Larry Polansky

Larry Polansky's AcademicInfluence.com Rankings

Larry Polansky

Communications

#7938

World Rank

#10817

Historical Rank

#3489

USA Rank

communications Degrees

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Communications

Why Is Larry Polansky Influential?

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According to Wikipedia, Larry Polansky is a composer, guitarist, mandolinist, and professor emeritus at Dartmouth College and the University of California, Santa Cruz. He is a founding member and co-director of Frog Peak Music : . He co-wrote HMSL with Phil Burk and David Rosenboom.

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Larry Polansky's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Temporal Gestalt Perception in Music (1980) (236)
Music and movement share a dynamic structure that supports universal expressions of emotion (2012) (159)
Possible and Impossible Melody: Some Formal Aspects of Contour (1992) (37)
Paratactical Tuning: An Agenda for the Use of Computers in Experimental Intonation (1987) (19)
HMSL (Hierarchical Music Specification Language): A Theoretical Overview (1990) (16)
HMSL: Overview (Version 3.1) and Notes on Intelligent Instrument Design (1987) (14)
The Need of Perception for the Perception of Needs (2017) (12)
A Mathematical Model for Optimal Tuning Systems (2021) (12)
Morphological Metrics: An Introduction to a Theory of Formal Distances (1987) (12)
A few more words about James Tenney: dissonant counterpoint and statistical feedback (2011) (11)
The music of the voyager interstellar record (1993) (11)
"The Music of American Folk Song": and Selected Other Writings on American Folk Music (2001) (10)
Spectral Mutation in Soundhack (1996) (9)
Live Interactive Computer Music in HMSL, 1984-1992 (1994) (9)
Morphological Mutation Functions: Applications to Motivic Transformation and a New Class of Cross-Synthesis Techniques (1991) (8)
HMSL (Hierarchical Music Specification Language): A Real-Time Environment for Formal, Perceptual and Compositional Experimentation (1985) (7)
More on Morphological Mutation Functions: Recent Techniques and Developments (1992) (7)
“Total Eclipse”: The Music of Johanna Magdalena BeyerAn Introduction and Preliminary Annotated Checklist (1996) (7)
Technoscience Art: The Next Step (2017) (6)
Bedhaya Guthrie/ Bedhaya Sadra for Voices, Kemanak, Melody Instruments, and Accompanimental Javanese Gamelan (1996) (4)
A Review of Arts/Sciences: Alloys by Iannis Xenakis (2017) (4)
Interview with David Rosenboom (1983) (4)
Visual Art, Sound, Music and Technology (2017) (4)
The Composition of Auditory Space: Recent Developments in Headphone Music (2017) (4)
Cocks Crow, Dogs Bark: New Compositional Intentions (2016) (3)
17 Gloomy Sentences (and commentary) at the turn of the millennium (in the form of an editorial) (2016) (2)
Improvisation, Heterophony, Politics, Composition (2021) (2)
THE COURTS AND PROJECT SEARCH (2016) (1)
A Pentalustral Interlude (2015) (1)
Spectral Mutation in Soundhack: A Brief Description (1995) (1)
The Mills College Center for Contemporary Music’s Seminar in Formal Methods Series: A Documentary Survey (1987) (1)
Collaboration: Tap Scored and Notes on the Three Monk Tunes for Tap Dancer (2017) (1)
PROFILE: CHRISTIAN WOLFF (2014) (1)
Operational Audit of the Birmingham, Alabama Municipal Court, Alabama (1991) (0)
News of Music: Access to Discussion and Information, Electronic Cottage: International Magazine ed. by Hal McGee (review) (2016) (0)
A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF MUSICAL ARTS in COMPOSITION by (2017) (0)
Why Am I Symmetrical—Or Almost? (2017) (0)
On the Wires of Our Nerves: The Art of Electroacoustic Music by Robin Julian Heifetz (review) (2017) (0)
The Sackbut Blues by Gale Young (review) (1991) (0)
From Scratch: Writings in Music Theory (2014) (0)
A Review of The Music of Ben Johnston by Heidi Von Gunden (1990) (0)
Recent Developments at the Center for Contemporary Music, Mills College (1985) (0)
Leonardo Network News (2015) (0)
The adventures of Tom Thumb : for piano and narrator (2004) (0)
20th Century Microtonal Notation by Gardner Read (review) (2016) (0)
Comment on David Carrier's "Theoretical Perspectives on the Arts, Sciences and Technology" (1986) (0)
Being a Composer in America (1988) (0)
Computer music (2003) (0)
A Review of Ruth Crawford Seeger: Memoirs, Memories, Music by Matilda Guame (2017) (0)
Technology Comes to the Courts (2016) (0)
The New Jersey Enforcement Court Pilot Program: A Case Study of a Comprehensive and Integrated Justice System Approach to the Enforcement of Community Ordered Financial & Community Service Sanctions (Parts 1&2) (1995) (0)
Live Interactive Intelligent Computer Music: Notes on Pieces Done in HMSL, 1984-91 (1991) (0)
Hierarchical Music Specification Language (1991) (0)
Cocks Crow, Dogs Bark: New Compositional Intentions (2016) (0)
The Future of Music/The Future of Leonardo (2016) (0)
Follow the Bouncing Ball : Music , Motion , and Emotion (2010) (0)
PROBLEM DEFINITTON STUDY TO REVI CRIMINAL CASE SCHEDULING SYSTEM IN LANCASTER COUNTY, PENNSYLVANIA COURT OF COMMON PLEAS: (2004) (0)
Studio Report: The Bregman Electronic Music Studio at Darthmouth College and the MA Program in Electro-Acoustic Music (1996) (0)
Owt: a Real-Time Optimal Tuning Application (2009) (0)
The Future of Music (2017) (0)
Responses to the Editorial in "Computer Music Journal" 15:3 (1991) (0)
Rhythmicon Relationships , Farey Sequences , and James Tenney ’ s Spectral CANON for CONLON Nancarrow ( 1974 ) (2012) (0)
Description of an interactive, sound making, online computer music tutorial web book. Available for any browser on a Windows or Apple platform (2002) (0)

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Other Resources About Larry Polansky

en.wikipedia.org

What Schools Are Affiliated With Larry Polansky?

Larry Polansky is affiliated with the following schools:

Dartmouth College