Lawrence Kramer

Q: What Schools Are Affiliated With Lawrence Kramer

Lawrence Kramer is affiliated with the following schools: Yale University, Columbia University, Fordham University, University of Pennsylvania

Lawrence Kramer 's AcademicInfluence.com Rankings

Lawrence Kramer

Philosophy

#6477

World Rank

#9518

Historical Rank

#1529

USA Rank

Logic

#4683

World Rank

#6004

Historical Rank

#820

USA Rank

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Philosophy

Why Is Lawrence Kramer Influential?

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According to Wikipedia, Lawrence Kramer is an American musicologist and composer. His academic work is closely associated with the humanistic, culturally oriented New Musicology, now more often referred to as cultural or critical musicology. Writing in 2001, Alastair Williams described Kramer as a pioneering figure in the disciplinary change that brought musicology, formerly an outlier, into the broader fold of the humanities.

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Lawrence Kramer 's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

The People Themselves: Popular Constitutionalism and Judicial Review (2004) (286)
Music as Cultural Practice, 1800-1900@@@Music and Society: The Politics of Composition, Performance, and Reception (1988) (268)
Classical Music and Postmodern Knowledge (2023) (185)
Music as Cultural Practice, 1800-1900 (1991) (158)
Musical Meaning: Toward a Critical History (2001) (137)
Music and Poetry: The Nineteenth-Century and After (1984) (112)
Beyond the Soundtrack: Representing Music in Cinema (2007) (104)
Reports from the holocaust: The making of an AIDS activist (1989) (66)
Opera and Modern Culture: Wagner and Strauss (2004) (57)
After the Lovedeath: Sexual Violence and the Making of Culture (1997) (39)
Musical Narratology: A Theoretical Outline (1991) (35)
Culture and musical hermeneutics: The Salome complex (1990) (34)
Why Classical Music Still Matters (2007) (33)
The Mysteries of Animation: History, Analysis and Musical Subjectivity (2001) (29)
Musicology and Meaning (2003) (28)
Franz Schubert: Sexuality, Subjectivity, Song (1998) (25)
RECALLING THE SUBLIME: THE LOGIC OF CREATION IN HAYDN’S CREATION (2009) (23)
A system of neglect: Indian boarding schools. (1974) (21)
Haydn's Chaos, Schenker's Order; Or, Hermeneutics and Musical Analysis: Can They Mix? (1992) (18)
The Mirror of Tonality: Transitional Features of Nineteenth-Century Harmony (1981) (17)
Beyond Words and MusicAn Essay on Songfulness (2001) (14)
Beyond the Soundtrack (2007) (12)
Dangerous Liaisons: The Literary Text in Musical Criticism (1989) (12)
Musical Meaning and Human Values (2009) (11)
Music, Historical Knowledge, and Critical Inquiry: Three Variations on The Ruins of Athens (2005) (10)
Powers of Blackness: Africanist Discourse in Modern Concert Music (1996) (9)
Music and text: critical inquiries: Music and representation: the instance of Haydn's Creation (1992) (9)
The Thought of Music (2016) (9)
The Devoted Ear (2009) (9)
Walt Whitman and Modern Music: War, Desire, and the Trials of Nationhood (2000) (8)
Chopin at the Funeral: Episodes in the History of Modern Death (2001) (8)
Fin-de-siècle fantasies: Elektra, degeneration and sexual science (1993) (8)
Music, Metaphor and Metaphysics (2004) (8)
Contesting Wagner: The Lohengrin Prelude and Anti-anti-Semitism (2001) (6)
Romantic Meaning in Chopin's Prelude in A Minor (1985) (6)
Language and the Human (2019) (6)
Undercover Anti-Populism (2005) (6)
Musical MeaningToward a Critical History (2001) (6)
The Strange Case of Beethoven's Coriolan: Romantic Aesthetics, Modern Subjectivity, and the Cult of Shakespeare (1995) (5)
The Harem Threshold: Turkish Music and Greek Love in Beethoven's "Ode to Joy" (1998) (5)
Performance and Social Meaning in the Lied: Schubert’s “Erster Verlust” (1994) (5)
The Return of the Gods: Keats to Rilke (1978) (5)
Music Criticism and the Postmodernist Turn: In Contrary Motion with Gary Tomlinson (2017) (4)
Decadence and Desire: The "Wilhelm Meister" Songs of Wolf and Schubert (1987) (4)
Analysis Worldly and Unworldly (2004) (4)
The Schubert Lied: Romantic Form and Romantic Consciousness (2017) (4)
Classical Music, Virtual Bodies, Narrative Film (2013) (4)
Classical Music for the Posthuman Condition (2013) (4)
The Great American Opera: Klinghoffer, Streetcar, and the Exception (2008) (4)
The Cultural Field (2016) (4)
Song as Paraphrase (2016) (4)
Recognizing Schubert: Musical Subjectivity, Cultural Change, and Jane Campion’s The Portrait of a Lady. (2002) (4)
Music, cultural mixture, and the aesthetic (2003) (3)
Oracular Musicology; or, Faking the Ineffable (2012) (3)
Music Recomposed: Remarks on the History of the Same (2010) (3)
The Wodwo Watches the Water Clock: Language in Postmodern British and American Poetry (1977) (3)
The Sound of Meaning (2019) (3)
Song and Story: Unsung Voices: Opera and Musical Narrative in the Nineteenth Century . Carolyn Abbate. (1992) (3)
Gender and Sexuality in the Prelude: The Question of Book Seven (1987) (3)
Song Acts: Writings on Words and Music (2017) (3)
Opera as Case History: Freud’s Dora, Strauss’s Salome, and the Perversity of Modern Life (2015) (3)
Fidelity to History--and through It (1997) (3)
Of A Sudden (2011) (3)
Schorske's Ring Cycle, Schoenberg's "Liebestod" (1981) (2)
Music and Poetry: The Nineteenth Century and After (1985) (2)
From Clockwork to Puslation: Music and Artificial Life in the Eighteenth Century (2016) (2)
The kitten and the tiger: Tovey's Haydn (2005) (2)
In Lieu Of A Preface (2019) (2)
Expression and Truth (2012) (2)
Philosophizing Musically: Reconsidering Music and Ideas (2014) (2)
Odradek Analysis: Reflections on Musical Ontology (2004) (2)
Music and the Politics of Memory: Charles Ives's A Symphony: New England Holidays (2008) (2)
The Talking Wound and the Foolish Question: Symbolization in Parsifal (2007) (2)
Whose Classical Music? Reflections on Film Adaptation (2009) (2)
Hugo Wolf: Subjectivity in the Fin-de-Siècle Lied [1996/2009] (2017) (2)
Criticizing Criticism, Analyzing Analysis (1992) (2)
Rosetta Tones: The Score as Hieroglyph (2016) (2)
The Schubert Lied: Romantic Form and Romantic Consciousness [1986/2016] (2017) (2)
Wagner's Gold Standard: Tannhäuser and the General Equivalent (2009) (2)
Song and Story (1992) (2)
The Shape of Post-Classical Music (1979) (2)
A New Self: Schumann at 40 (2007) (2)
The Hum of the World (2019) (2)
Value and Meaning in The Magic Flute (2017) (2)
Victorian Sexuality and Tintern Abbey in Wordsworth Among the Victorian Poets. (1986) (1)
Expressive Doubling: Beethoven's Two-Movement Piano Sonatas and Romantic Literature (1988) (1)
Speaking of Music (2013) (1)
One Coughs, the Other Dances: Freud, Strauss, and the Perversity of Modern Life (2009) (1)
Hart Crane's 'The Bridge': An Annotated Edition (2011) (1)
Revenants: Masculine Thresholds in Schubert, James, and Freud (1996) (1)
A Sensible Emptiness: Robert Bly and the Poetics of Immanence (1983) (1)
The Fate of Melody and the Dream of Return (2007) (1)
Score and Performance, Performance and Film (2007) (1)
Schorske's Ring Cycle, Schoenberg's "Liebestod": Fin-de-Siecle Vienna: Politics and Culture . Carl Schorske. (1981) (1)
The Voice of/in Opera (2014) (1)
Chopin's Rogue Pitches: Artifice, Personification, and the Cult of the Dandy in Three Later Mazurkas (2012) (1)
Opera: Two or Three Things I Know about Her (2001) (1)
Consciousness Redoubled: Music, Race, and Three Riffs on Lenox Avenue (1998) (1)
Saving the Ordinary: Beethoven's 'Ghost' Trio and the Wheel of History (2017) (1)
Nicholas Cook. Music, lmagination, and Culture. Oxford: Oxford University Press / Clarendon Press, 1990.265 pp. (1992) (1)
Video as JugendstilSalome, Visuality, and Performance (2004) (1)
4. Melodic Trains: Music In Polanski’S The Pianist (2019) (1)
Charging the Canons (1994) (1)
The Voice of PersephoneMusical Meaning and Mixed Media (2001) (1)
Collaborative Form: Studies in the Relations of the Arts (1993) (1)
Critical Musicology and the Responsibility of Response: Selected Essays (2019) (1)
A View of the Water (2011) (1)
Signs Taken for Wonders: Words, Music, and Performativity (2002) (1)
“Longindyingcall”: of Music, Modernity, and the Sirens [2006] (2017) (1)
Hunter in the Snow (2011) (1)
One. Prospects: Postmodernism and Musicology (1995) (0)
Overtones of Culture@@@Bela Bartok and Turn-of-the-Century Budapest@@@The Queen's Throat: Opera, Homosexuality and the Mystery of Desire@@@After Lovedeath: Sexual Violence and the Making of Culture@@@Opera in History: From Monteverdi to Cage (1999) (0)
Letters: Lawrence Kramer Responds (2017) (0)
Forty-Part Motets (2019) (0)
Like Falling Leaves (2018) (0)
The Mirror of Silence (2019) (0)
Writing the Soundscape (2019) (0)
Euphony: Repossession (Beckett) (2019) (0)
Literature of the Romantic Period, 1750–1850. R. T. Davies and B. G. Beatty, eds. (1977) (0)
4. Franz Liszt and the Virtuoso Public Sphere: Sight and Sound in the Rise of Mass Entertainment (2019) (0)
Introduction: Battle Music, Ballads, and Their Afterlives (2016) (0)
“Waiting to Be the Music” (2019) (0)
Reviews of Books (1975) (0)
Música y poesía: introducción (2002) (0)
Modern Madrigalisms: Elliott Carter and the Aesthetics of Art Song (2014) (0)
Forms of Time in Nineteenth-Century Music: Geology, the Railway, and the Novel (2021) (0)
But not for me: Pathology, modernity, and the love song (2003) (0)
1. Opera (2019) (0)
A Prefatory Note (2006) (0)
Introduction. Sounding Out: Musical Meaning and Modern Experience (2019) (0)
Song Reconsidered: Words and Music, Music and Poetry (2017) (0)
Modernity's Cutting EdgeThe Salome Complex (2004) (0)
To the Life: The Image (2019) (0)
"Franz Schubert: Sexuality, Subjectivity, Song", Lawrence Kramer, Cambridge-New York 1998 : [recenzja]. (2006) (0)
8. The Voice of Persephone: Musical Meaning and Mixed Media (2019) (0)
Text and music: some new directions (1989) (0)
“Syringa”: John Ashbery and Elliott Carter [1980/1984] (2017) (0)
Philosophy and Aesthetics (2020) (0)
THREE. Expression and Truth (2019) (0)
Music and the Audiable: A Suite in Three Movements (2019) (0)
A Philosophy of Listening? (2019) (0)
‘ Analyzing Schubert ’ : a description , or a prescription ? (2013) (0)
Sounds of Battle: The Civil War (2019) (0)
Enchantment and ModernityWagner the Symptom (2004) (0)
from A Book of Hours, and: Hunter in the Snow (2011) (0)
Persephone's Fiddle (2007) (0)
10. Long Ride in a Slow Machine: The Alienation Effect from Weill to Shostakovich (2019) (0)
5. Modernity’s Cutting Edge (2019) (0)
Music’s Body and the Moving Image (2019) (0)
Music and Postmodern Time (2020) (0)
The musical signifier (2020) (0)
Song [1984/2016] (2017) (0)
1. Hermeneutics and Musical History: A Primer without Rules, an Exercise with Schubert (2019) (0)
Chapter Four. But Not For Me: Love Song And The Heartache Of Modern Life (2019) (0)
The Standard of Vision (2019) (0)
Of A Sudden, and: Big Madge, and: Of Our Age (2011) (0)
Ripple Effects: Distant Voices (2019) (0)
Chopin's Subjects: A Prelude (2012) (0)
Chapter Six. Crisis And Memory: The Music Of Lost Time (2019) (0)
Wittgenstein’s Chopin: Interdisciplinarity and ‘the Music Itself’ (2017) (0)
Lifelong Learning Comes of Age. (1974) (0)
Wagner’s Gold Standard: Tannhäuser and the General Equivalent [2010] (2017) (0)
The Waters of PrometheusNationalism and Sexuality in Wagner's Ring (2004) (0)
Review of Nicholas Cook. 1990. Music, lmagination, and Culture . Oxford: Oxford University Press (2017) (0)
The Future of Foundations. (1974) (0)
Wittgenstein, Music, and the Tone of Crystal (2012) (0)
The Auditory Window (2019) (0)
Murderous Women in German Opera [2008] (2017) (0)
Disappearance of the Future Chickens (1970) (0)
Music and the Forms of Thought (2016) (0)
The Newer Musicology (2016) (0)
Sound and Knowledge (2019) (0)
“No Sound without Music” (2019) (0)
“Little Pearl Teardrops”: Schubert, Schumann, and the Tremulous Body of Romantic Song [2002] (2017) (0)
Music and the Forms of Life (2022) (0)
Grasping the Subject (2007) (0)
12. Ghost Stories: Cultural Memory, Mourning, and the Myth of Originality (2019) (0)
Epilogue: Voice and Its Beyonds (2019) (0)
Classical Music and Its Values (2007) (0)
Index of concepts (2019) (0)
Enchantments of the Name (2019) (0)
The Audiable: An Introduction (2019) (0)
Hermeneutics (2019) (0)
Wordsworth: Language as Counter Spirit. Frances Ferguson. (1978) (0)
Felix culpa: Goethe and the image of Mendelssohn* (2017) (0)
Miller's tales (1995) (0)
Chapter One. Classical Music And Its Values (2019) (0)
The Narrative Moment (1999) (0)
Music Analysis and the Value of Spirituality— Sujech’on and Related Musical Pieces (2004) (0)
Campus Buildings and the Energy Crisis. (1973) (0)
Running the Gamut: Music, the Aesthetic, and Wittgenstein's Ladder (2010) (0)
Songs of Entropy (2019) (0)
: Jane Austen and Mozart: Classical Equilibrium in Fiction and Music . Robert K. Wallace. (1985) (0)
Seeing, Saying, and Hearing (2019) (0)
Chapter Three. Score And Performance, Performance And Film: Classical Music As Liberating Energy (2019) (0)
5. Rethinking Schumann’s Carnaval: Identity, Meaning, and the Social Order (2019) (0)
7. Fin-de-Siècle Fantasies (2019) (0)
ONE. Wittgenstein, Music, and the Aroma of Coffee (2019) (0)
Subjectivity Unbound: Music, Language, Culture [2003/2012] (2017) (0)
Media All the Way Down (2019) (0)
The Music of Language (2019) (0)
9. Powers of Blackness: Jazz and the Blues in Modern Concert Music (2019) (0)
Five. Felix Culpa: Mendelssohn, Goethe, and the Social Force of Musical Expression (1995) (0)
3. Beyond Words and Music: An Essay on Songfulness (2019) (0)
On "Schubert, Platen, and the Myth of Narcissus" by Kristina Muxfeldt, Fall 1996 (1997) (0)
Virtuosity, Reading, Authorship (2016) (0)
Afterword: Song as Subjectivity and Desire (2017) (0)
On Saying “I am” (2019) (0)
from A Book of Hours (1985) (0)
The Émigré Walt Whitman: Songs of Mourning, 1943–1948 (2021) (0)
Sacred Sound and Secular Space in Mendelssohn’s Instrumental Music (2020) (0)
The Ineffable and How (Not) to Say It (2016) (0)
Keats and the structure of consciousness (1972) (0)
Pleasure and Valuation (2016) (0)
2. Hands On, Lights Off: The “Moonlight” Sonata and the Birth of Sex at the Piano (2019) (0)
Cacophony: Dispossession (Beckett) (2019) (0)
Rehearings : Romantic Meaning in Chopin’s Prelude in A Minor (2020) (0)
Here Comes That Song Again (2019) (0)
Chapter Five. The Ghost In The Machine: Keyboard Rhapsodies (2019) (0)
What is (is there) musical intertextuality? (0)
4. Enchantment and Modernity (2019) (0)
On Understanding Musical Imaginations (2017) (0)
Opening Soliloquy in lieu of a preface (2019) (0)
Music in the Air (2019) (0)
7. Hercules’ Hautboys: Mixed Media and Musical Meaning (2019) (0)
Like Falling Leaves: The Erotics of Mourning in Four Drum-Taps Settings [2002] (2017) (0)
Prologue: Thinking through Opera with Wagner and Strauss (2019) (0)
Haydn's Chaos, Schenker's Order; or, Musical Meaning and Musical Analysis: Can They Mix? (2003) (0)
Chapter Seven. Persephone’S Fiddle: The Value Of Classical Music (2019) (0)
Cooperation: The Whole Is More Than the Sum of Its Parts. (1974) (0)
Lord Bacon’s Echoes (2019) (0)
Reading Transfigured: St. Augustine (2019) (0)
1. What Was Abstract Art?(From the Point of View of Hegel) What Was Abstract Art?(From the Point of View of Hegel)(pp. 1-24) (2002) (0)
6. Glottis Envy: The Marx Brothers’ A Night at the Opera (2019) (0)
FOUR. Melodic Speech (2019) (0)
Beethoven at 250: A Literary Miscellany (2020) (0)
The Infinite Broadcast (2019) (0)
A Note: On Informal Thinking (2012) (0)
Walt Whitman and Modern Music (2018) (0)
TWO. Speaking Melody (2019) (0)
Chapter Two. The Fate Of Melody And The Dream Of Return (2019) (0)
Music, Voice, and the Sound of Henry James (2020) (0)
Crisis and Memory (2007) (0)
Plato’s Singing School (2019) (0)

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Other Resources About Lawrence Kramer

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What Schools Are Affiliated With Lawrence Kramer ?

Lawrence Kramer is affiliated with the following schools: