Linda Hutcheon
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Canadian academic
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Literature
Why Is Linda Hutcheon Influential?
(Suggest an Edit or Addition)According to Wikipedia, Linda Hutcheon, FRSC, O.C. is a Canadian academic working in the fields of literary theory and criticism, opera, and Canadian studies. She is a University Professor Emeritus in the Department of English and of the Centre for Comparative Literature at the University of Toronto, where she has taught since 1988. In 2000 she was elected the 117th President of the Modern Language Association, the third Canadian to hold this position, and the first Canadian woman. She is particularly known for her influential theories of postmodernism.
Linda Hutcheon's Published Works
Published Works
- A poetics of postmodernism : history, theory, fiction (1990) (1770)
- The Politics of Postmodernism (1989) (1199)
- A Poetics Of Postmodernism (1988) (555)
- Irony's Edge: The Theory and Politics of Irony (1994) (537)
- A Theory of Parody: The Teachings of Twentieth-Century Art Forms (1985) (524)
- Narcissistic Narrative: The Metafictional Paradox (1980) (483)
- The Politics of Postmodernism: 2nd edition (2002) (396)
- The Canadian Postmodern: A Study of Contemporary English-Canadian Fiction (1988) (157)
- Collaborative Circles: Friendship Dynamics and Creative Work (2003) (145)
- Historiographic Metafiction Parody and the Intertextuality of History (1989) (111)
- 'Circling the Downspout of Empire': Post-Colonialism and Postmodernism (1989) (110)
- The Politics of Postmodernism: Parody and History (1986) (82)
- Beginning to theorize postmodernism (1987) (74)
- Irony, Nostalgia, and the Postmodern: A Dialogue (2000) (72)
- Rethinking literary history : a dialogue on theory (2002) (56)
- Splitting Images: Contemporary Canadian Ironies (1991) (46)
- The post always rings twice: The postmodern and the postcolonial (1994) (37)
- Postcolonial Witnessing - and Beyond: Rethinking Literary History Today (2003) (32)
- Opera: Desire, Disease, Death (1996) (32)
- As Canadian as... possible... under the circumstances (1990) (31)
- Historiographic Metafiction (2007) (30)
- Interventionist Literary Histories: Nostalgic, Pragmatic, or Utopian? (1998) (30)
- Bodily Charm: Living Opera (2000) (29)
- Rethinking literary history - comparatively (1995) (29)
- A Poetics of Postmodernism?@@@The Discourse of Modernism@@@The World, the Text, and the Critic@@@Literary Theory: An Introduction (1983) (27)
- “The Pastime of Past Time”: Fiction, History, Historiographical Metafiction (2005) (23)
- Death drive: Eros and Thanatos in Wagner's Tristan und Isolde (1999) (22)
- Opera: The Art of Dying (2004) (21)
- Postmodern Paratextuality and History (1986) (16)
- The Postmodern Problematizing of History (1988) (16)
- Metafictional Implications for Novelistic Reference (1987) (15)
- Remembering Postmodernism: Trends in Recent Canadian Art (1991) (14)
- Parody Without Ridicule: Observations on Modern Literary Parody (1978) (14)
- An epilogue: Postmodern parody: History, subjectivity, and ideology (1990) (13)
- The Carnivalesque and Contemporary Narrative: Popular Culture and the Erotic (1983) (13)
- Harry Potter and the Novice's Confession (2008) (12)
- Double-Talking: Essays on Verbal and Visual Ironies in Canadian Contemporary Art and Literature (1992) (12)
- DISCOURSE, POWER, IDEOLOGY: HUMANISM AND POSTMODERNISM (1991) (11)
- Canadian Historiographic Metafiction (1984) (11)
- LITERATURE MEETS HISTORY: COUNTER-DISCOURSIVE “COMIX” (1999) (10)
- The Canadian postmodern : a study of contemporary Canadian fiction (2012) (10)
- Productive Postmodernism: Consuming Histories and Cultural Studies (2002) (10)
- Staging the Female Body: Richard Strauss's Salome (2001) (10)
- Eruptions of postmodernity: The postcolonial and the ecological (1993) (9)
- The Politics of Parody (2018) (8)
- Incredulity Toward Metanarrative: NegotiatingPostmodernism and Feminisms (1989) (8)
- Introduction: Colonialism and the Postcolonial Condition: Complexities Abounding (1995) (7)
- A Convenience of Marriage: Collaboration and Interdisciplinarity (2001) (7)
- Rhetoric and Competition: Academic Agonistics (2002) (7)
- Revista Canadiense de Estudios Hispánicos (1992) (7)
- Narrativizing the End: Death and Opera (2007) (7)
- Double Talking: Essays on Verbal and Visual Ironies in Contemporary Canadian Art and Literature (1992) (7)
- Four Views on Ethnicity (1998) (7)
- Postmodern Provocation: History and 'Graphic' Literature (1997) (7)
- REPRESENTING THE POSTMODERN (2002) (6)
- Beautiful Losers: All the Polarities (1974) (6)
- Historicizing Late Style as a Discourse of Reception (2016) (6)
- RE-PRESENTING THE PAST (2002) (5)
- Syphilis, sin and the social order: Richard Wagner's Parsifal (1995) (5)
- A postmodern problematics (1988) (5)
- Formalism and the Freudian Aesthetic: The Example of Charles Mauron (1984) (5)
- Subject in/of/to History and His Story@@@Alice Doesn't: Feminism, Semiotics, Cinema@@@The Subject of Semiotics (1986) (5)
- HISTORIOGRAPHIC METAFICTION: “THE PASTIME OF PAST TIME” (2003) (5)
- Adaptation and Opera (2017) (4)
- Feminism and Postmodernism (1989) (4)
- Postmodernism and Feminisms (2001) (4)
- HISTORICIZING THE POSTMODERN: THE PROBLEMATIZING OF HISTORY (2003) (4)
- “Death, Where Is Thy Sting?” The Emperor of Atlantis (2000) (4)
- The Postwar Novel in Canada: Narrative Patterns and Reader Response (1989) (4)
- Productive Comparative Angst: Comparative Literature in the Age of Multiculturalism (1995) (4)
- EPILOGUE: THE POSTMODERN . . . IN RETROSPECT (2003) (4)
- "All Concord's Born of Contraries": Marital Methodologies (1995) (4)
- Making Strange: Beauty, Sublimity, and the (Post)modern “Third Aesthetic” (2010) (3)
- Interdisciplinary Opera Studies (2006) (3)
- Foreword: parody and romantic ideology (1992) (3)
- Requiem for Edward Said (2003) (3)
- Colonialism and the Postcolonial Condition (1995) (3)
- The Empty Cage: Inquiry into the Mysterious Disappearance of the Author (review) (2007) (3)
- Otherhood Issues: Post-National Operatic Narratives (1995) (3)
- Teoria degli adattamenti : i percorsi delle storie fra letteratura, cinema, nuovi media (2011) (3)
- Academic Free Trade? One Canadian's View of the MLA (1999) (2)
- O corpo perigoso (2003) (2)
- Pompous pedants, medical monsters, humane healers: operatic physicians (2007) (2)
- Displacement and Anxiety: Empire and Opera (2004) (2)
- SUBJECT IN/OF/TO HISTORY AND HIS STORY (2003) (2)
- Arias, anxieties and epidemics. (1997) (2)
- Presidential Address 2000: She Do the President in Different Voices (2001) (2)
- RISKY BUSINESS: The “transideological” politics of irony (1995) (2)
- Pumping Irony: Strength Through Sampling (1993) (2)
- The “Phenomenal Image” in Opera (2005) (1)
- Atwood and Laurence: Poet and Novelist (1978) (1)
- Discourse, Communities, Politics: The Problem with Irony (1994) (1)
- The Inward Turn: American Opera Revisits America’s Past (2014) (1)
- The ‘Postmodernist’ Scribe: The Dynamic Stasis of Contemporary Canadian Writing (1984) (1)
- The Literary Semiotics of Verbal Irony: The Example of Joyce's 'The Boarding House' (1981) (1)
- THEORIZING THE POSTMODERN: TOWARD A POETICS (2003) (1)
- "Tutto nel mondo è burla": Rethinking Late Style in Verdi (and Wagner) (2003) (1)
- "Snow Storm of Paper": The Act of Reading in Self-Reflexive Canadian Verse (1979) (1)
- The Outer Limits of the Novel: Italy and France (1977) (1)
- DECENTERING THE POSTMODERN: THE EX-CENTRIC (2003) (1)
- Collaborative Circles: Friendship Dynamics and Creative Work (review) (2003) (1)
- Comparative Literature's "Anxiogenic" State (1996) (1)
- Postmodernism's ironic paradoxes: Politics and art (1991) (1)
- Famous last breaths: The tubercular heroine in Opera (1996) (1)
- Games Authors Play@@@Narcissistic Narrative. The Metafictional Paradox (1986) (1)
- 3.5 Frye Recoded: Postmodernity and the Conclusions (2009) (1)
- Embodied Representation in Staged Opera (2018) (1)
- Four Last Songs: Aging and Creativity in Verdi, Strauss, Messiaen, and Britten (2015) (1)
- Parody as Cultural Memory in Richard Powers's Galatea 2.2 (2011) (1)
- Likely Stories: A Postmodern Sampler (1992) (1)
- Kosovo, Ulster, and how research goes awry (2000) (1)
- Afterword: Compl(ic)it (2006) (1)
- Postmodernism, Poststructuralism, and Feminism (1985) (1)
- Pastiche: Cultural Memory in Art, Film, Literature (review) (2005) (1)
- RHETORIC AND COMPETITION (2003) (1)
- 3. The Novel (1990) (1)
- Formalism and the Freudian aesthetic: Translations by Charles Mauron (1984) (0)
- Academic Fear and Loathing. The Perus of Performance (2001) (0)
- Formalism and the Freudian aesthetic: Scientific psychology and art (1984) (0)
- 5. Olivier Messiaen (1908– 1992): Faith in God and Art (2015) (0)
- En Travesti: Women, Gender Subversion, Opera . Edited by Corinne E. Blackmer and Patricia Juliana Smith. New York: Columbia University Press, 1995. (1996) (0)
- Formalism and the Freudian aesthetic: Art and science (1984) (0)
- 6. The Undead (2004) (0)
- The Multicultural Debate: the Reception of Other Solitudes (2023) (0)
- Contributors (1991) (0)
- Essay review: Opera: Desire, disease, death (1997) (0)
- Formalism and the Freudian aesthetic: The critical formation: science, formalism, and aesthetic contemplation (1984) (0)
- Roundtable on Interdisciplinarity (2017) (0)
- The Politics of Postmodernism@@@Realism and Power: Postmodern British Fiction (1991) (0)
- Chapter 6. A spectrum of operatic adaptations (2018) (0)
- Beauty is as beauty does: The ethics and "Physick" of opera (2003) (0)
- Part II From Time to Time (2020) (0)
- 26 IMP MAIOLI (2010) (0)
- Quotation : Re-presenting History (1994) (0)
- Tuning into the mind (2008) (0)
- Formalism and the Freudian aesthetic: Psychocritique and the modern French critical context (1984) (0)
- CONCLUDING NOTE: SOME DIRECTED READING (2003) (0)
- Formalism and the Freudian aesthetic: The attraction of formalism (1984) (0)
- Who? Why? (Adapters) (2006) (0)
- Formalism and the Freudian aesthetic: Early roots: science, Bloomsbury, and Roger Fry (1984) (0)
- Formalism and the Freudian aesthetic: Psychocritique : formalism, science, and the value of problems (1984) (0)
- PMLA volume 115 issue 5 Cover and Front Matter (2000) (0)
- Literature in the Long Modernity: Its Reception in the Digital Age (2014) (0)
- TEXT/IMAGE BORDER TENSIONS (2002) (0)
- 2. Creative Responses to the Challenges of Aging (2015) (0)
- Formalism and the Freudian aesthetic: Conclusion (1984) (0)
- Canadian Literary Culture – Reply (2000) (0)
- 2. Eros and Thanatos Richard Wagner's Tristan und Isolde (2004) (0)
- DISCURSIVE COMMUNITIES: HOW IRONY “HAPPENS” (2003) (0)
- Adaptation. The transformations of stories through code-switching / L'adattamento. Le trasformazioni delle storie nei passaggi di codice (2012) (0)
- 7. Conclusion: The Particularities of Aging and Creativity (2015) (0)
- Philip Gossett, Divas and Scholars: Performing Italian Opera (Chicago: University of Chicago Press, 2006). xxii + 704pp. $35.00 (2010) (0)
- 3. Giuseppe Verdi (1813– 1901): A Generational Tale of Cultural Nationalism (2015) (0)
- 4. Orphic Rituals of Bereavement (2004) (0)
- MODELING MEANING: The semantics of irony (1995) (0)
- Formalism and the Freudian aesthetic: Notes (1984) (0)
- Postmodern Paratextuality and History in Théories du texte. (1986) (0)
- FRAME-UPS AND THEIR MARKS: The recognition or attribution of irony (1995) (0)
- Narcissistic Narrative: The Paradoxical Status of self-conscious fiction (1977) (0)
- Cian Duffy, Peter Howell, and Caroline Ruddell, eds., Romantic Adaptations: Essays in Mediation and Remediation (2015) (0)
- Desire, Disease, Death. Texts and Contexts, (0)
- 3. “All That Is, Ends” Living while Dying in Wagner’s Der Ring des Nibelungen (2004) (0)
- 188 Paulo Freire (1993) (0)
- (Review of) Barry N. Olshen, John Fowles (1981) (0)
- Formalism and the Freudian aesthetic: Works of Sigmund Freud referred to in this study (1984) (0)
- Political Parody@@@The Politics of Postmodernism (1991) (0)
- Formalism and the Freudian aesthetic: Published poetry and prose of Charles Mauron (1984) (0)
- Formalism and the Freudian aesthetic: Critical works of Charles Mauron referred to in this study (1984) (0)
- Pastiche: Cultural Memory in Art, Film, Literature (2005) (0)
- Modern Language Association Four Views on Ethnicity Author ( s ) : (2008) (0)
- INTENTION AND INTERPRETATION: Irony and the eye of the beholder (1995) (0)
- History, Empire, Opera (2003) (0)
- Formalism and the Freudian aesthetic: Preface (1984) (0)
- Where? When? (Contexts) (2006) (0)
- POLITICAL DOUBLE-TALK (2003) (0)
- 4. Richard Strauss (1864– 1949): A Life Review in Music (2015) (0)
- 1 Setting the stage (2019) (0)
- Formalism and the Freudian aesthetic: Psychoanalysis and psychocritique (1984) (0)
- John Fowles by Barry N. Olshen (1981) (0)
- THE PROBLEM OF REFERENCE (2003) (0)
- 11. ‘Editorial’ Afterthoughts (2008) (0)
- Comparative North American Opera: (2018) (0)
- Formalism and the Freudian aesthetic: Psychoanalysis and literary criticism (1984) (0)
- Coda “Be Acquainted with Death Betimes...” (2004) (0)
- “Beve, Beve Con Me”: An Operatic Brindisi — for and to Gian-Paolo Biasin (1999) (0)
- Postmodern Ironies of Ethnicity (2023) (0)
- Interdisciplinary Opera (2009) (0)
- Comparative North American Opera: Individualism and National Identity (2018) (0)
- Introduction Music and "Murky Death" (2004) (0)
- DOUBLE-CODED POLITICS (2003) (0)
- 6. Benjamin Britten (1913– 1976): The Life Narratives of the Ever-Young “Working Composer” (2015) (0)
- INTRODUCTION: The “scene” of irony (1995) (0)
- THEORETICAL POSTMODERNISM: ARCHITECTURAL POSTMODERNISM AS AN INTRODUCTION TO LITERARY POSTMODERNISM Architectural critics beat their literary counterparts by ten years in producing a practical, hands-on guide to postmodernism as a movement. In 1977, Charles Jencks published the first comprehensive g (2005) (0)
- L'Estensione pragmatica della parodia (1997) (0)
- Formalism and the Freudian aesthetic: Toward psychocritique : from “spiritual” to “psychological” (1984) (0)
- The Poet as Novelist (1980) (0)
- 1. The Contemplation of Death (2004) (0)
- Drs. Michael and Linda Hutcheon respond. (1996) (0)
- HISTORY AND HIS STORY (2016) (0)
- Paulo Freire: A critical encounter (1993) (0)
- 5. “’Tis a Consummation Devoutly to Be Wish’d” Staging Suicide (2004) (0)
- Review: L'Impossibile ritorno: la fisiologia del mito in Cesare Pavese. (1982) (0)
- THE END(S) OF IRONY: The politics of appropriateness (1995) (0)
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