Lubaina Himid's AcademicInfluence.com Rankings Why Is Lubaina Himid Influential? (Suggest an Edit or Addition)
According to Wikipedia , Lubaina Himid is a British artist and curator. She is a professor of contemporary art at the University of Central Lancashire. Her art focuses on themes of cultural history and reclaiming identities.
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Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
2010 0 0.5 1 1.5 2 2.5 3 3.5 4 4.5 5 Published Works Naming the Money (2004) (5)There's No Such Thing as British Art (2015) What are monuments for? Possible landmarks on the urban map Paris/London (2011) (2)Monument talk (2012) ‘The “ghost” of it all’: Tragedy, Trauma and a ‘people there and not there’ in Le Rodeur (2016) (2019) Inside the Invisible For/Getting Strategy (2005) (1)Intervention, Mapping and Excavation: White Caricatures versus Black Dehumanisation in Swallow Hard: The Lancaster Dinner Service (2007) (2019) Inside the invisible: Memorialising Slavery and Freedom in the Life and Works of Lubaina Himid (2019) (1)Prof Lubaina Himid What are monuments for? Paris/LondonImage - Greenwich Park London (2011) (0)'The Tenderness Only We Can See' Hollybush Gardens, London 2018 (2018) (0)Making Black Histories, Stories and Memories Visible (2019) Painting Histories (2018) Imaginary Black Topographies: What are Monuments For? (2015) Letters to Susan Thin Black Line(s) Publication (2012) (0)Black Art, Black Power: Responses to Soul of a Nation 2017 (2017) (0)Dreaming has a Share in History : New Kangas from the Archive. (2016) (0)THE TRUTH IS NEVER WATERTIGHT, Badischer Kunstverein, Karlsruhe, Germany, 2017 (2017) (0)Lubaina Himid in conversation with Mother Tongue, for Glasgow International Festival of Visual Art 2018 (2018) (0)Hard Times, The Harris Museum and Art Gallery Preston (2018) (0)‘It’s all about action’: (2019) Thin Black Line(s) (2012) (0)Reimaging and Reimagining an Absent-Presence in Cotton.com (2003) (2019) Prof Lubaina HimidWhat are monuments for ? ImageAngela Davies - Covent Garden London (2011) (0)‘They who document/paint the History hold the Power’: Retelling, Reimagining and Recreating New Narratives of Black Heroism in Toussaint I (1987) and Toussaint II (2002) (2019) Fragments: An Exploration of Everyday Black Creativity and Its Relationship to Political Change (2021) Artist Statement II Telling Invisible Stories (2019) The Art of Dissonance Part of UK/Korea 2017-18 Creative Futures (2017) (0)Thinking again about monuments in 2022 (2022) Artist and Empire: New Dynamics 1790 to the present day Lubaina Himid in conversation with Zarina Bhimji, Artist and Curator and Achim Borchardt-Hume director of Exhibitions and Tate Programmes. (2015) (0)Cotton:Global Threads (2012) (0)Lubaina Himid, "Gifts to Kings", vue de l’exposition au Mrac, Sérignan, France 2018 (solo) (2018) (0)Inside the Visible: Painting histories (2003) Prof Lubaina HimidWhat are monuments for ? Paris LondonImage Maya Angelou Palace de Chaillot, Paris (2011) (0)Kangas from the lost sample book (2012) (0)Gwangju Biennale – Burning Down the House (2014) (0)Visual Artist (2019) Imaging and Imagining ‘Vanished lives of the black diaspora’ in Venetian Maps (1997) (2019) Reimagining the City BBC Radio 4 first time broadcast 26th November 2016 (2016) (0)Turner Prize exhibition 2017 Ferrens Art Gallery (2017) (0)The place is here (2017) (0)‘Rituals of reclaiming lost artefacts, refusing oppression and looking for ancestors’ in Heroes and Heroines (1984) (2019) Jelly Mould Pavilion, Folkestone Triennial, 2017 (2017) (0)'Fashionable Marriage' installation (1986) in a group exhibition - Keywords: Art, Culture and Society in 1980s Britain (2014) (0)'Collars and Cuffs’ Installation as Part Of At A Woman’s Place at Knole 2018 (2018) (0)What Are monuments for? Possible monuments on the urban landscape. (2011) (0)Artist Statement I: (2019) ‘Humour, fury, celebration and optimism’: A Politics of Protest and Cut-Out Men (1981–85) (2019) ‘Lives depend on accurate histories’ (2019) BBC Radio 3, Private Passions - Lubaina Himid 6th May 2018 (2018) (0)WARP AND WEFT, Firstsite, Colchester, 2017 (2017) (0)Mapping Space, Debating Place: Jelly Mould Pavilions (2010) and Official Sites and Sights of Slavery and Memory (2019) Artist Statement III Return to the Operatic (2019) Letters to Susan (2019) Artist Statement II: (2019) ‘The slave servant’: Guerrilla Memorialisation and Multi-accented Performances in Naming the Money (2004) (2019) 'Navigation Charts', 'Invisible Strategies' and 'The place is here' (2017) (0)Artist Statement I Gathering and Reusing (2019) Jelly Pavilions at Liverpool 2010Jelly Pavilions Leeds Art Gallery Northern Art Prize 2011 (2010) (0)Navigation Charts exhibition at Spike Island, Bristol. (2017) (0)NEW CONVERSATIONS ABOUT TIME AND PLACE Panel Discussion at Newlyn Art GalleryMagda Stawarska-Beavan, Rebecca Chesney and Lubaina Himid (2019) (0)Our Kisses are Petals, Exhibition at Baltic, Baltic, Gateshead, 2018 (2018) (0)CART in Durham (2012) (0)‘Safety and danger and how to tell the difference’: Suffering, Struggle and Survival in Plan B (1999) (2019) ‘Lost hope, abandoned lives, decimated civilisations’: Sites of Cultural Struggle in Beach House (1995) (2019) Artist Statement V: (2019) Tracing ‘the living/the dead/the ancestors’ in London and Paris Guidebooks (2009) (2019) Invisible Narratives - In conversation with Lubaina Himid (2019) (0)Making histories visible: Open Sesame (1/10/05), TateLiverpool and The Point of Collection (1/10/07), TateBritain (2007) (0)Prof Lubaina HimidWhat are monuments for ? Paris/London Paris - Nelson Mandella (2011) (0)'Breaking in, Breaking out, Breaking up, Breaking down’ Director's Programme Exhibition in Glasgow International 2018,Kelvingrove Art Gallery and Museum. Commissioned by Glasgow International. Supported by the Henry Moore Foundation (2018) (0)No More Silent Victims: Agency, Authority and Artistry in the Black Woman’s Story in Revenge (1992) (2019) The Place Is Here, Nottingham Contemporary (2017) (0)Artist Statement III: (2019) Artist Statement IV: (2019) Invisible Strategies Modern Art Oxford. 2017 (solo) (2017) (0)Artist Statement V Working on Paper (2019) INVISIBLE NARRATIVES -NEW CONVERSATIONS ABOUT TIME AND PLACE exhibition at Newlyn Art Gallery (2019) (0)Artist Statement IV Painting over the British to Reveal the British (2019) Inside the invisible (2019) More Papers This paper list is powered by the following services:
Other Resources About Lubaina Himid What Schools Are Affiliated With Lubaina Himid? Lubaina Himid is affiliated with the following schools:
