Lucy Hartley | Academic Influence

Lucy Hartley's AcademicInfluence.com Rankings

Lucy Hartley

History

#4930

World Rank

#6795

Historical Rank

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History

Lucy Hartley's Degrees

Masters History University of Oxford
Bachelors History University of Oxford

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Why Is Lucy Hartley Influential?

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According to Wikipedia, Lucy Hartley is a British professor of English attached to the Department of English Language and Literature of the University of Michigan. Her special interests include nineteenth-century studies, intellectual and cultural history, art and politics, history and philosophy of science and interdisciplinarity theory and practice.

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Lucy Hartley's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Physiognomy and the Meaning of Expression in Nineteenth-Century Culture (2001) (95)
Democratising Beauty in Nineteenth-Century Britain: Art and the Politics of Public Life (2017) (30)
A Science of Beauty? Femininity, Fitness and the Nineteenth-century Physiognomic (2001) (5)
intellectual history and the history of art (2006) (2)
Putting the Drama into Everyday Life: The Pre-Raphaelite Brotherhood and a Very Ordinary Aesthetic (2002) (2)
War and Peace, or Governmentality as the Ruin of Democracy (2008) (2)
Learners' bias to balance production effort against message uncertainty is independent of their native language (2020) (1)
Beauty (2019) (1)
From the Local to the Colonial: Toynbee Hall and the Politics of Poverty (2019) (1)
Introduction: The ‘Business’ of Writing Women (2018) (1)
‘The sign in the eye of what is known to the hand’: Visualizing expression in Charles Bell's Essays on Anatomy (1996) (1)
Democracy at the crossroads: Tocqueville, mill, and the conflict of interests (2013) (1)
'How to Observe': Charles Eastlake and a New Professionalism for the Arts (2018) (1)
Literature, Technology and Magical Thinking, 1880-1920 (2003) (0)
’Griffinism, grace and all’: the riddle of the grotesque in John Ruskin’s Modern Painters (2018) (0)
Charles Darwin and Victorian Visual Culture (review) (2008) (0)
Invalidism and Identity in Nineteenth‐Century Britain. Maria H. Frawley. Chicago: University of Chicago Press, 2004. Pp. vii+292. (2007) (0)
Charles Darwin and Victorian Visual Culture, by Jonathan Smith (2007) (0)
‘I wonder what a Chimpanzee would say to this?’ (453) (1998) (0)
Figuring the Individual in the Collective: The ‘Art-politics’ of Edward Poynter and William Morris (2017) (0)
Introduction: Being Interested in Beauty (2017) (0)
The grammar of expression? Physiognomy and the language of the emotions in nineteenth-century England. (1995) (0)
Experimenting with Public Opinion (2017) (0)
About Faces: Physiognomy in Nineteenth‐Century Britain by Sharrona Pearl (2011) (0)
The Humanist Interest Old and New: John Addington Symonds and the Nature of Liberty (2017) (0)
‘Of Universal or National Interest’: Charles Eastlake, the Fine Arts Commission, and the Reform of Taste (2017) (0)
Kemsley oration 2012: New urban tactics (2013) (0)
Fairies in Nineteenth-Century Art and Literature (2003) (0)
Victorian Skin: Surface, Self, History (2022) (0)
Sensation, Art, and Capital (2018) (0)
: Rural Scenes and National Representation: Britain, 1815-1850 . Elizabeth K. Helsinger. (1998) (0)
Utilitarianism and the Art School in Nineteenth-Century Britain by Malcolm Quinn (review) (2015) (0)
G. Gabrielle Starr Feeling Beauty: The Neuroscience of Aesthetic Experience (2015) (0)
The Neighbourhood Project (2020) (0)
The Pleasures and Perils of Self-Interest: Calculating the Passions in Walter Pater's Essays (2017) (0)
Repositioning Victorian Sciences: A Science for One or a Science for All? Physiognomy, Self-Help, and the Practical Benefits of Science (2006) (0)
Important changes to the restricted certificates of sponsorship (RCoS) application process from 6 March 2013 (2013) (0)
Idleness and Aesthetic Consciousness, 1815–1900. Richard Adelman. Cambridge: Cambridge University Press, 2018. Pp. v+233. (2019) (0)
Reconstituting Publics for Art: John Ruskin and the Appeal to Enlightened Interest (2017) (0)

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What Schools Are Affiliated With Lucy Hartley?

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