Lizbeth Goodman
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Social scientist
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Lizbeth Goodmanphilosophy Degrees
Philosophy
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Philosophy
Lizbeth Goodman's Degrees
- PhD Sociology University of California, Berkeley
- Masters Social Sciences Stanford University
Why Is Lizbeth Goodman Influential?
(Suggest an Edit or Addition)According to Wikipedia, Lizbeth Goodman is the Chair of Creative Technology Innovation and founder director of the SMARTlab Digital Media Institute and the MAGIC Multimedia & Games Innovation Centre, formerly at the University of East London, England, and elsewhere, now at University College Dublin in Dublin, Ireland.
Lizbeth Goodman's Published Works
Published Works
- The Future of Ritual: Writings on Culture and Performance@@@Theatre and Everyday Life: An Ethics of Performance (1994) (237)
- The Routledge Reader in Gender and Performance (2002) (70)
- The Routledge Reader in Politics and Performance (2000) (58)
- Imagining Women: Cultural Representations and Gender (1992) (49)
- Literature and Gender (1996) (48)
- Contemporary Feminist Theatres: To Each Her Own (1993) (40)
- Men, women, and dogs (1983) (35)
- Contemporary Feminist Theatres (1993) (24)
- Feminist Theatre in Britain: a Survey and a Prospect (1993) (23)
- Feminist Stages: Interviews with Women in Contemporary British Theatre (1996) (18)
- Women’s Alternative Shakespeares and Women’s Alternatives to Shakespeare in Contemporary British Theatre (2000) (8)
- The Multimedia Bard: Plugged and Unplugged (1998) (8)
- Mythic women/real women : plays and performance pieces by women (2000) (6)
- Death and dancing in the Live Arts: performance, politics and sexuality in the age of AIDS (1993) (4)
- Languages of Theatre Shaped by Women (2001) (4)
- The TRUST Project: Immersive Play for Children in Hospitals and Rehabilitation (2005) (4)
- Shakespeare, Aphra Behn and the Canon (1996) (4)
- Jill Dolan: The Discourse of Feminisms: The Spectator and Representation (2002) (4)
- Representing Gender/Representing Self: A Reflection on Role Playing in Performance Theory and Practice (1988) (4)
- TEACHING FEMINIST THEATRES: STAGES BETWEEN THEORY AND PRACTICE (1994) (3)
- Who's Looking at Who(m)?: Re-viewing Medusa (1996) (3)
- Women, Politics and Performance in South African Theatre Today Vol 3 (1999) (3)
- Creative imagination and media-assisted learning: Shakespeare in performance (1997) (3)
- Race and the Cinema: An Interview with Stuart Hall and Paul Gilroy (1992) (3)
- Introduction Part 2: First, second and third spaces: Digital narratives and the spaces of performance (2007) (2)
- Performing self beyond the body: Replay culture replayed (2007) (2)
- 15. The Butterfly effect: Dancing with real and virtual expressive characters (2008) (2)
- Which Freedom? An Overview of Contemporary Bulgarian Theatre (1992) (2)
- Theatres of Choice and the Case of ‘He's Having Her Baby’ (1993) (2)
- Contemporary women dramatists (1994) (2)
- Bodies and stages: An interview with Tim Miller (1994) (2)
- Barbara Smith: Toward a Black Feminist Criticism (2002) (1)
- Speaking with and without words – An interview with Nomhle Nkonyeni (1999) (1)
- Sexuality and autobiography in performance (art) (1994) (1)
- A conversation with Janet Suzman on South African theatre and the politics of the ‘classics’: Shakespeare and Brecht during and after the cultural boycott (1999) (1)
- Two conversations with Yvonne banning about gender and drama in South African theatre during and after apartheid (1999) (1)
- Devising As Writing: British Women Theatre Writers and Educators Demand Contractual Status (1990) (1)
- BLACK FEMINIST THEATRES IN CULTURAL CONTEXT (1993) (1)
- Performing in the Wishing Tense: SMARTlab's Evolution on Stage, Online, and in the Sand (2007) (1)
- Utterance 6 Live and Media Performance—the Next Frontier (1999) (0)
- ‘Divina’: a Report from Turin (1991) (0)
- Honour for NTQ Contributor (1991) (0)
- Fascist Theatre Investigated (1991) (0)
- Introduction Part 1: Performance futures: Bodies in movement, viewed through multiple screens (2007) (0)
- COMMON WORKING METHODS OF FEMINIST THEATRES (1993) (0)
- ’Scorned as timber, beloved of the sky’: Emily Carr's double approach to first nations Canadian landscapes and images in her painting and writing[1] (1998) (0)
- Jean E. Howard: Cross-Dressing, the Theatre and Gender Struggle in Early Modern England (2002) (0)
- Ellen Donkin and Susan Clement, eds. Upstaging Big Daddy: Directing Theatre as if Gender and Race Matter Ann Arbor: University of Michigan Press, 1993. 329 p. $42.50 (hbk), $16.95 (pbk). ISBN 0-472-09503-X (hbk), 0-472-06503-3 (pbk). (1994) (0)
- An institutional laundry: more than its machines. (1978) (0)
- Jo Ann Schmidman, Sara Kimberlain, Megan Terry, eds. Omaha Magic Theatre Right Brain Vacation Photos: New Plays and Productions Photographs, 1972–1992 Omaha: Magic Theatre Foundation, 1992. ISBN 0-911382-13-5. (1993) (0)
- FEMINIST THEATRES 1968–90 (1993) (0)
- Confrence in Cambridge: Theatre under Theat? (1991) (0)
- Editorial Performing and Being (There) live and online (2007) (0)
- Video of Lizbeth Goodman's invited speech at ALT-C 2008, Leeds (2008) (0)
- NEW DIRECTIONS IN FEMINIST THEATRE(S) (1993) (0)
- LESBIAN THEATRES AND THEORETICAL PERSPECTIVES (1993) (0)
- Tragedy Tomorrow, Theory Tonight? (1993) (0)
- Teresa de Lauretis: Sexual Indifference and Lesbian Representation (2002) (0)
- Viv Gardner: The New Woman in the New Theatre (2002) (0)
- Lynda Hart and Peggy Phelan, eds. Acting Out: Feminist Performances Ann Arbor: University of Michigan Press, 1993. 406 p. $44.50 (hbk), $18.95 (pbk). ISBN 0-472-09479-3 (hbk), 0-472-06479-7 (pbk). (1994) (0)
- Trevor R. Griffiths and Margaret Llewellyn-Jones, eds. British and Irish Women Dramatists since 1958: a Critical Handbook Buckingham: Open University Press, 1993. 193 p. £37.50 (hbk), £12.99 (pbk). ISBN 0-335-09603-4 (hbk), 0-335-09602-6 (pbk). (1994) (0)
- BRITISH FEMINIST THEATRE IN AN INTERNATIONAL CONTEXT (1993) (0)
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What Schools Are Affiliated With Lizbeth Goodman?
Lizbeth Goodman is affiliated with the following schools: