Laura Mulvey
#23,981
Most Influential Person Now
British filmmaker
Why Is Laura Mulvey Influential?
(Suggest an Edit or Addition)According to Wikipedia, Laura Mulvey is a British feminist film theorist and filmmaker. She was educated at St Hilda's College, Oxford. She is currently professor of film and media studies at Birkbeck, University of London. She previously taught at Bulmershe College, the London College of Printing, the University of East Anglia, and the British Film Institute.
Laura Mulvey's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Visual Pleasure and Narrative Cinema (1975) (4464)
- Visual and Other Pleasures (1989) (1311)
- Death 24x a Second: Stillness and the Moving Image (2006) (336)
- Art in Theory 1900-1990: An Anthology of Changing Ideas (1993) (280)
- Afterthoughts on ‘Visual Pleasure and Narrative Cinema’ inspired by King Vidor’s Duel in the Sun (1946) (1989) (173)
- Fetishism and Curiosity (1996) (160)
- Afterthoughts on "Visual Pleasure and Narrative Cinema" inspired by "Duel in the Sun" (1990) (158)
- Notes on Sirk and Melodrama (1989) (81)
- Death 24x a Second (2011) (56)
- Some Thoughts on Theories of Fetishism in the Context of Contemporary Culture (1993) (45)
- Changes: Thoughts on Myth, Narrative and Historical Experience (1987) (39)
- Visual and other pleasures (2nd Edition) (2009) (28)
- Godard; Images, Sounds, Politics (1980) (27)
- Looking at the Past from the Present: Rethinking Feminist Film Theory of the 1970s (2004) (23)
- Film, Feminism and the Avant-Garde (1989) (21)
- VISUAL PLEASURE AND NARRATIVE CINEMA (UK, 1975) (2019) (20)
- Discourses Conversations in Postmodern Art and Culture (1990) (16)
- Fears, Fantasies and the Male Unconscious or ‘You Don’t Know What is Happening, Do You, Mr Jones?’ (1989) (12)
- British Feminist Film Theory's Female Spectators: Presence and Absence (1989) (11)
- Passing time: reflections on cinema from a new technological age (2004) (11)
- A Clumsy Sublime (2007) (11)
- Xala, Ousmane Sembene 1976: The carapace that failed (1991) (9)
- Fetishism and curiosity : cinema and the mind's eye (2013) (9)
- Frida Kahlo and Tina Modotti (1989) (8)
- Unmasking the Gaze: Some Thoughts on New Feminist Film Theory and History (2001) (8)
- Repetition and Return (2007) (8)
- Feminist Film Studies 40 Years After ‘Visual Pleasure and Narrative Cinema’, a Triologue (2015) (8)
- The Oedipus Myth: Beyond the Riddles of the Sphinx (1989) (8)
- Off Screen: Women and Film in Italy (1988) (8)
- Vesuvian topographies: the eruption of the past in journey to Italy (2001) (7)
- Feminsms: Diversity, Difference and Multiplicity in Contemporary Film Cultures (2015) (7)
- Riddles of the Sphinx: Script (1977) (7)
- Penthesilea, Queen of the Amazons (1974) (6)
- Melodrama Inside and Outside the Home (1989) (6)
- Cinematic gesture: The ghost in the machine (2015) (6)
- A Sudden Gust of Wind (after Hokusai): from After to Before the Photograph (2007) (6)
- Reflections on disgraced monuments (1999) (5)
- Visions of struggle in women's filmmaking in the Mediterranean (2010) (5)
- The 'pensive spectator' revisited: time and its passing in the still and moving image (2003) (5)
- The index and the uncanny (2001) (5)
- Images of Women, Images of Sexuality: Some Films by J. L. Godard (1989) (5)
- The Spectacle is Vulnerable: Miss World, 1970 (1989) (4)
- Some Reflections on the Cinephilia Question (2009) (4)
- Visibly Female : Feminism and Art Today : An Anthology (1987) (4)
- Compilation film as 'deferred action': Vincent Monnikendam's Mother Dao, the turtle-like (2007) (4)
- Introduction: 1970s Feminist Film Theory and the Obsolescent Object (2015) (4)
- Rear projection and the paradoxes of Hollywood realism (2011) (3)
- Xala, Ousmane Sembene (1974): The Carapace That Failed (1993) (3)
- Le Mépris (Jean-Luc Godard 1963) and its story of cinema: a "fabric of quotations" (2011) (3)
- Impending Time: Mary Kelly’s Corpus (1989) (2)
- Daddy: The Subversive Potential of an Aesthetic of Masochism (with Original 1974 Notes for Screening) (2011) (2)
- Love in two British films of the late silent period: Hindle Wakes (Maurice Elvey, 1927) and Piccadilly (E.A. Dupont, 1929) (2011) (2)
- Piacere visivo e cinema narrativo (2000) (2)
- The Earrings of Madame de (2009) (2)
- Thoughts on a Conversational Approach to Race Relations (2007) (2)
- Film, Corporeality, Transgressive Cinema: A Feminist Perspective (2015) (2)
- Far from Heaven (Film) (2003) (2)
- Afterword: Some reflections on the engagement of feminism with film from the 1970s to the present day (2018) (2)
- A Neon Sign, A Soup Tureen: The Jeanne Dielman Universe (2016) (2)
- Laura Mulvey and Bollywood songs : male gaze and female spectatorship (2007) (2)
- Fassbinder and Sirk (1989) (2)
- 29 THE CARAPACE THAT FAILED: OUSMANE SEMBENE'S XALA (2000) (2)
- Then and now: cinema as history in the light of new media and new technologies (2003) (2)
- Woman as Image, Man as Bearer of the Look (2017) (2)
- Other Cinemas: Politics, Culture and Experimental Film in the 1970s (2017) (2)
- Laura Mulvey in conversation with Griselda Pollock (2010) (2)
- Dislocations: Some Reflections on the Colonial Compilation Film (2011) (2)
- 23. Riddles as Essay Film (2016) (2017) (2)
- From Cinephilia to Film Studies (2020) (2)
- Death drives: Hitchcock's 'Psycho' (2001) (2)
- Phantom of the Circus (2011) (1)
- The pleasure principle (2015) (1)
- ‘Magnificent Obsession’: An Introduction to the Work of Five Photographers (1989) (1)
- Social Realism, Melodrama, and the Mute Text: Rakhshan Bani-Etemad’s The May Lady and Under the Skin of the City (2019) (1)
- Imitation of life: new forms of spectatorship* (2017) (1)
- Godard's contempt: essays from The London Consortium (2012) (1)
- Cinema, synch sound and Europe 1929: reflections on coincidence (2010) (1)
- Max Ophuls's auteurist adaptations (2011) (1)
- From a faculty seminar with Laura Mulvey: reflections on visual pleasure (2017) (1)
- The Death Drive (2004) (1)
- DESPERATELY SEEKING DIFFERENCE JACKIE STACEY CONSIDERS DESIRE BETWEEN WOMEN IN NARRATIVE CINEMA (2008) (0)
- I. Introduction A. a Political Use of Psychoanalysis (2007) (0)
- Preface: Godard's Contempt (2011) (0)
- Notes on Citizen Kane (1998) (0)
- The Feminist Spectator : an Interview (Art Forum) (1996) (0)
- Mary Kelly: Interim (1986) (0)
- The British bridge (2013) (0)
- Dialogue with Spectatorship: Barbara Kruger and Victor Burgin (1989) (0)
- Detail, digression, death: The movies in Chris Petit's film Negative Space (2002) (0)
- Symmetry and Incident (2019) (0)
- The 200 Avant-Gardes: Exploring The Legacy Of 1970’s UK Independent Cinema (2015) (0)
- Death 24X a second: the inorganic body and the cinema (2003) (0)
- Between Melodrama and Realism: Under the Skin of the City (2001) (2003) (0)
- The Striking of the Hour (2014) (0)
- Globalization, Cosmopolitanism, Politics, and the Citizen (2008) (0)
- University of the Free State, Winter 2014 (2015) (0)
- Feminist Cinema as Counter Cinema: Is Feminist Cinema Counter Cinema? (2015) (0)
- University of the Free State, Winter 2014 : reflections (2015) (0)
- “She’s Gazing like the Man”: Parallels between Laura Mulvey’s and John Berger’s Feminist Film Theory in Andy Flickman’s She’s the Man (2018) (0)
- The Multiplicity of a Still : Considerations of a Still from Andrei Tarkovsky ’ s Stalker (2018) (0)
- Compulsion to Repeat: Max Ophüls’s Lola Montès (2014) (0)
- Towards Other Cinemas : a critical re-assessment of 1970s independent film and video (2017) (0)
- Laura Mulvey in conversation with Catherine Elwes: November 2015 (2015) (0)
- Mark Lewis: Cold Morning (2009) (0)
- Editor's Introduction (2013) (0)
- British experimental television (2007) (0)
- Introduction to Jacques Lacan , Module on Psychosexual Development JACQUES LACAN has (2005) (0)
- Visuell lust och narrativ film (2022) (0)
- Colour and the Moving Image (2008) (0)
- The problem of America: the problem of sound (2001) (0)
- Parachute : The Anthology : 1975 - 2000 : Photography, Film, Video and New Media : Vol. III (2012) (0)
- Other cinemas: politics, culture and experimental cinema in 1970s Britain (2017) (0)
- ‘She was the most beautiful creature I ever saw’: visualising replacement in Hitchcock’s Rebecca (2018) (0)
- Love, History, and Max Ophuls: Repetition and Difference in Three Films of Doomed Romance (2013) (0)
- The Metaphor of the Beautiful Automaton Reanimated: (2021) (0)
- THE MATERIAL POLITICS OF LOOKING : LAURA MULVEY , REAR WINDOW , AND PSYCHO by TYLER THEUS Under the Direction of Dr (2015) (0)
- Thoughts on Marilyn Monroe: emblem and allegory (2017) (0)
- Reply to MacKinnon and Sorfa (2001) (0)
- Age Difference : Women in Japanese and American Film (2011) (0)
- The Young Modern Woman of the 1920s : A Convergence of Feminist Film Theory and Gender Studies. (2007) (0)
- Response to Parrillo (2007) (0)
- REVISIONS OF FAIRYTALES (2004) (0)
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Other Resources About Laura Mulvey
What Schools Are Affiliated With Laura Mulvey?
Laura Mulvey is affiliated with the following schools:
