Lydia Goehr

Q: What Schools Are Affiliated With Lydia Goehr

Lydia Goehr is affiliated with the following schools: University of Cambridge, University of Exeter, University of California, Berkeley, University of Nevada, Reno, Columbia University, University of Manchester

Lydia Goehr's AcademicInfluence.com Rankings

Lydia Goehr

Philosophy

#1440

World Rank

#2618

Historical Rank

#581

USA Rank

Aesthetics

#16

World Rank

#24

Historical Rank

USA Rank

Logic

#7963

World Rank

#9907

Historical Rank

#1269

USA Rank

philosophy Degrees

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Philosophy

Lydia Goehr's Degrees

PhD Philosophy University of California, Berkeley

Why Is Lydia Goehr Influential?

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According to Wikipedia, Lydia Goehr is Fred and Fannie Mack Professor of Humanities, Department of Philosophy, at Columbia University. Her research specialties include the philosophy of music, aesthetics, critical theory, the philosophy of history, and 19th- and 20th-century philosophy.

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Lydia Goehr's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

The Imaginary Museum Of Musical Works (1992) (241)
On the Musically Beautiful: A Contribution Towards the Revision of the Aesthetics of Music (1987) (75)
Narration and knowledge : including the integral text of analytical philosophy of history (2007) (60)
The Quest for Voice: On Music, Politics, and the Limits of Philosophy (1999) (52)
Things Beyond Resemblance: Collected Essays on Theodor W. Adorno (2006) (40)
Elective Affinities: Musical Essays on the History of Aesthetic Theory (2008) (36)
Political music and the politics of music (1994) (34)
Being True to the Work (1989) (32)
Reflections on the Imitation of Greek Works in Painting and Sculpture (1989) (31)
How to Do More with Words. Two Views of (Musical) Ekphrasis (2010) (28)
The Don Giovanni Moment: Essays on the Legacy of an Opera (2006) (28)
John Cage: Composed in America (1996) (27)
Art and Politics (2005) (20)
Rousseau in 2013: Afterthoughts on a Tercentenary (2013) (17)
‘On the Problems of Dating’ or ‘Looking Backward and Forward with Strohm’ (2000) (16)
Adorno, Schoenberg, and the Totentanz der Prinzipien——in Thirteen Steps (2003) (16)
Schopenhauer, philosophy, and the arts: Schopenhauer and the musicians: an inquiry into the sounds of silence and the limits of philosophizing about music (1996) (14)
Dissonant Works and the Listening Public (2004) (12)
Improvising Impromptu, Or, What to Do with a Broken String (2016) (12)
Writing Music History (1992) (11)
At the still point of the turning world (2021) (9)
6. The Gothic Libertine: The Shadow of Don Giovanni in Romantic Music and Culture (2006) (7)
Radical Modernism and the Failure of Style: Philosophical Reflections on Maeterlinck-Debussy's Pellééas et Méélisande (2001) (7)
AFTERWORDS: AN INTRODUCTION TO ARTHUR DANTO'S PHILOSOPHIES OF HISTORY AND ART* (2007) (7)
In the Shadow of the Canon (2002) (7)
Hardboiled Disillusionment: Mahagonny as the Last Culinary Opera (2008) (6)
Explosive Experiments and the Fragility of the Experimental (2016) (6)
The institutionalization of a discipline: A retrospective of The Journal of Aesthetics and Art (1993) (6)
Does it Matter Where We Begin? Or, On the Art of Preparation and Preluding (2015) (5)
Understanding the Engaged Philosopher: On Politics, Philosophy, and Art (2004) (5)
Aida and the Empire of Emotions (Theodor W. Adorno, Edward Said, and Alexander Kluge) (2009) (5)
Undoing the Discourse of Fate: The Case of Der fliegende Hollander (2005) (5)
The Domestic Diva: Toward an Operatic History of the Telephone (2016) (4)
Amerikamüde/Europamüde: The Very Idea of American Opera (2008) (4)
Review: The Aesthetics of Music by Roger Scruton (1999) (3)
The Aesthetics of Music . Roger Scruton . (1999) (3)
UMBERTO ECO, With RICHARD RORTY, JONATHAN CULLER, and CHRISTINE BROOKE-ROSE, Interpretation and Overinterpretation. Ed. Stefan Collini (1993) (2)
Werktreue: Confirmation and Challenge in Contemporary Movements (1994) (2)
Kierkegaard Writes His Opera (2006) (2)
1. Don Giovanni: “And what communion hath light with darkness?” (2006) (2)
10. Authority and Judgment in Mozart’s Don Giovanni and Wagner’s Ring (2006) (1)
Sporting Sounds: Relationships between Sport and Music edited by bateman, anthony and john bale (2011) (1)
What Anyway Is a “Music Discomposed”? (2018) (1)
7. Don Juan as an Idea (2006) (1)
After 1800: The Beethoven Paradigm (1994) (1)
The Ode to Joy: music and musicality in tragic culture (2006) (1)
The Routledge Companion to Music and Visual Culture (2015) (1)
Antithetical Arts: On the Ancient Quarrel between Literature and Music (2010) (1)
Normativity Without Norms (2009) (1)
Virtual Works – Actual Things : Essays in Music Ontology (2018) (1)
Canned Laughter (2010) (1)
Three Blind Mice: Goodman, McLuhan, and Adorno on the Art of Music and Listening in the Age of Global Transmission (2008) (1)
Music and movement (2004) (1)
Juliette fahrt nach Mahagonny, or a Critical Reading of Surrealist Opera (2005) (1)
The Concept of Opera (2014) (1)
Painter of Moods, Poverties, and Professions (2022) (0)
Wagner Through Other Eyes: Parody and the Wit of Brevity in Theodor W. Adorno and Mark Twain (2016) (0)
Thought Experiment (2022) (0)
14. Adorno and the Don (2006) (0)
Reds of Art and War (2022) (0)
Philosophy Without Art: Standing on the Stage with Nietzsche (2009) (0)
Musical Production Without the Work‐Concept (1994) (0)
2. Don Juan and Faust: On the Interaction Between Two Literary Myths (2006) (0)
Red Sea-Red Square-Red Thread (2022) (0)
A Nominalist Theory of Musical Works (1994) (0)
Egyptian-Jewish Bohème (2022) (0)
11. Mozart’s Don Giovanni in Shaw’s Comedy (2006) (0)
The Limits of Analysis and the Need for History (1994) (0)
FOREWORD TO THE PRINCETON CLASSICS EDITION (2021) (0)
5. Mörike’s Mozart and the Scent of a Woman (2006) (0)
Thought Experiments in Color (2022) (0)
Philosophers and Thespians: Thinking Performance , by Freddie Rokem (2011) (0)
Musical Meaning: From Antiquity to the Enlightenment (1994) (0)
Emancipation Narrative (2022) (0)
Spreading the Anecdote (2022) (0)
A Platonist Theory of Musical Works (1994) (0)
Rothfarb, Lee and Christoph Landerer. Eduard Hanslick's on the Musically Beautiful: A New Translation. Oxford University Press, 2018, 224 pp., $24.95 cloth. (2020) (0)
From Sea to Square to Sea (2022) (0)
Bohemia-Bohemian-Bohème (2022) (0)
Did Bach Compose Musical Works? Thinking with Adorno through Paradigms of Possibility (2021) (0)
What anyway is a "music discomposed"? (2018) (0)
Sea Scenes (2022) (0)
Musical Meaning: Romantic Transcendence and the Separability Principle (1994) (0)
The Central Claim (1994) (0)
Contesting Opera (2022) (0)
Street Signs of Libation and Liberation (2022) (0)
WHAT IS THE MATTER WITH FORM? LOSS AND GAIN IN PLURIVOCAL SPEECH (2018) (0)
Testament and Table (2022) (0)
Red Thread (2022) (0)
Review of Peter Kivy. 2001. New Essays on Musical Understanding . Oxford University Press; and Lawrence Kramer. 2002. Musical Meaning: Toward a Critical History . Berkeley: University of California Press (2017) (0)
Modernity: A world without eyebrows (1990) (0)
Just One Line: Reading T. W. Adorno on Humans, Artworks, and Animals (2022) (0)
The work of music (1987) (0)
Proverbs on the Path to the Absolute (2022) (0)
Peter Kivy , Osmin's Rage: Philosophical Reflections on Opera, Drama, and Text . Reviewed by (1990) (0)
Music as Philosophy: Adorno and Beethoven's Late Style (review) (2007) (0)
Philosophers and Thespians: Thinking Performance (review) (2011) (0)
From Opera to Music Drama: Nominal Loss, Titular Gain (2009) (0)
Philosophy (2007) (0)
Philosophy (2008) (0)
Three Responses to Lydia Goehr’s Essay (2018) (0)
Mastering the Cant in Cafés of Complaint (2022) (0)
Between Fact and Fiction (2022) (0)
Back Matter (1999) (0)
9. The Curse and Promise of the Absolutely Musical: Tristan und Isolde and Don Giovanni (2006) (0)
Tying the Knot (2022) (0)
Passages of Bohème (2022) (0)
Refiguring Exodus (2022) (0)
Grey Days for a Gay Science (2022) (0)
Review of Peter Kivy. New Essays on Musical Understanding. Oxford University Press, 2001. and Lawrence Kramer. Musical Meaning: Toward a Critical History. University of California Press, 2002. (2002) (0)
Six Pieces for Arthur Danto (1924-2013): In Memoriam (2014) (0)
“Other Pictures we Look at, – His Prints we Read” (2012) (0)
4. Don Juan in Nicholas’s Russia (Pushkin’s The Stone Guest) (2006) (0)

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Other Resources About Lydia Goehr

en.wikipedia.org

What Schools Are Affiliated With Lydia Goehr?

Lydia Goehr is affiliated with the following schools:

Lydia Goehr's Academic­Influence.com Rankings

Lydia Goehr's Degrees

Why Is Lydia Goehr Influential?

Lydia Goehr's Published Works

Published Works

Other Resources About Lydia Goehr

What Schools Are Affiliated With Lydia Goehr?

Lydia Goehr's AcademicInfluence.com Rankings