Marcia Pointon

Q: What Schools Are Affiliated With Marcia Pointon

Marcia Pointon is affiliated with the following schools: University of Sussex, University of Manchester

Marcia Pointon's AcademicInfluence.com Rankings

Marcia Pointon

Education

#1610

World Rank

#2300

Historical Rank

Pedagogy

#188

World Rank

#248

Historical Rank

education Degrees

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Education

Marcia Pointon's Degrees

PhD Art History University of Manchester
Masters Art History University of Manchester
Bachelors Art History University of Manchester

Why Is Marcia Pointon Influential?

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According to Wikipedia, Marcia Pointon is a historian of British art. She trained at the University of Manchester, receiving her PhD there in 1974. From 1975, she was at the University of Sussex, becoming Professor of the History of Art in 1989. In 1992, she moved to the University of Manchester to take the Pilkington Professorship in the History of Art, a position she held until 2002. She now works as a free-lance consultant and researcher.

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Marcia Pointon's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England (1993) (222)
"Surrounded with Brilliants": Miniature Portraits in Eighteenth-Century England (2001) (58)
Strategies for Showing: Women, Possession, and Representation in English Visual Culture 1665-1800 (1997) (44)
Naked Authority: The Body in Western Painting 1830-1908 (1990) (41)
Brilliant Effects: A Cultural History of Gem Stones and Jewellery (2010) (40)
Art apart : art institutions and ideology across England and North America (1994) (31)
Dealer in Magic: James Cox's Jewelry Museum and the Economics of Luxurious Spectacle in Late-Eighteenth-Century London (1999) (29)
Materializing Mourning: Hair, Jewellery and the Body (2009) (28)
Portrayal and the Search for Identity (2012) (21)
Casts, Imprints, and the Deathliness of Things: Artifacts at the Edge (2014) (20)
Money, Power, and the History of Art (1997) (19)
HANGING THE HEAD (1994) (18)
PORTRAIT‐PAINTING AS A BUSINESS ENTERPRISE IN LONDON IN THE 780s (1984) (16)
Valuing the visual and visualizing the valuable: Jewellery and its ambiguities 1 (1999) (13)
The Lives of Kitty Fisher (2008) (10)
Pre-Raphaelites re-viewed (1989) (8)
Milton and English Art (1971) (7)
Intriguing jewellery: Royal bodies and luxurious consumption 1 (1997) (7)
William Dyce, 1806-1864: A Critical Biography (1979) (6)
Quakerism and Visual Culture 1650–1800 (1997) (6)
Interior Portraits: Women, Physiology and the Male Artist (1986) (5)
GAINSBOROUGH AND THE LANDSCAPE OF RETIREMENT (1979) (5)
THE REPRESENTATION OF TIME IN PAINTING: A study of William Dyce's Pegwell Bay: A Recollection of October 5th, 1858 (1978) (4)
History of Art: A Students' Handbook (1980) (4)
MATERIAL MANOEUVRES: SARAH CHURCHILL, DUCHESS OF MARLBOROUGH AND THE POWER OF ARTEFACTS (2009) (4)
Portrait! Portrait!! Portrait!!" (2001) (4)
Slave Portraiture in the Atlantic World: Slavery and the Possibilities of Portraiture (2013) (4)
Enduring Characteristics and Unstable Hues: Men in Black in French Painting in the 1860s and 1870s (2017) (3)
"From the Midst of Warfare and its Incidents to the Peaceful Scenes of Home": The Exposition Universelle of 1855 (1981) (2)
The Italian Tour of William Hilton R. A. in 1825 (1972) (2)
De Beers’s Diamond Mine in the 1880s: Robert Harris and the Kimberley Searching System (2018) (2)
Pictures and Popery: Art and Religion in England, 1660–1760 (review) (2008) (2)
Women and their Jewels (2007) (2)
The Bonington Circle: English Watercolour and Anglo-French Landscape 1790-1885 (1988) (2)
From ‘Blind Man's Buff’ to ‘Le Colin Maillard’: Wilkie and his French audience (1984) (1)
Book Review:Catalogue of the Natural History Drawings Commissioned by Joseph Banks on the Endeavour Voyage, 1768-1771, Held in the British Museum (Natural History). Part 3: Zoology Alwyne Wheeler (1987) (1)
Portrayal: the Search for Identity (2013) (1)
William Dyce as a Painter of Biblical Subjects (1976) (1)
Sacred Contagion: Secular Jewellery and Votive Transvaluation at the Santa Casa, Loreto, 1720-1820 (2005) (1)
Pricing or prizing potential in the 1990s (1997) (1)
GRACES, BACCHANTES and ‘PLAIN FOLKS’: ORDER and EXCESS IN REYNOLDS'S FEMALE PORTRAITS* (2008) (1)
'A Woman Weeps: Hogarth's Sigismunda (1759) and the Aesthetics of Excess' (2005) (1)
Milton & English Art (1970) (1)
KEATS, JOSEPH SEVERN AND WILLIAM HILTON; NOTES ON A DISPUTE (1973) (1)
Good and Bad Diamonds in Seventeenth-Century Europe (2018) (1)
Making Things Strange (2018) (1)
The Ephemeral Museum (Book) (2002) (0)
“Surrounded with Brilliants”: Miniature Portraits in Eighteenth-Century England (2001) (0)
Rubens and Peiresc in Search of Agate: Materiality and Aesthetics in Early Modern Europe (2020) (0)
THE PORTRAIT'S PURVIEW (1991) (0)
Image:Music:Text (1996) (0)
On reading Rowlandson's The Vicar of Wakefield: challenging and subverting the narrative (1986) (0)
W kręgu badań nad sztuką portretową XVIII wieku : Marcia Pointon "Hanging the head", Barbara Maria Stafford "Body criticism", Richard Wendorf "The elements of life", Roland Kanz "Dichter und Denker im Porträt" : [recenzje] / Hanna Moryń. (1995) (0)
Whom Did You Meet … And What Did You Wear? (2020) (0)
Luxury and Crisis: Redefining the British Decorative Arts (2020) (0)
Reviews of Books:The Ephemeral Museum: Old Master Paintings and the Rise of the Art Exhibition Francis Haskell (2002) (0)
The Anatomy of Fashion: Dressing the Body from the Renaissance to Today by Susan J. Vincent (2011) (0)
On The Origin of the Milky Way by Peter Paul Rubens: Astronomy, Astrology and Mythology in Early Modern Europe* (2021) (0)
TURNER: LANGUAGE AND LETTER (1987) (0)
Representation and the politics of difference (1993) (0)
WHAT IS THE HISTORY OF ART + TOWARD A DEFINITION OF ART-HISTORY (1985) (0)
Notes and comments (1978) (0)
The importance of gems in the work of Peter Paul Rubens 1577-1640 (2017) (0)
"Charming Little Brats":Sir Thomas Lawrence's Portraits of Children (2010) (0)
III. Milton & the Precursors of Romanticism 1784-1800 (1970) (0)
"Brillant Effect : a Cultural History of Gem Stones and Jewellery", Marcia Pointon, New Haeven-London 2009 : [recenzja] / Ewa Letkiewicz. (2012) (0)
Romanticism in English art (2016) (0)
Appendix A. Illustrations of Milton's Poetry from the 1870s to the Present Day (1970) (0)
Francis Haskell. The Ephemeral Museum: Old Master Paintings and the Rise of the Art Exhibition. New Haven: Yale University Press. 2000. Pp. xiv, 200. $25.00 (2002) (0)
THE CITY OBSERVED (FROM HERE AND THERE) (1993) (0)
Cross David A.. A Striking Likeness: The Life of George Romney. Brookfield, Vt.: Ashgate. 2000. Pp. xiv, 258. $59.95. ISBN 1-84014-671-0. (2001) (0)
Portraiture@@@The Elements of Life: Biography and Portrait-Painting in Stuart and Georgian England@@@Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England (1993) (0)
Body Languages: Kahlo and Medical Imagery. (1993) (0)
Liaisons Dangereuses: Buttons, Button-holes, and the Materials of Masculinity in Eighteenth-century England (2010) (0)
Cartoon, caricature, animation (1995) (0)
Artefacts and Aesthetics (2009) (0)
Appendix E. Blake's Illustrations to Paradise Lost (1970) (0)
Imaging Nationalism in the Cold War: The Foundation of the American National Portrait Gallery (1992) (0)
Bennett Shelley M.. Thomas Stothard: The Mechanisms of Art Patronage in England circa 1800. Columbia, Mo.: University of Missouri Press. 1988. Pp. ix, 112. $29.00. (1990) (0)

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Other Resources About Marcia Pointon

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What Schools Are Affiliated With Marcia Pointon?

Marcia Pointon is affiliated with the following schools:

Marcia Pointon's Academic­Influence.com Rankings