Outsiders: Reframing Fast and Slow Cinemas (2016) (4)
Animating the Cinéfils: Alain Resnais and the Cinema of Discovery (2015) (4)
Impossible Spaces and Philosophical Toys: An Interview with Zoe Beloff (2006) (3)
Animation on Trial (2011) (3)
Film Falls Apart: Crash, Semen, and Pop (2003) (3)
Doing Death Over: Industrial Safety Films, Accidental Motion Studies, and the Involuntary Crash Test Dummy (2009) (3)
Trends in Police Research: A Cross‐Sectional Analysis of the 2003 Literature (2006) (3)
Gender, Power, and Pedagogy in Coco Fusco's Bare Life Study #1 (2005), A Room of One's Own (2005), and Operation Atropos (2006) (2009) (3)
Dead Woman Glowing: Karla Faye Tucker and the Aesthetics of Death Row Photography (2004) (2)
Violent Vanishings: Hitchcock, Harlan, and the Disappearing Woman (1996) (2)
What Cinema Wasn’t: Animating Film Theory’s Double Blind Spot (2014) (2)
Gender, Power, and Pedagogy in Coco Fusco's Bare Life Study (2017) (2)
Black Media Matters: Remembering The Bombing of Osage Avenue (2015) (2)
Crash Aesthetics: Amores perros and the Dream of Cinematic Mobility (2010) (1)
Trends in Research on Community Policing 2000-2004: A Review of the Published Literature (2007) (1)
Film Theory’s Animated Map (2015) (1)
Community Policing and Changing Crime Rates: Does What Police Do Matter? (2006) (1)
Trends in Police Research: A Cross‐Sectional Analysis of the 2001 Literature (2004) (1)
7 Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility (2020) (0)
MOTION PICTURES (2005) (0)
Double Negative: The Actor, the Non- Actor, and the Animated Documentary (2012) (0)
When Video Does Foster Care: Pepn Osorio's Trials and Turbulence (2005) (0)
Insubstantial Media: Ectoplasm, Exposure, and the Stillbirth of Film (2003) (0)
Surplus Bodies, Vanishing Women: Conjuring, Imperialism, and the Rhetoric of Disappearance, 1851–1901 (2003) (0)
Feminism in the Time of Violence (2004) (0)
2005 Movies, Terror, and the American Family (2020) (0)
The Afterlife of Weekend: Or, The University Found on a Scrapheap (2010) (0)
Back to the Future: The JSAH and New Media (2009) (0)
Animation, Abstraction, Sampling: Kota Ezawa in Conversation with Karen Beckman (2012) (0)
Mother Knows Best: Magic and Matricide (2003) (0)
Animation, Abstraction, Sampling (2012) (0)
Car Wreckers and Home Lovers: The Automobile in Silent Slapstick (2010) (0)
Violent Vanishings: Hitchcock, Harlan, and the Politics of Prestidigitation (2003) (0)
3. MOTION PICTURES (2009) (0)
Disaster Time, the Kennedy Assassination, and Andy Warhol’s Since (1966/2002) (2010) (0)
The Archive, the Phallus, and the Future (2007) (0)
Trends in Police Research 2000-2003 (2005) (0)
“Jerky Nearness”: Spectatorship, Mobility, and Collision in Early Cinema (2010) (0)
Shooting Stars, Vanishing Comets: Bette Davis and Cinematic Fading (2003) (0)

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Other Resources About Karen Redrobe

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What Schools Are Affiliated With Karen Redrobe?

Karen Redrobe is affiliated with the following schools: