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According to Wikipedia , Marita Sturken is an American scholar, author, professor, and critic. Life and work Marita Sturken is Professor and former Chair of the Department of Media, Culture, and Communication at New York University's Steinhardt School of Culture, Education, and Human Development, where she teaches courses on cultural studies, visual culture, popular culture, cultural memory, and consumerism. She focuses primarily on visual culture and the politics of cultural memory in American culture. Before coming to NYU she was an associate professor at the Annenberg School for Communication at the University of Southern California. She has published essays in Representations, Public Culture, Social Text, Afterimage, Journal of Visual Culture, Memory Studies, International Journal of Communication, American Ethnologist, History and Theory, and Positions, and was the editor of American Quarterly from 2003-2006.
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1980 1990 2000 2010 2020 0 50 100 150 200 250 300 350 400 450 500 550 Published Works Sinners, Lovers and Heroes: An Essay on Memorializing in Three American Cultures@@@Tangled Memories: The Vietnam War, The AIDS Epidemic, and the Politics of Remembering (1997) Tourists of history (2007) The Unfinished Bombing: Oklahoma City in American Memory (2001) Memory, consumerism and media: Reflections on the emergence of the field (2008) The Wall, the Screen, and the Image: The Vietnam Veterans Memorial (1991) Illuminating Video: An Essential Guide to Video Art (1991) The aesthetics of absence: Rebuilding Ground Zero (2004) Technological visions : the hopes and fears that shape new technologies (2004) (60)Reenactment, Fantasy, and the Paranoia of History: Oliver Stone's Docudramas (1997) Desiring the Weather: El Nino, the Media, and California Identity (2001) The Image as Memorial: Personal Photographs in Cultural Memory (1999) (37)Absent Images of Memory: Remembering and Reenacting the Japanese Internment (1997) Narratives of Recovery: Repressed Memory and Cultural Memory (1999) (29)Paradox in the Evolution of an Art Form: Great Expectations and the Making of a History (in Italian) (1988) (27)Comfort, irony, and trivialization: The mediation of torture (2011) The remembering of forgetting: Recovered memory and the question of experience (1998) The objects that lived: The 9/11 Museum and material transformation (2016) The Politics of Video Memory: Electronic Erasures and Inscriptions (1995) (15)The New Aesthetics of Patriotism (2009) The 9/11 Memorial Museum and the Remaking of Ground Zero (2015) Reflections on the Hope Poster Case (2012) (10)Imaging Postmemory/Renegotiating History (1999) “Weather Media and Homeland Security: Selling Preparedness in a Volatile World,” Social Science Research Council Web Forum (2005) (10)Seeing the Temperature in Weather Media (2014) (9)Discrete charms (1982) The Politics of Commerce: Shepard Fairey and the New Cultural Entrepreneurship (2010) (9)Masculinity, Courage, and Sacrifice (2002) Feeling the Nation, Mining the Archive: Reflections on Lauren Berlant's Queen of America (2012) Conversations With the Dead: Bearing Witness in the AIDS Memorial Quilt (1992) (6)Mobilities of Time and Space: Technologies of the Modern and the Postmodern (2004) (6)Containing absence, shaping presence at ground zero (2020) Pilgrimages, Reenactment, and Souvenirs: Modes of Memory Tourism (2011) (6)Gender and September 11 (2002) (5)Transmission : Theory and Practice for a New Television Aesthetics (1985) (5)Affliction: When Paranoid Male Narratives Fail (2001) (4)Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art (2000) (4)TV as a Creative Medium: Howard Wise and Video Art (1984) (4)Personal Stories and National Meanings: Memory, Reenactment, and the Image (1996) (4)Tourists of History: Souvenirs, Architecture, and the Kitschification of Memory (2009) Reprint Retrospective: "Branding Politics: Shopping for Change?" from AuthenticTM: The Politics of Ambivalence in a Brand Culture (2019) TV as a Creative Medium (1984) Book Review of The Unfinished Bombing: Oklahoma City in American Memory, by Edward T. Linenthal (2002) (3)An Interview with George Stoney (1984) Facebook Photography and the Demise of Kodak and Polaroid (2015) Television Vectors and the Making of a Media Event: The Helicopter, The Freeway Chase, and National Memory (2002) (3)Icons and Remakes (2018) Ways of seeing: 40th anniversary issue (2012) (2)Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media ArtsAn Interview with Ed Bowes (1987) (2)You Are What You Buy: 'Friendly Fire' and the New Public Sphere (1997) (2)The Image at Ground Zero: Mediating the Memory of Terrorism (2009) (1)Cultural Memory in the Wake of Violence: Exceptionalism, Vulnerability, and the Grievable Life (2018) (1)Seeing, Counting, Taking Time: Memory and the Iraq War (2011) (1)AIDS Activist Legacies and the Gran Fury of the Past/Present (2012) (1)Displaced bodies in residual spaces (2005) Roger and Me(dia) (2007) (1)Citizens and Survivors: Cultural Memory and Oklahoma City (2007) Temporal Interventions (1982) Ways of Seeing, Practices of Looking (2012) Television Fictions: An Interview with Ed Bowes (1986) (1)Steina and Woody Vasulka: In Dialogue with the Machine (in Italian) (1995) (1)Women Artists’ Group Fights Discrimination (1978) 4. Tourism and “Sacred Ground”: The Space of Ground Zero (2020) Terrorism in American Memory (2022) Tent City Geography (2010) (0)An Interview with Barbara Buckner (1985) Export baggage (1981) The Beltway Class System Has Never Accepted Bill Clinton (1998) (0)Editor's Note (2004) Consuming Fear and Selling Comfort (2007) The continued relevance of the icon: A comment on the symposium (2015) Mary Luciers Elemental Investigations: Denmans Col (Geometry) (1982) (0)Countering the Disempowerment of War (1991) (0)The Aesthetics of the Subject (1983) Portrait gallery establishes photographic collection (1977) Tale Spins (1982) “Life” to resume publishing in October (1978) Stadium Memories: The Estadio Nacional and the Reshaping of Space through Women’s Memory (2018) (0)The Monument: Defining the Past, Speaking to the Future (1998) (0)A flaherty celebration (1979) Aperture Sues William Klein (1981) Polaroid to open studio for 20×24 camera (1979) “Spectacle” and “Spectator Gaze.” (2008) (0)Electronic Time: The Memory Machines of Jim Campbell (1997) (0)Electronic Time (1997) The Art and Politics of Disaster (2014) (0)Ground Zero Aesthetics (2014) (0)Out of sync (1983) The Spectacle of Death and the Spectacle of Grief: The Execution of Timothy McVeigh (2007) The Moving Image in Space: Public Funding and the Installation Form (1994) (0)You are What you Buy (1997) Thelma & Louise(Translated into Hebrew) (2003) (0)Feminist Video: Reiterating the Difference (1985) (0)A Selection from Tourists of History (2010) Catalogue: Electronic Arts Intermix: Video (1991) (0)Vintage horror (1981) Howard Wise, 1903-1989 (1989) Temporal Interventions: The Videotapes of Bill Viola (1982) (0)David Glassberg. Sense of History: The Place of the Past in American Life. Amherst: University of Massachusetts Press. 2001. Pp. xvii, 267. Cloth $50.00, paper $18.95 (2002) Advertising and the Rise of Amateur Photography: From Kodak and Polaroid to the Digital Image (2017) Media independents push for access (1980) Cultural Icons and Technological Change (1988) “Imaging Postmemory/Renegotiating History” (review of Family Frames by Marianne Hirsch, Trespassing Through Shadows by Andrea Liss, and Caught by History by Ernst van Alphen) (1999) (0)Curatorial Quirks (1981) Film Tribe Powwows At Anthro Conference (1980) Frank films on (1980) Against the Frame: George Griffins Alphabet of Anti-Animation (1981) (0)NEA awards fellowships to 57 photographers (1978) Film Forum Reopens (1981) Book Review of Covering the Body, by Barbie Zelizer (1994) (0)In visual anthropology, objectivity is still the question (1978) Catalogue: Steina and Woody Vasulka: Machine Media (1996) (0)Book Review of The Spitting Image: Myth, Memory and the Legacy of Vietnam by Jerry Lembcke (2000) (0)A Whitney sampler (1983) Book Review of Sense of History, by David Glassberg (2002) (0)Framing the Self (1988) (0)Books Received (1965) What is Grace in all this Madness: The Videotapes of Dan Reeves (1985) (0)Reviews of Books:Sense of History: The Place of the Past in American Life David Glassberg (2002) “Masculinity, Courage, and Sacrifice” Roundtable on September 11 (2003) (0)Jersey water torture (1982) Architectures of Grief and the Aesthetics of Absence (2007) Video in the United States: Notes on the Evolution of an Art Form (1986) (0)The mass production of memory: travel and personal archiving in the age of Kodak (2021) The Television Image and Collective Amnesia: Dis(re)membering the Persian Gulf War (1995) Video Guru: The Whitney Museum Retrospective of Nam June Paik (1982) (0)Editor's Note (2003) The Camera as Witness: Documentaries and the Vietnam War (1980) (0)Audience 0.01 : International Video (1994) (0)Image War: #6 (2012) (0)Against the Frame (1981) Negotiating Art: The Artist and the Museum (1997) (0)Leacock on Super 8, video discs, and distribution (1979) Cultural Icons and Technological Change: An Interview with Chip Lord (1988) (0)”Imaging and Imagining the Geographic Other” Review of Reading National Geographic by Catherine Lutz and Jane Collins (1997) (0)Commentary, Michael Mandiberg’s After Sherrie Levine, Aspect: The Chronicle of New Media Art, Volume 15: Influence and References (DVD commentary) (2009) (0)A Profile of Leo Hurwitz: For Every Film There is a Season (1982) (0)A Narrative Conceit (1982) CHAPTER I. Stadium Memories (2020) Editor's Note (2006) Memories of Terror: American Memorializing in Oklahoma City and New York (in Japanese) (2002) (0)Video Art and the TV Revolution (1984) (0)Video Theory in the 1990s: Thoughts on the End of the Medium (1992) (0)News notes (1980) Revising Romance: New Feminist Video (1985) PERSONAL STORIES AND NATIONAL MEANINGS (2016) Nukes and commies (1982) An Interview With David Ross (1988) Imaging and Imagining the Geographic Other (1997) [Honoring Roger Silverstone] Roger and Me(dia) (2007) (0)The Whitney Museum and the Shaping of Video Art (1983) Toronto conference on autobiographical films (1979) Minimal exercise (1981) American quarterly: Preface (2005) (0)Glancing Backward: Video Art in the 1960s/1970s (1999) (0)Practices of Visual Culture Pedagogy (2020) Sense of History (Book) (2002) (0)Reimagining the Archive: Art, Technology, and Cultural Memory (1999) (0)Catalogue: Circulating Video Library Catalog (1983) (0)From Kitsch to Irony: The Aesthetics of American Memorial Culture (2008) (0)Calendar of events (1992) September 11 and Human Rights (2012) (0)Video as a Performance Medium (1983) (0)Feminist Video (1985) Video 84 : Rencontres vidéo internationales de Montréal = International video Conferences, Montreal (1984) (0)Media, Hot & Cold| Seeing the Temperature in Weather Media (2014) (0)Independent Documentaries at the New York Film Festival (1981) Artists' Television in New York (1984) (0)New York Media Alliance (1980) An Interview with Robyn Brentano and Andrew Horn (1981) (0)Tangled Memories: The Vietnam War, the AIDS Epidemic and the Politics of Remembering (Translated into Japanese) (2004) More Papers This paper list is powered by the following services:
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