Marcia Citron

Q: What Schools Are Affiliated With Marcia Citron

Marcia Citron is affiliated with the following schools: Rice University, University of California, Berkeley, Brooklyn College, University of North Carolina at Chapel Hill

Marcia Citron's AcademicInfluence.com Rankings

Marcia Citron

Philosophy

#3341

World Rank

#5413

Historical Rank

#1071

USA Rank

Logic

#7946

World Rank

#9885

Historical Rank

#1264

USA Rank

philosophy Degrees

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Philosophy

Marcia Citron's Degrees

PhD Musicology University of California, Berkeley
Masters Musicology University of California, Berkeley
Bachelors Music University of California, Berkeley

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Why Is Marcia Citron Influential?

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According to Wikipedia, Marcia Judith Citron is an American professor of musicology at Rice University in Houston, Texas. She is a leading musicologist specializing in issues regarding women and gender, opera and film. Life and career Marcia Citron graduated from Brooklyn College with a BA in 1966 and from University of North Carolina at Chapel Hill with an MA in 1968 and a PhD in 1971. She has been recognized with the Martha and Henry Malcolm Lovett Distinguished Service Professor of Musicology award, and has received grants from National Endowment for the Humanities, the German Academic and Exchange Service and Rice University. She is a member of the American Musicological Society and has served as committee chair.

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Marcia Citron's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Gender and the Musical Canon (1993) (304)
Gender, Professionalism and the Musical Canon (1990) (80)
Opera on Screen (2000) (57)
Feminist Waves and Classical Music: Pedagogy, Performance, Research (2004) (26)
The letters of Fanny Hensel to Felix Mendelssohn (1991) (22)
When Opera Meets Film (2010) (17)
Women and the Western Art Canon: Where Are We Now? (2007) (16)
Subjectivity in the Opera Films of Jean-Pierre Ponnelle (2005) (12)
The Lieder of Fanny Mendelssohn Hensel (1983) (12)
The Operatics of Detachment: Tosca in the James Bond Film Quantum of Solace (2011) (10)
When Opera Meets Film: When Opera Meets Film (2010) (10)
Gender and the Field of Musicology (1993) (10)
Operatic Style and Structure in Coppola’s Godfather Trilogy (2004) (10)
Cecile Chaminade: A Bio-Bibliography (1988) (8)
Women and the Lied, 1775–1850 (1986) (7)
CORONA SCHRÖTER: SINGER, COMPOSER, ACTRESS (1980) (7)
A Night at the Cinema: Zeffirelli's Otello and the Genre of Film-Opera (1994) (6)
"Gender and the Musical Canon", Marcia J. Citron, Camrbidge-New York 1993 : [recenzja]. (2006) (6)
'An Honest Contrivance': Opera and Desire in 'Moonstruck' (2008) (5)
Beyond Biography: Seventh International Congress on Women in Music Utrecht, The Netherlands 29 May-2 June 1991. Music and Gender Conference King's College, London 5-7 July 1991 (1991) (5)
Opera and Film (2017) (4)
A Bicentennial Reflection: Twenty-five Years with Fanny Hensel (2007) (2)
The Gendered Score: Music in 1940s Melodrama and the Woman’s Film (review) (2009) (2)
Opera-Film as Television: Remediation in Tony Britten's Falstaff (2017) (2)
Technology and the Diva: Sopranos, Opera and Media from Romanticism to the Digital Age ed. by Karen Henson (review) (2017) (2)
Felix Mendelssohn's Influence on Fanny Mendelssohn Hensel as a Professional Composer (1984) (2)
Operatic style in Coppola's Godfather trilogy (2010) (2)
Women’s Voices across Musical Worlds. Ed. by Jane A. Bernstein. pp. xvi + 353. (Northeastern University Press, Boston, 2004, $22.50. ISBN 155553-588-7.) (2005) (1)
Towards a Twenty-First-Century Feminist Politics of Music (review) (2012) (1)
Towards a Twenty-First-Century Feminist Politics of Music. By Sally Macarthur. (2012) (1)
When Opera Meets Film: Subjectivity in the opera-films of Jean-Pierre Ponnelle (2010) (0)
Mismatched Women: The Siren’s Song Through the Machine by Jennifer Fleeger (review) (2015) (0)
The Gendered Score: Music in 1940s Melodrama and the Woman's Film. By Heather Laing. (2009) (0)
The Songs of Fanny Hensel ed. by Stephen Rodgers (review) (2022) (0)
When Opera Meets Film: Epilogue (2010) (0)
Filmography and Videography (2019) (0)
Women and the Nineteenth-Century Lied ed. by Aisling Kenny and Susan Wollenberg (review) (2016) (0)
Encyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs, and: Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film (review) (2006) (0)
Vococentrism and Sound in Ingmar Bergman’s The Magic Flute (2020) (0)
Cultivating Music in America: Women Patrons and Activists since 1860. Ralph P. Locke , Cyrilla BarrMusic, Gender, Education. Lucy GreenRuth Crawford Seeger: A Composer's Search for American Music. Judith Tick (2000) (0)
Gendered Reception of Brahms: Masculinity, Nationalism and Musical Politics 1 (2017) (0)
Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s (review) (2005) (0)
Operatic Afterlives (review) (2012) (0)
'Music & Letters' Awards (2008) (0)
When Opera Meets Film: Don Giovanni and subjectivity in Claude Chabrol's La Cérémonie (2010) (0)
QUEER AND TRANS IDENTITY IN THE LIVES OF WESTERN ART MUSICIANS Thesis Submitted in partial fulfillment of the requirements for the Degree of Master of Arts (2020) (0)
Women's Voices across Musical Worlds (review) (2005) (0)
The Operatics of Detachment: <italic>Tosca</italic> in the James Bond Film <italic>Quantum of Solace</italic> (2011) (0)
Acknowledgement to reviewers (2011) (0)
When Opera Meets Film: Bibliography (2010) (0)
NCM volume 5 issue 2 Cover and Back matter (2008) (0)
Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head (review) (2014) (0)
List of Music Examples (2010) (0)
Giacamo Puccini, La bohèmeAnna Netrebko (Mimi) soprano, Piotr Beczala (Rodolfo) tenor, Massimo Cavalletti (Marcello) baritone, Nino Machaidze (Musetta) sopranoVienna Philharmonic Orchestra, Daniele Gatti condDamiano Michieletto, stage director Deutsche Grammophon 1777209, 2012 (1 DVD: 124 minutes) (2014) (0)
Coda: A Reply to Marian Wilson Kimber (2009) (0)
Review: Unsung: A History of Women in American Music (2002) (0)
When Opera Meets Film: Introduction (2010) (0)
Cecile Chaminade: A Bio-Bibliography@@@Jean Langlais: A Bio-Bibliography@@@The Musical Language of Gabriel Faure (1991) (0)
When Opera Meets Film: The sound of desire: Così 's “Soave sia il vento” in Sunday, Bloody Sunday and Closer (2010) (0)
When Opera Meets Film: Opera as fragment: “Liebestod” and “Nessun dorma” in Aria (2010) (0)
Operatic Afterlives. By Michal Grover-Friedlander. (2012) (0)
Activity 4-3-2014 A New Approach : The Feminist Musicology Studies of (2017) (0)
: Catalogue of the Mendelssohn Papers in the Bodleian Library, Oxford, Vol. 1: Correspondence of Felix Mendelssohn Bartholdly and Others . Margaret Crum, Felix Mendelssohn Bartholdly. (1983) (0)
When Opera Meets Film: Notes (2010) (0)
'Music & Letters' Awards (2005) (0)
Changing Tunes: The Use of Pre-existing Music in Film. Ed. Phil Powrie and Robynn Stilwell. (2007) (0)
Changing Tunes: The Use of Pre-existing Music in Film (review) (2008) (0)
The Erotics of Masculinity in Zeffi relli’s Film Otello (2013) (0)
Composers in the Movies: Studies in Musical Biography (review) (2006) (0)

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What Schools Are Affiliated With Marcia Citron?

Marcia Citron is affiliated with the following schools:

Marcia Citron's Academic­Influence.com Rankings