Leigh Landy
#120,938
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Dutch composer
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(Suggest an Edit or Addition)According to Wikipedia, Leigh Landy is a composer and musicologist of Dutch and American citizenship. He holds a Research Chair at De Montfort University where he directs the Music, Technology and Innovation Research Centre.
Leigh Landy's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Understanding the Art of Sound Organization (2007) (157)
- Reviewing the musicology of electroacoustic music: a plea for greater triangulation (1999) (33)
- The “Something to Hold on to Factor” in Timbral Composition (2019) (33)
- The intention/reception project. (2006) (31)
- What's the Matter with Today's Experimental Music?: Organized Sound Too Rarely Heard (1993) (24)
- Expanding the Horizon of Electroacoustic Music Analysis (2016) (13)
- Is More Than Three Decades of Computer Music Reaching the Public it Deserves? (1990) (10)
- Experimental Music Notebooks (1994) (10)
- Sound-Based Music 4 All (2009) (9)
- The analysis of electroacoustic music: the differing needs of its genres and categories (2012) (8)
- New aesthetics and practice in experimental electronic music (2008) (8)
- From algorithmic jukeboxes to zero-time synthesis: a potential A-Z of music in tomorrow's world (a conference provocation) (2001) (7)
- Electroacoustic Music Studies and Accepted Terminology: You can’t have one without the other. (2006) (7)
- Measuring Intention against Reception in Electroacoustic Music: A new opportunity for analysis (2001) (7)
- The ElectroAcoustic Resource Site (EARS): philosophy, foundation and aspirations (2004) (6)
- MDA-based Development of Music-learning System (2008) (6)
- Widening Participation in Electroacoustic Music: The EARS 2 pedagogical initiatives (2013) (6)
- Making Music with Sounds (2012) (6)
- Devising dance and music: Idée Fixe. (2000) (6)
- ElectroAcoustic Resource Site (EARS) (2002) (6)
- Listening and meaning: how a model of mental layers informs electroacoustic music analysis (2016) (5)
- Measuring Intention Against Reception in Electroacoustic Music (2003) (5)
- La musique des sons / the music of sounds. (2007) (4)
- On the paradigmatic behaviour of sound-based music. (2008) (3)
- An Ontology-based Model Driven Approach for a Music Learning System (2009) (3)
- Introducing the ElectroAcoustic Resource Site (EARS) (2003) (3)
- The Electroacoustic Resource Site (Ears) Approaches its Next phase: Going Global and Addressing the Young (2007) (3)
- Discovered whilst entering a new millennium: A technological revolution that will radically influence both music making and music education (2012) (3)
- Music Technology, Music Technology or Music Technology? (2013) (3)
- Michel Waisvisz: No Backup / Hyper Instruments (2016) (2)
- Increasing Access to Sound-based Music – www.e-EMS (2010) (2)
- Art for Goodness(’) Sake: It’s your tea party and you can cry if you want to (2011) (2)
- But Is It (Also) Music (2017) (2)
- Re-composing Sounds … and Other Things (2019) (2)
- Borrowing or stealing? Celebration or global village? Interculturalism in contemporary music from a composer’s point of view. (2003) (1)
- In Pursuit of the Innovative and the Accessible: Some of the driving forces behind my music and my research (2017) (1)
- Co-hear-ence and electroacoustic music. (2000) (1)
- 20 Years of Organised Sound: Looking back and forward (2015) (1)
- Electroacoustic musics: a century of innovation involving sound and technology – resources, discourse, analytical tools (2004) (1)
- Stein's Way (2009) (1)
- Oh là la radio (2007) (1)
- ‘The EARS 2 Pedagogical Project: an eLearning environment to introduce learners to sound-based music’ (2014) (1)
- The Music, Technology and Innovation Research Group (MTIRG) at De Montfort University - Studio Report (2000) (1)
- Quality and quantity (if we're lucky) or Marcuse's problem ain't been solved yet (1996) (1)
- Analysing Sound Art: Douglas Henderson's Fadensonnen (2009) (2016) (1)
- Some questions around listening: Vancouver Soundscape Revisited by Claude Schryer (2016) (1)
- An Analysis of Tayutai for Koto (1972) Composed by Makoto Shinohara. A 3‐dimensional Approach (1987) (1)
- Book reviews: Bernd Schulz, ed. Felix Hess: Light as Air, Robin Minard: Silent Music – Between Sound Art and Acoustic Design, Christine Kubisch, KlangRaumZeitLicht, (2003) (1)
- The electroacoustic community (1997) (1)
- In transit or realising one's aesthetic when the technology finally catches up. (2003) (1)
- There’s good news and there’s bad news: The impact of new technologies on music since the arrival of household electricity and the phonograph including potential adventures to look forward to. (2004) (1)
- Music Library Association Administrative Structure (2003) (0)
- Thinking Concretely about Pierre Schaeffer (2011) (0)
- Compose Your Words (2020) (0)
- The three paths (2018) (0)
- Addendum (2017) (0)
- University College Bretton Hall - Studio Report (1994) (0)
- Briefly mentioned (2015) (0)
- Composing with Sounds: Designing an Object-Oriented DAW for the Teaching of Sound-Based Composition (2019) (0)
- Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship (1999) (0)
- Applications of ISDN (1987) (0)
- On the Music of Sounds and the Music of Things (EMS2017, Nagoya, Japan) (2017) (0)
- Re-introducing Life into Art: Musical Sampling/Recycling of Sounds (2009) (0)
- Leigh Landy (2009) (0)
- Book review: saundersjames (ed.) the ashgate research companion to experimental music . farnham: Ashgate, 2009. isbn 978-0-7546-6282-2 (2010) (0)
- xūn old / new (2015) (0)
- Chinese Radio Sound – 中国广播之声 (2013) (0)
- Introduction: “Leaving the twentieth century: Ideas and visions of new musics” (1996) (0)
- Increasing Acces to Sound-based Music – www.eEMS (2010) (0)
- Music as organised notes and sound: The electronic works of Ton de Leeuw. (2000) (0)
- About the Electroacoustic Resource Site (EARS) Project (2003) (0)
- Digital Musicking and Co-hear-ence. (2009) (0)
- EARS 2 - The ElectroAcoustic Resource Site Pedagogical Project (2014) (0)
- Emmerson Sampled Variations in DEE (2010) (0)
- EDITORIAL (2001) (0)
- The Sounds of Music (2017) (0)
- EDITORIAL (2006) (0)
- Re-composing words. (2008) (0)
- Why Haven’t I Written About the Pieces Played at ICMC (2020) (0)
- Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music (2017) (0)
- Electroacoustic Music: Analytical Perspectives (review) (2003) (0)
- Analysis without ink. (2001) (0)
- The Music, Technology and Innovation Research Centre (MTI) at de Montfort University - Studio Report (2005) (0)
- How often have you seen your compositions performed? A plea for more audio‐visual collaborations in experimental music (1988) (0)
- The First Dilemma: The State of the Art (Editor's Note in CMJ 15:3) (1992) (0)
- Recording the ephemeral in music, an art of interpretation. (2000) (0)
- From Music in the Laboratory to Music of the Folk: On the future of sound-based music (2010) (0)
- Where does sound art fit (2008) (0)
- Keynotes 8: Musical Life in the Netherlands (1978/2) (1979) (0)
- The emancipation of sound in that box we call a theatre. (2002) (0)
- Editorial (2003) (0)
- Écoute Réduite – a wrong turn in the history of electroacoustic music? (2009) (0)
- EDITORIAL (2007) (0)
- China/Music 中國/音樂 Old/New 舊/新 (2013) (0)
- On the Éire (2017) (0)
- A-political piece (2018) (0)
- It's Not (Just) About History and, by the Way, Which History? (2021) (0)
- Trevor Wishart's 'Children's Stories II' from 'Encounters in the Republic of Heaven': an analysis for children of a sample-based composition (2016) (0)
- Keynote 4: Rethinking the History of Sound-based Music (2016) (0)
- Sound Art vs. Electroacoustic Music: Finding value for the heart and the brain (2016) (0)
- EDITORIAL (2002) (0)
- EDITORIAL (2004) (0)
- Editorial (2009) (0)
- Composition and Performance in the 1990s (1994) (0)
- The Compose with Sounds website - cws.dmu.ac.uk (2013) (0)
- eOrema – a word of welcome (2013) (0)
- The Three Paths: Cultural retention in Chinese Electroacoustic Music (2018) (0)
- Why I Haven’t Written about the Pieces Played at This Year’s ICMC (2005) (0)
- Educating students in electroacoustic music studies: What does this consist of and how can we best deliver it? (2010) (0)
- Editorial: Bringing New Music to New Audiences (2019) (0)
- Leaving the twentieth century : ideas and visions of new music (1996) (0)
- To BBC or Not (2008) (0)
- We Conduct Electricity (2017) (0)
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Leigh Landy is affiliated with the following schools:
