Leigh Landy

Leigh Landy's AcademicInfluence.com Rankings

Leigh Landy

Communications

#10653

World Rank

#14360

Historical Rank

#4712

USA Rank

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Communications

Why Is Leigh Landy Influential?

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According to Wikipedia, Leigh Landy is a composer and musicologist of Dutch and American citizenship. He holds a Research Chair at De Montfort University where he directs the Music, Technology and Innovation Research Centre.

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Leigh Landy's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Understanding the Art of Sound Organization (2007) (157)
Reviewing the musicology of electroacoustic music: a plea for greater triangulation (1999) (33)
The “Something to Hold on to Factor” in Timbral Composition (2019) (33)
The intention/reception project. (2006) (31)
What's the Matter with Today's Experimental Music?: Organized Sound Too Rarely Heard (1993) (24)
Expanding the Horizon of Electroacoustic Music Analysis (2016) (13)
Is More Than Three Decades of Computer Music Reaching the Public it Deserves? (1990) (10)
Experimental Music Notebooks (1994) (10)
Sound-Based Music 4 All (2009) (9)
The analysis of electroacoustic music: the differing needs of its genres and categories (2012) (8)
New aesthetics and practice in experimental electronic music (2008) (8)
From algorithmic jukeboxes to zero-time synthesis: a potential A-Z of music in tomorrow's world (a conference provocation) (2001) (7)
Electroacoustic Music Studies and Accepted Terminology: You can’t have one without the other. (2006) (7)
Measuring Intention against Reception in Electroacoustic Music: A new opportunity for analysis (2001) (7)
The ElectroAcoustic Resource Site (EARS): philosophy, foundation and aspirations (2004) (6)
MDA-based Development of Music-learning System (2008) (6)
Widening Participation in Electroacoustic Music: The EARS 2 pedagogical initiatives (2013) (6)
Making Music with Sounds (2012) (6)
Devising dance and music: Idée Fixe. (2000) (6)
ElectroAcoustic Resource Site (EARS) (2002) (6)
Listening and meaning: how a model of mental layers informs electroacoustic music analysis (2016) (5)
Measuring Intention Against Reception in Electroacoustic Music (2003) (5)
La musique des sons / the music of sounds. (2007) (4)
On the paradigmatic behaviour of sound-based music. (2008) (3)
An Ontology-based Model Driven Approach for a Music Learning System (2009) (3)
Introducing the ElectroAcoustic Resource Site (EARS) (2003) (3)
The Electroacoustic Resource Site (Ears) Approaches its Next phase: Going Global and Addressing the Young (2007) (3)
Discovered whilst entering a new millennium: A technological revolution that will radically influence both music making and music education (2012) (3)
Music Technology, Music Technology or Music Technology? (2013) (3)
Michel Waisvisz: No Backup / Hyper Instruments (2016) (2)
Increasing Access to Sound-based Music – www.e-EMS (2010) (2)
Art for Goodness(’) Sake: It’s your tea party and you can cry if you want to (2011) (2)
But Is It (Also) Music (2017) (2)
Re-composing Sounds … and Other Things (2019) (2)
Borrowing or stealing? Celebration or global village? Interculturalism in contemporary music from a composer’s point of view. (2003) (1)
In Pursuit of the Innovative and the Accessible: Some of the driving forces behind my music and my research (2017) (1)
Co-hear-ence and electroacoustic music. (2000) (1)
20 Years of Organised Sound: Looking back and forward (2015) (1)
Electroacoustic musics: a century of innovation involving sound and technology – resources, discourse, analytical tools (2004) (1)
Stein's Way (2009) (1)
Oh là la radio (2007) (1)
‘The EARS 2 Pedagogical Project: an eLearning environment to introduce learners to sound-based music’ (2014) (1)
The Music, Technology and Innovation Research Group (MTIRG) at De Montfort University - Studio Report (2000) (1)
Quality and quantity (if we're lucky) or Marcuse's problem ain't been solved yet (1996) (1)
Analysing Sound Art: Douglas Henderson's Fadensonnen (2009) (2016) (1)
Some questions around listening: Vancouver Soundscape Revisited by Claude Schryer (2016) (1)
An Analysis of Tayutai for Koto (1972) Composed by Makoto Shinohara. A 3‐dimensional Approach (1987) (1)
Book reviews: Bernd Schulz, ed. Felix Hess: Light as Air, Robin Minard: Silent Music – Between Sound Art and Acoustic Design, Christine Kubisch, KlangRaumZeitLicht, (2003) (1)
The electroacoustic community (1997) (1)
In transit or realising one's aesthetic when the technology finally catches up. (2003) (1)
There’s good news and there’s bad news: The impact of new technologies on music since the arrival of household electricity and the phonograph including potential adventures to look forward to. (2004) (1)
Music Library Association Administrative Structure (2003) (0)
Thinking Concretely about Pierre Schaeffer (2011) (0)
Compose Your Words (2020) (0)
The three paths (2018) (0)
Addendum (2017) (0)
University College Bretton Hall - Studio Report (1994) (0)
Briefly mentioned (2015) (0)
Composing with Sounds: Designing an Object-Oriented DAW for the Teaching of Sound-Based Composition (2019) (0)
Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship (1999) (0)
Applications of ISDN (1987) (0)
On the Music of Sounds and the Music of Things (EMS2017, Nagoya, Japan) (2017) (0)
Re-introducing Life into Art: Musical Sampling/Recycling of Sounds (2009) (0)
Leigh Landy (2009) (0)
Book review: saundersjames (ed.) the ashgate research companion to experimental music . farnham: Ashgate, 2009. isbn 978-0-7546-6282-2 (2010) (0)
xūn old / new (2015) (0)
Chinese Radio Sound – 中国广播之声 (2013) (0)
Introduction: “Leaving the twentieth century: Ideas and visions of new musics” (1996) (0)
Increasing Acces to Sound-based Music – www.eEMS (2010) (0)
Music as organised notes and sound: The electronic works of Ton de Leeuw. (2000) (0)
About the Electroacoustic Resource Site (EARS) Project (2003) (0)
Digital Musicking and Co-hear-ence. (2009) (0)
EARS 2 - The ElectroAcoustic Resource Site Pedagogical Project (2014) (0)
Emmerson Sampled Variations in DEE (2010) (0)
EDITORIAL (2001) (0)
The Sounds of Music (2017) (0)
EDITORIAL (2006) (0)
Re-composing words. (2008) (0)
Why Haven’t I Written About the Pieces Played at ICMC (2020) (0)
Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music (2017) (0)
Electroacoustic Music: Analytical Perspectives (review) (2003) (0)
Analysis without ink. (2001) (0)
The Music, Technology and Innovation Research Centre (MTI) at de Montfort University - Studio Report (2005) (0)
How often have you seen your compositions performed? A plea for more audio‐visual collaborations in experimental music (1988) (0)
The First Dilemma: The State of the Art (Editor's Note in CMJ 15:3) (1992) (0)
Recording the ephemeral in music, an art of interpretation. (2000) (0)
From Music in the Laboratory to Music of the Folk: On the future of sound-based music (2010) (0)
Where does sound art fit (2008) (0)
Keynotes 8: Musical Life in the Netherlands (1978/2) (1979) (0)
The emancipation of sound in that box we call a theatre. (2002) (0)
Editorial (2003) (0)
Écoute Réduite – a wrong turn in the history of electroacoustic music? (2009) (0)
EDITORIAL (2007) (0)
China/Music 中國/音樂 Old/New 舊/新 (2013) (0)
On the Éire (2017) (0)
A-political piece (2018) (0)
It's Not (Just) About History and, by the Way, Which History? (2021) (0)
Trevor Wishart's 'Children's Stories II' from 'Encounters in the Republic of Heaven': an analysis for children of a sample-based composition (2016) (0)
Keynote 4: Rethinking the History of Sound-based Music (2016) (0)
Sound Art vs. Electroacoustic Music: Finding value for the heart and the brain (2016) (0)
EDITORIAL (2002) (0)
EDITORIAL (2004) (0)
Editorial (2009) (0)
Composition and Performance in the 1990s (1994) (0)
The Compose with Sounds website - cws.dmu.ac.uk (2013) (0)
eOrema – a word of welcome (2013) (0)
The Three Paths: Cultural retention in Chinese Electroacoustic Music (2018) (0)
Why I Haven’t Written about the Pieces Played at This Year’s ICMC (2005) (0)
Educating students in electroacoustic music studies: What does this consist of and how can we best deliver it? (2010) (0)
Editorial: Bringing New Music to New Audiences (2019) (0)
Leaving the twentieth century : ideas and visions of new music (1996) (0)
To BBC or Not (2008) (0)
We Conduct Electricity (2017) (0)

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Other Resources About Leigh Landy

en.wikipedia.org

What Schools Are Affiliated With Leigh Landy?

Leigh Landy is affiliated with the following schools:

De Montfort University