Linda Barwick

Q: What Schools Are Affiliated With Linda Barwick

Linda Barwick is affiliated with the following schools: University of Sydney, Flinders University, University of Melbourne, University of New England , Australian National University

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Linda Barwick

Philosophy

#12847

World Rank

#17967

Historical Rank

Logic

#9837

World Rank

#12546

Historical Rank

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Philosophy

Why Is Linda Barwick Influential?

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According to Wikipedia, Linda Mary Barwick is an Australian musicologist and professor emerita at the Sydney Conservatorium of Music. Barwick has focused on researching Australian Indigenous music and the music of immigrant communities. She also works in the field of digital humanities, archiving recordings.

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Linda Barwick's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Communities of Interest: Issues in Establishing a Digital Resource on Murrinh-patha song at Wadeye (Port Keats), NT (2005) (43)
Iwaidja Jurtbirrk Songs: Bringing Language and Music Together (2007) (38)
Turning It All Upside Down . . . Imagining a distributed digital audiovisual archive (2004) (28)
Creative (ir)regularities: The intermeshing of text and melody in performance of central Australian song (1989) (26)
Keeping records of language diversity in Melanesia: The Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC) (2012) (25)
Musical syntax and the problem of meaning in a central Australian songline (1987) (23)
Endangered songs and endangered languages. (2003) (23)
The Essence of Singing and the Substance of Song. Recent Responses to the Aboriginal Performing Arts and Other Essays in Honour of Catherine Ellis (1996) (21)
The National Recording Project for Indigenous Performance in Australia: year one in review (2006) (17)
Sustaining Women's Yawulyu/Awelye: Some Practitioners' and Learners' Perspectives (2013) (16)
Cybraries in paradise: new technologies and ethnographic repositories. (2006) (15)
Performance, aesthetics, experience: thoughts on Yawulyu mungamunga songs (2005) (15)
For the sake of a song: Wangga songmen and their repertories (2013) (15)
A musicologist’s wishlist: some issues, practices and practicalities in musical aspects of language documentation. (2006) (15)
Musical Form and Style in Murriny Patha Djanba Songs at Wadeye (Northern Territory, Australia) (2011) (14)
Tempo bands, metre and rhythmic mode in Marri Ngarr 'Church Lirrga' songs (2003) (13)
Absolute tempo in multiple performances of Aboriginal songs : analyzing recordings of Djanba 12 and Djanba 14 (2011) (11)
Marri Ngarr Lirrga Songs: A Musicological Analysis of Song Pairs in Performance (2005) (11)
Musical and Linguistic Perspectives on Aboriginal Song (2007) (10)
Central Australian Women's Ritual Music: Knowing through Analysis Versus Knowing through Performance (1990) (9)
Including Music and the Temporal Arts in Language Documentation (2011) (8)
Central Australian Aboriginal Songs and Biocultural Knowledge: Evidence from Women's Ceremonies Relating to Edible Seeds (2019) (8)
Central Australian women’s traditional songs: keeping yawulyu/awelye strong (2016) (8)
Fables and endless genealogies: Soap opera and women's culture (1988) (7)
Aural Snapshots of Musical Life: The 1948 recordings (2011) (5)
Sustainable data from digital fieldwork: the state of the art (Sydney, 2006) (2006) (5)
Sharing and storing digital cultural records in Central Australian Indigenous communities (2021) (4)
Il concetto di musica: Contributi e prospettive della ricerca etnomusicologica@@@Il maggio drammatico: Una tradizione di teatro in musica (1994) (4)
Arriving, digging, performing, returning: an exercise in rich interpretation of a djanba song text in the sound archive of the Wadeye Knowledge Centre, Northern Territory of Australia (2007) (4)
Jurtbirrk Lovesongs from Northwestern Arnhem Land (2005) (4)
Mirrwana and wurrkama: applying an Indigenous Knowledge framework to collaborative research on ceremonies (2014) (4)
Networking digital data on endangered languages of the Asia Pacific region (2005) (4)
Sustainable data from digital fieldwork: from creation to archive and back (2006) (3)
Thoughts on Music and Migration (2012) (3)
Conundrums and consequences: Doing digital archival returns in Australia (2019) (3)
Transcription as deflowering: Collection practices in Italy, pre-1939 (1988) (2)
Multiple uses for old and new recordings: perspectives from the multilingual community of Warruwi (2018) (2)
Dilemmas in interpretation: contemporary perspectives on Berndt’s Goulburn Island song documentation (2013) (2)
PARADISEC: its history and future (2013) (2)
Rak Badjalarr: Wangga Songs for North Peron Island by Bobby Lane (2003) (2)
Selected Audiography of Traditional Music of Aboriginal Australia (1996) (2)
Planning for PARADISEC (2003) (1)
Barwick, L. (1994). The Filipino komedya and the Italian maggio: cross-cultural perspectives on related genres of popular music theatre (1994) (1)
Research, Records and Responsibility: Introduction (2015) (1)
Same tunes, different voices: Contemporary use of traditional models in the Italian folk ensemble's Ballata grande per Francesco fantin (Adelaide 1990) (1991) (1)
Quantifying the Ineffable? The University of Sydney's 2014 Guidelines for Non-Traditional Research Outputs (2017) (1)
Language Identifying Codes: Remaining Issues, Future Prospects (2013) (1)
Italian traditional music in Adelaide (1987) (1)
Performing arts, sport and games (2005) (1)
Transnational Perspectives on Italy in Australia's Musical Landscape (2012) (1)
Claiming the ‘Song of the Women of the Menero Tribe’ (2020) (1)
Unlocking the archives (2018) (1)
Context sensitivity in vocal and movement performance style of the Tuscan Maggio . " Paper delivered at the 1994 meeting of the European Seminar for Ethnomusicology (2011) (0)
“An ample and very poetical narrative”: the vicissitudes of “La Pia” between the literary and oral traditions (2005) (0)
Ma-Yawa Wangga (2016) (0)
Archiving languages and song in Wadeye: Future access to song knowledge (2011) (0)
Antikirinja Women’s Song Knowledge 1963–72 (2020) (0)
LB2-AT9206-A.mp3 (1992) (0)
Ballata grande per Francesco Fantin/Ballad for francesco Fantin, as performed by the Italian folk ensemble, adelaide 1990 (1991) (0)
Review of Transcribe (2009) (0)
PARADISEC: Background statement for the APAC Data Collections workshop, 18 October 2005 (2006) (0)
Catherine Ellis 1935-1996 (1996) (0)
Report of the Fieldwork Data Sustainability Project (FIDAS) (2007) (0)
YTM volume 49 Cover and Front matter (2017) (0)
Italian Traditional Music in Adelaide in the 1970s and 1980s (2012) (0)
LB2-DT0006-01.mp3 (2000) (0)
Central Australian Women’s Traditional Music: Yawulyu/Awelye. Indigenous Music Case Study Report for the Sustainable Futures for Music Cultures Project. Revised Version. (2013) (0)
The Fringe or the Heart of Things? Aboriginal and Torres Strait Islander Musics in Australian Music Institutions (2020) (0)
Music Colloquium: About Murriny Patha song (2009) (0)
LB2-92PIX05-16.jpg (1992) (0)
Sustainable data from digital research (2011) (0)
Engaging with archived Warlpiri song (2018) (0)
Using fieldwork data in publications: musicology (2006) (0)
‘Scolpire le parole’ [sculpting the words]: Context sensitivity in vocal and movement performance style of the Tuscan Maggio. (1995) (0)
'Oltre l'Australia c'è la luna': Maggio garfagnino and the Emigrant Experience (2012) (0)
LB2-92PIX04-27.tif (1992) (0)
Research, Records and Responsibility: About the contributors (2015) (0)
Re-presenting Italy in Australia through Theatre and Music, 1972-2002 (2012) (0)
Case Study: Cross-Institutional Research Output: PARADISEC (2008) (0)
Tradizione orale e canto corale: ricerca musicologica in Trentino (1992) (0)
Reclaiming archives: guest editorial (2021) (0)
Wangga: Songs of North Australia (2008) (0)

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What Schools Are Affiliated With Linda Barwick?

Linda Barwick is affiliated with the following schools: