Karin Bijsterveld

Karin Bijsterveld's AcademicInfluence.com Rankings

Karin Bijsterveld

Philosophy

#5295

World Rank

#8055

Historical Rank

Logic

#9276

World Rank

#11737

Historical Rank

philosophy Degrees

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Philosophy

Karin Bijsterveld's Degrees

PhD Musicology University of Amsterdam
Masters Musicology University of Amsterdam
Bachelors Musicology University of Amsterdam

Why Is Karin Bijsterveld Influential?

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According to Wikipedia, Karin Theda Bijsterveld is a Dutch historian. She is a professor of Science, Technology, and Modern Culture at Maastricht University. Bijsterveld is active in the field of sound studies. The Royal Netherlands Academy of Arts and Sciences has called her one of the founders of the field.

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Karin Bijsterveld's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

The Oxford Handbook of Sound Studies (2011) (162)
Mechanical Sound: Technology, Culture, and Public Problems of Noise in theTwentieth Century (2008) (141)
Sound Studies (2004) (90)
Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (2009) (71)
The Diabolical Symphony of the Mechanical Age: (2001) (60)
New Keys to the World of Sound (2011) (57)
"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music (2003) (53)
Soundscapes of the Urban Past : Staged Sound as Mediated Cultural Heritage (2013) (50)
Women Walking through Plans: Technology, Democracy, and Gender Identity (2000) (49)
Sound and Safe: A History of Listening Behind the Wheel (2013) (45)
Listening to machines: industrial noise, hearing loss and the cultural meaning of sound (2006) (43)
Breaking into a World of Perfection (2004) (38)
Sound Studies: New Technologies and Music (2011) (36)
Acoustic Cocooning (2010) (29)
Sounds Convincing: Modes of Listening and Sonic Skills in Knowledge Making (2015) (27)
Sonic Skills (2019) (26)
The diabolical symphony of the mechanical age. Technology and symbolism of sound in European and North American noise abatement campaign, 1900-40 (2003) (21)
"The City of Din": Decibels, Noise, and Neighbors in the Netherlands, 1910-1980 (2003) (18)
The Public Historian (2015) (18)
'What do I do with my tape recorder …?': Sound hunting and the sounds of everyday Dutch life in the 1950s and 1960s (2004) (13)
Ears-on Exhibitions: Sound in the History Museum (2015) (11)
The Psychophysical Ear : Musical Experiments, Experimental Sounds, 1840-1910 (2014) (10)
Storing Sound Souvenirs. The Multi-Sited Domestication of the Tape Recorder (2009) (10)
Listening to the Sounding Objects of the Past: The Case of the Car (2013) (10)
Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry (2011) (9)
Composing Claims on Musical Instrument Development: A Science and Technology Studies' Contribution (2010) (8)
The Corporeality of Listening Experiencing Soundscapes on Audio Guides (2013) (7)
Redesigning the American Dream: Gender, Housing, and Family Life (review) (2003) (6)
A Serville Imitation: Disputes about Machines in Music, 1910-1930 (2002) (5)
Introduction: Long Lives, Silent Witnesses—Elderly Women in the Past (2000) (4)
The Audible Past: Cultural Origins of Sound Reproduction (review) (2004) (3)
Sounds Familiar: Intermediality and Remediation in the Written, Sonic and Audiovisual Narratives of Berlin Alexanderplatz (2013) (3)
“Crying Whenever Monday Comes”: Older Unmarried Women in the Netherlands and the Game of Comparison, 1955-1980 (2000) (3)
A Booming Business: The Search for a Golden Standard of Indicating Aircraft Noise (2006) (3)
Slicing Sound: Speaker Identification and Sonic Skills at the Stasi, 1966–1989 (2021) (3)
Shifting Sounds: Textualization and Dramatization of Urban Soundscapes (2013) (3)
Science and Technology Studies at Maastricht University: An Anthology of Inaugural Lectures (2010) (2)
Ethnography and Archival Research in Studying Cultures of Sound (2016) (2)
Instruments and Innovation (2015) (2)
Beyond Echoic Memory: Introduction to the Special Issue on Auditory History. (2015) (2)
New Technologies and Music (2016) (2)
A Wall of Sound (2012) (1)
A Captive Audience: Traffic Radio as Guard and Escape (2015) (1)
Sonic Signs: Turning to, Talking About, and Transcribing Sound (2018) (1)
Electronic and Computer Music (review) (2006) (1)
Shifting Sounds (2013) (1)
Sound waves of protest: noise abatement movements (2018) (1)
Resounding Contestation: The Ambiguous Status of Sonic Skills (2018) (1)
Why Historians of the Auditory Urban Past Might Consider Getting Their Ears Wet (2013) (1)
Traffic noise, honking and urban planning in Amsterdam in 1930 (2014) (1)
Staging the Kinetic: How music automata sensitise audiences to sound art (2018) (1)
Sensation, Discretion, and Complaining with Style: Comment on Leonardo Cardoso, “Sound-Politics in São Paulo: Noise Control and Administrative Flows" (2018) (1)
Format theory or revitalizing Science and Technology Studies (2014) (0)
Eavesdropping on Europe: The Tape Recorder and East-West Relations among European Recording Amateurs in the Cold War Era (2013) (0)
Power of Place (1995), a book on the experience of urban space by ethnic groups, that is quite remarkable (2003) (0)
Teaching Sonic Literacy (2012) (0)
Driving Away from Noise: On How the Car Became a Place to Unwind (2010) (0)
Driving in Control (2013) (0)
A Continuous Buzz: The Ongoing Charge of Industrial Noise (2008) (0)
Histories of Hearing (2022) (0)
Analyzing Textualized Sound (2007) (0)
In Reply (2022) (0)
A Wall of Sound: The Gramophone, the Radio, and the Noise of Neighbours. (2013) (0)
Alexandra Hui.The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840– 1910. xxii + 233 pp., apps., bibl., index. Cambridge, Mass./London: MIT Press, 2012. $34 (cloth). (2014) (0)
Review of James Mansell, “The Age of Noise in Britain: Hearing Modernity” (2018) (0)
Interviewed by Jolien Linssen, Turning the spotlight on excellence (2013) (0)
Like a Boxed Calf in a Traffic Drain (2013) (0)
Sonic Persuasion: Reading Sound in the Recorded Age (review) (2012) (0)
Mobility Concepts and the Construction of the Car as Acoustic Cocoon in Europe, 1930-1970 (2008) (0)
The Art of Noises: The Celebration and Control of Mechanical Sound in Music (2008) (0)
Technological Cultures of Sound : Valorization Case Study (2017) (0)
Review of: Mansell, James: The Age of Noise in Britain : Hearing Modernity. Urbana: University of Illinois Press 2016 (2018) (0)
Ensembles of Sonic Skills: Conclusions (2018) (0)
2. History (2014) (0)
Talking You Through (2019) (0)
Auditory Privacy and Sonic Relief in the Car (2013) (0)
Sonic Skills in the Staging of Music History (2021) (0)
Modes of Listening: Why, How and to What? (2018) (0)
Infernal Din, Heavenly Tunes: Repertoires of Dramatizing Sound (2008) (0)
Listening to Technology (2008) (0)
Sound technologies and cultural practices: how analogies make us listen to transformations in art and culture (2013) (0)
Local Eardonances: Raymond Murray Schafer’s Contribution to the History and Present-Day Practice of Noise Abatement (2019) (0)
Popping Up: The Continual Return of Sound and Listening (2018) (0)
A sound foundation : the early years of the Dutch Society for Acoustics (2018) (0)
It Shuts with a Comforting Sound (2013) (0)
Humming Engines and Moving Radio (2013) (0)
A Booming Business: The Search for a Practical Aircraft Noise Index (2008) (0)
Domestic Soundscapes. A History of Neighbours and Noise Control in the Netherlands (1999) (0)
French Architects and Engineers in the Age of Enlightenment (review) (2000) (0)
Instruments of Torture: Traffic Noise as Uncivilized Behavior (2008) (0)
A Sound History of Technological Culture (2008) (0)
Listening for Knowledge: Introduction (2018) (0)
Format theory or revitalizing Science and Technology Studies (2014) (0)
Book Review: Researching Society and Culture, Doing Cultural Studies: The Story of the Sony Walkman (1999) (0)

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Karin Bijsterveld's Academic­Influence.com Rankings