Linda Kouvaras's AcademicInfluence.com Rankings Why Is Linda Kouvaras Influential? (Suggest an Edit or Addition)
According to Wikipedia , Linda Kouvaras is a Melbourne-based composer with a background in punk and new wave. Her compositions, which explore genre mixing, are focused on vocals and piano music, and are released on ABC Records and Move Records.
(See a Problem?) Linda Kouvaras's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
2000 2010 0 0.5 1 1.5 2 2.5 3 3.5 4 4.5 5 5.5 6 6.5 7 Published Works Loading the Silence: Australian Sound Art in the Post-Digital Age (2013) The Semiotic and the Symbolic in Music in Two Sweets-smearing Scenes (2002) (4)From Port Essington to the Himalayas: Music, Place and Spirituality in Two Contemporary Australian Compositions (2006) (2)Being "In Tune with the Workings of Society": Violence, Maleness, and Two "Touching Little Ballads". (2008) (2)Modernist versus postmodernist aesthetics: Contemporary music criticism and the case of Matthew Hindson (2004) ‘Effing the Ineffable’:1 The Work of Susan McClary and Richard Leppert and (Part of) their Legacy (2014) Operatic snuff? Gender matters in music criticism (1994) TOILETS, TEARS AND TRANSCENDENCE: The Postmodern (Dis-)Placement of, and in, Two Water-Based Examples of Australian Sound Art (2009) Complete Accord (2005) Ern Malley songs / settings of The darkening ecliptic by University of Melbourne composers (2013) (0)Illuminating the Dark Side: An Interview with Brenton Broadstock (2000) (0)Restrung Sounds Unbound Music and Installation Festival (2012) (0)The Outback in the Himalayas: "Island-esque" Tropes of Identity and Landscape in Australian Composer Stuart Greenbaum's Ice Man (2009) (0)Modernist and Postmodernist Arts of Noise, Part 2: From the Clifton Hill mob to Chamber Made Opera’s Phobia (2005) (0)The Edges of Society: Sexual Murder and the 'Normal' Male in Nick Cave's 'Song of Joy' (2008) (0)Ros Bandt: Sound-Sculptor/ Poet-Protector/ Crusader of the Land (2020) (0)Abstracts of Recently Passed Australian Ph.D. Theses (1996) (0)Sweet death : strategies of the feminine grotesque in a contemporary Australian chamber opera (2017) (0)Making 'Soundmarks': Places and ecologies in contemporary sound art (2014) (0)Hissing at the Margins: Postmodern Mainstream Positioning in Australian Sound Art (2008) (0)The Importance of Music to the Understanding of Interdependence: Connecting through Music (2011) (0)From Port Essington to the Himalayas (2018) Music, Sensation, and Sensuality (review) (2003) Products of our own histories: An interview with Linda Kouvaras (2018) (0)Issues at Stake beyond the ‘insuperable melancholy longing for the unity of interpretation with experience' (2004) The place of women composers in Romanian Society since the mid-1960's: a shifting interpretation of equality in turbulent and transitional times (2004) (0)Music and the Politics of Negation by James R. Currie (review) (2014) The Psychic "Island of the Sociopath": Nick Cave as Creator-Protagonist in his "Song of Joy" (2009) (0)Toilets, Tears and Transcendence: The Postmodern Place of, and in, two examples of Australian Sound Art (2009) (0)More Papers This paper list is powered by the following services:
Other Resources About Linda Kouvaras What Schools Are Affiliated With Linda Kouvaras? Linda Kouvaras is affiliated with the following schools:
