Mark Cheetham
British-Canadian art historian
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(Suggest an Edit or Addition)According to Wikipedia, Mark Arthur Cheetham is professor in the department of Art History at the University of Toronto. Cheetham is a specialist in writing about art in modern and contemporary art. Selected publications Theory Between the Disciplines: Authority Vision Politics. Coeditor with Martin Kreiswirth. Ann Arbor: University of Michigan Press, 1990.Remembering Postmodernism: Trends in Recent Canadian Art. Oxford and Toronto: Oxford University Press, 1991. Second, revised ed. OUP, 2012.The Rhetoric of Purity: Essentialist Theory and the Advent of Abstract Painting. Cambridge: Cambridge University Press , 1991.La Mémoire Postmoderne: Essai sur l’art canadien postmoderne. Trans. Jean Papineau. Montréal: Liber, 1992. Alex Colville: The Observer Observed. Toronto: ECW Press, 1994. .The Subjects of Art History: Historical Objects in Contemporary Perspective. Coeditor with Michael Ann Holly and Keith Moxey, Cambridge University Press, 1998. Kant, Art, and Art History: Moments of Discipline. Cambridge University Press, 2001. Chinese trans., Nanjing: Jiangsu Fine Arts Publishing House, 2010.Abstract Art Against Autonomy: Infection, Resistance, and Cure since the '60s. Cambridge University Press, 2006.Artwriting, Nation, and Cosmopolitanism in Britain: The "Englishness" of English Art Theory since the 18th Century. Ashgate: British Art: Global Contexts series. Feb. 2012.Jack Chambers: Life & Work. Toronto: Art Canada Institute, 2013.Landscape into Eco Art: Articulations of Nature since the '60s. Penn State UP, Feb. 2018.
Mark Cheetham's Published Works
Published Works
- The Rhetoric of Purity: Essentialist Theory and the Advent of Abstract Painting (1993) (46)
- The subjects of art history : historical objects in contemporary perspectives (1998) (30)
- Sleep and Barbiturates: some Experiments and Observations* (1968) (28)
- Velocity production in elite BMX riders: a field based study using a SRM power meter (2013) (16)
- Lessing's Laocoon: Semiotics and Aesthetics in the Age of Reason (1985) (16)
- Remembering Postmodernism: Trends in Recent Canadian Art (1991) (14)
- Theory between the disciplines : authority/vision/politics (1990) (13)
- Abstraction and Artifice in Twentieth-Century Art (1980) (12)
- Artwriting, Nation, and Cosmopolitanism in Britain: The 'Englishness' of English Art Theory since the Eighteenth Century (2012) (11)
- Capital Culture: A Reader on Modernist Legacies, State Institutions, and the Value(s) of Art (2000) (10)
- The Crystal Interface in Contemporary Art: Metaphors of the Organic and Inorganic (2010) (10)
- Kant, Art, and Art History: Moments of Discipline (2001) (10)
- Obscure imaginings: visual culture and the anatomy of caves (2002) (7)
- Abstract Art Against Autonomy: Infection, Resistance, and Cure since the 60s (2006) (6)
- Visual Studies, Historiography and Aesthetics (2005) (5)
- Landscape into Eco Art: Articulations of Nature Since the ’60s (2018) (4)
- Building a resilient system of defence against flooding from the Rhône (2015) (4)
- The productive operating theatre. (2009) (3)
- Kant and Cubism revisited (2001) (3)
- Editing the Image: Strategies in the Production and Reception of the Visual (2008) (2)
- How appreciative inquiry can help you write a better medical CV and do better in interviews (2015) (2)
- RISK VIP: Evaluation of Flood Risk on the French Railway Network Using an Innovative GIS Approach (2016) (2)
- The Spectator and the Landscape in the Art Criticism of Diderot and His Contemporaries (1983) (2)
- Visual anomalies and display night vision goggles (2003) (2)
- Mystical Memories: Gauguin's Neoplatonism and “Abstraction” in Late-Nineteenth-Century French Painting (1987) (1)
- Letter 2 (2001) (1)
- Robert Houle: Troubling Abstraction (2007) (1)
- Mark A. Cheetham. Review of "Looking In: The Art of Viewing" by Mieke Bal and Norman Bryson. (2001) (1)
- The Psychology of Dynamic Balance and Peak Performance in Sport: Correction Theory (2014) (1)
- Mark A. Cheetham. Review of "Potential Images: Ambiguity and Indeterminacy in Modern Art" by Dario Gamboni and Mark Treharne. (2008) (1)
- Risk assessment and economic appraisal of protection methods for the Tarascon-Arles railway embankment (2016) (1)
- Outside In: Reflections of British Landscape in the Long Anthropocene (2018) (1)
- Matting the Monochrome: Malevich, Klein, and Now (2005) (1)
- Tongues of glaciers: sedimenting language in Roni Horn’s Vatnasafn/Library of Water and Anne Carson’s “Wildly Constant” (2015) (1)
- Scour risk management at bridges - A comparison of Japanese and French scoring methodologies (2019) (0)
- Umberto Eco , Art and Beauty in the Middle Ages . Reviewed by (1987) (0)
- 3. An Edited Past: Aegean Prehistory and Its Texts (2008) (0)
- Mark A. Cheetham. Review of "Modernism’s History: A Study in Twentieth-Century Art and Ideas" by Bernard Smith. (2001) (0)
- 2.6 Postmodernism and the Visual Arts (1997) (0)
- Sights of Resistance: Approaches to Canadian Visual Culture by Robert J. Belton (review) (2014) (0)
- Analogous Histories? (2020) (0)
- Rising to the Occasion : the long 18th century (2011) (0)
- 8. Editing the Image: Two On-site/Online Exhibitions (2008) (0)
- 6. Edit In ... Edit Out: A Performance/Intervention (2008) (0)
- The ‘Americanness’ of American Art (1987) (0)
- Squaring Circles: The Regional and the “Foreign” in the Art of Jack Chambers (2013) (0)
- Mark A. Cheetham. Review of "Le Tumulte Noir: Modernist Art and Popular Entertainment in Jazz-Age Paris, 1900-1930" by Jody Blake. (2000) (0)
- “Earth Death Pictures” as Contemporary History Painting (2019) (0)
- Soils, Structures and Hydraulics: Expertise and Applied Research (SSHEAR) Project (2019) (0)
- 5. Concealing Spectacles: Childbirth and Visuality in Early Modern France (2008) (0)
- The Evaluation of Implicit Anthropologies (2008) (0)
- Millais’ Metapicture: The North-West Passage as Distillate of Arctic Voyaging from the Anglosphere (2021) (0)
- The Nationality of Sublimity: Kant and Burke on the Intuition and Representation of Infinity (2009) (0)
- Recent Rhetorics of Purity in the Visual Arts. Infection, Dissemination, Genealogy (1997) (0)
- Theodor W. Adorno , Aesthetic Theory . Reviewed by (1998) (0)
- Re-politicizing Early Twentieth-Century Modernism in Paris (2014) (0)
- 11. ‘Editorial’ Afterthoughts (2008) (0)
- Previous Conference Publications (2008) (0)
- Revision and exploration : German landscape depiction and theory in the late 18th century (1982) (0)
- 10. Editing In vs. Editing Out: World Art Studies and the Pathologies of Academe (2008) (0)
- Envoi What Remains: The Nachleben of the Invisible (2008) (0)
- 9. The Art Museum as Installation: An Interpretation of the Place of Matisse’s The Joy of Life in the Barnes Foundation (2008) (0)
- 1. Mr Blank Gets Concretized (2008) (0)
- Plastic blue marble: Catalyst: Amanda Boetzkes (2016) (0)
- Jinny Yu: To Activate Space (2014) (0)
- Mystical Memories: Gauguin's Neoplatonism and "Abstraction" in La te-Nineteenth-Century (2016) (0)
- Standardizing Nature : Tress, Woods, Lumber: Susana Reisman (2014) (0)
- Christian Eckart : Disturbing Abstraction (1996) (0)
- Mark A. Cheetham. Review of "Farewell to an Idea: Episodes from a History of Modernism" by T. J. Clark. (1999) (0)
- Jack Chambers : The Light from the Darkness, Silver Paintings and Film Works (2011) (0)
- 2. Striking Through the Artist’s Body: Ekphrasis in Bellori’s Life of Caravaggio (2008) (0)
- David Urban : Parts of a World (1998) (0)
- Reducing the environmental impact of surgery on a global scale: systematic review and co-prioritization with healthcare workers in 132 countries. (2023) (0)
- 7. Editing Armageddon (2008) (0)
- Color Plates (2010) (0)
- Mark A. Cheetham. Review of "Nietzsche, Aesthetics, and Modernity" by Matthew Rampley and "The Remembrance of Things Past: On Aby M. Warburg and Walter Benjamin" by Walter Rampley. (2002) (0)
- Disciplining Art's History (1992) (0)
- 1911 : An Exhibition by C. Wells (2002) (0)
- The “Englishness” of English Art Theory 1 (2013) (0)
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