Martin Stokes

Q: What Schools Are Affiliated With Martin Stokes

Martin Stokes is affiliated with the following schools: University of Oxford, University of Chicago, University of Plymouth, King's College London

Martin Stokes's AcademicInfluence.com Rankings

Martin Stokes

Anthropology

#593

World Rank

#821

Historical Rank

Ethnography

#18

World Rank

#43

Historical Rank

anthropology Degrees

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Anthropology

Martin Stokes's Degrees

PhD Ethnomusicology University of Chicago
Masters Ethnomusicology University of Chicago

Why Is Martin Stokes Influential?

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According to Wikipedia, Martin Stokes is a British ethnomusicologist and King Edward Professor of Music at the King's College London. He has special research interests in ethnomusicology and anthropology, as well as Middle Eastern popular music.

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Martin Stokes's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Ethnicity, Identity and Music: The Musical Construction of Place. (1998) (359)
MUSIC AND THE GLOBAL ORDER (2004) (257)
Ethnicity, Identity and Music: The Musical Construction of Place (1995) (192)
The Arabesk Debate: Music and Musicians in Modern Turkey (1993) (164)
The Republic of Love: Cultural Intimacy in Turkish Popular Music (2010) (100)
Ethnicity, Identity and Music. The Musical Construction of Place (1995) (92)
Ethnicity, Identity and Music (1997) (79)
ON MUSICAL COSMOPOLITANISM (2008) (58)
The Cultural Study of Music (2012) (47)
Response to Rice (2010) (40)
Music, Sound and Multimedia: From the Live to the Virtual (2009) (34)
Globalization and the Politics of World Music (2012) (31)
Islam, the Turkish state and arabesk (1992) (25)
VOICES AND PLACES: HISTORY, REPETITION AND THE MUSICAL IMAGINATION* (1997) (24)
The Steelband Movement: The Forging of a National Art in Trinidad and Tobago (1999) (22)
The Arabesk Debate (1992) (22)
Border identities: Imagining ‘the South’: hybridity, heterotopias and Arabesk on the Turkish–Syrian border (1998) (18)
Music, Fate and State: Turkey's Arabesk Debate (1989) (17)
Analyzing Popular Music: Talk and text: popular music and ethnomusicology (2003) (15)
Music, Travel and Tourism: An Afterword (2016) (14)
The media and reform: The saz and elektrosaz in urban Turkish folk music (1992) (13)
Introduction: nationalism, minorities and diasporas: identities and rights in the Middle East (1996) (12)
Music and the Play of Power in the Middle East, North Africa and Central Asia (2010) (12)
The Cambridge History of World Music (2014) (9)
The Tearful Public Sphere: Turkey´s "Sun of Art", Zeki Müren (2003) (8)
Abd al-Halim's microphone (2009) (8)
New Islamist Popular Culture in Turkey (2013) (7)
Adam Smith and the Dark Nightingale: On Twentieth-Century Sentimentalism (2006) (7)
Islam and Popular Culture (2016) (6)
Introduction: Reconstructing American Cinema's Audiences (1999) (6)
Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania . By Tony Mitchell. London and New York: Leicester University Press, 1996. x + 265 pp. (1998) (5)
Musique, identité et “ville-monde”. Perspectives critiques (2004) (4)
Introduction: Islam and Popular Culture (2016) (4)
Silver Sounds in the Inner Citadel? Reflections on Musicology and Islam (2002) (4)
Afterword: Recognising the Everyday (2002) (4)
Nationalism, Minorities and Diasporas (1996) (4)
Musique, identité et “ville-monde” (2004) (4)
Cinéma et histoire/Cinema and History (2008) (3)
Cassette Culture: Popular Music and Technology in North India. By Peter Manuel. London and Chicago: University of Chicago Press, 1993. 302 pp. (1994) (3)
The Politics of Aesthetics in the Muslim Middle East (2015) (3)
Anthropological perspectives on music in Turkey (1989) (3)
Introduction: Special Issue on the Middle East (1996) (3)
Notes and queries on ‘global music history’ (2018) (3)
Round Table: Edward Said and Musicology Today (2016) (3)
Creativity, Globalization and Music (2014) (2)
On Ethnography, When “we Are All (Ethno)Musicologists now” (2023) (2)
Music, Culture and Identity in the Muslim World (2013) (2)
Review: The Garland Encyclopedia of World Music. Vol. 8,Europe, edited by Timothy Rice, James Porter, and Chris Goertzen (2003) (2)
Tuning the Past: Theory and Practice in the Music of the Islamic World (2015) (2)
Introduction: Historical Hollywood Spectatorship (2001) (2)
Afterword: A Worldly Musicology? (2014) (2)
Musiques en fête : Maroc, Sardaigne, Roumanie (1995) (1)
Audiences in Cinema History (2012) (1)
Making Music in the Polish Tatras: Tourists, Ethnographers, and Mountain Musicians. By Timothy J. Cooley. Bloomington: Indiana University Press, 2005. xxii, 294 pp. Notes. Bibliography. Glossary. Index. Illustrations. Maps. Musical Examples. CD. $45.00, hard bound. (2006) (1)
Zeki Müren: Sun of Art, Ideal Citizen (2010) (1)
Choreographic Politics: State Folk Dance Companies, Representation and Power , by Anthony Shay. Middletown, Connecticut: Wesleyan University Press, 2002. 249 pages, bibliography. US$19.95 (paper) ISBN 0-8195-6521-0 (2003) (1)
Theory and practice in the music of the Islamic world: Essays in honour of owen wright (2017) (1)
Migrant/Migrating Musics and the Mediterranean (2012) (1)
Maureen Jackson. Mixing Musics: Turkish Jewry and the Urban Landscape of a Sacred Song. (2014) (1)
The Routledge Handbook of Modern Turkey (2012) (1)
The Middle East in Music History: An Ethnomusicological Perspective (2019) (1)
The Wiley-Blackwell Companion to the Anthropology of the Middle East (2015) (1)
Rhythmic Cycles and Structures in the Art Music of the Middle East (2017) (1)
The Rise of Film History (2002) (1)
Chapter 1. Listening Acts, Secular and Sacred: Sound Knowledge among Sufi Muslims in Secular France (2016) (1)
Musical Ethnicity: Affective, Material and Vocal Turns (2017) (1)
The New (Ethno)musicologies (2008) (1)
Dictionnaire de la Mediterranee (2016) (1)
Créativité, globalisation et musique (2014) (1)
Sentimental gesture and the politics of ‘shape’ in the performances of Abd al-Halim Hafiz (2020) (0)
The Work of Pain (2009) (0)
How Musical is the Citizen (2020) (0)
The revolution's echoes : music and political culture in Conakry, Guinea (2013) (0)
Music and the Global Order : Music, Disability, Gender, and Jewish and Islamic Law (2017) (0)
The Garland Encyclopedia of World Music. Vol. 8, Europe , edited by Timothy Rice , James Porter , and Chris Goertzen . New York and London: Garland Publishing, 2000. xxix, 1,144 pp.; compact disc. (2003) (0)
Cinéma et Mythes (2002) (0)
Migration and Music (2020) (0)
Review of 'Ottoman Intimacies, Balkan Musical Realities', ed. Risto Pennanen et al (2017) (0)
Queen's Thinkers (2008) (0)
4. Why Cry? Sezen Aksu’s Diva Citizenship (2019) (0)
La république des danseurs: Enquête sur le partage de la musique dans les montagnes de Turquie (2020) (0)
Dossier : Musique et anthropologie (2004) (0)
On the Beach (2021) (0)
Multicultural harmony? Mirpuris and music in Bradford (2012) (0)
1 INTERPRETING INTERPRETATIONS OF ISLAM (2001) (0)
Music and the political: a dialogue with Martin Stokes (2019) (0)
3. The Affectionate Modernism of Orhan Gencebay (2019) (0)
Post orogenic landscapes (2020) (0)
Musicians Between the Hegemonies (2012) (0)
Launching the journal, opening the forum (2017) (0)
Nationalism and Minorities in the Middle East: Identities and Rights (1996) (0)
Martin Stokes and Philip V. Bohlman, eds. 2003. Celtic Modem: Music at the Global Fringe. Europea: Ethnomusicologies and Modernities No. 1. Lanham, Maryland and Oxford: Scarecrow Press Inc (2013) (0)
Touraj Kiaras and Persian Classical Music: An Analytical Perspective by Owen Wright (review) (2013) (0)
Ethnicity, Identity and The Global City. (2004) (0)
OWEN WRIGHT: Demetrius Cantemir: the collection of notations. Volume 2: Commentary . (SOAS Musicology Series.) x, 607 pp. Aldershot: Ashgate, 2000. £65. (2002) (0)
Turkish Urban Popular Music (1999) (0)
Music and Anthropology: Special Issue on Turkey (2006) (0)
Research resource review (2011) (0)
John Blacking and Ethnomusicology (2008) (0)
Lectures 12 : program 10 : music and the global order (2009) (0)
Musical Nationalism and Transnationalism in the “New Global Order” (2014) (0)
Owen Wright: Demetrius Cantemir: The collection of notations. Part 1: Text. Transcribed and annotated by Owen Wright . (SOAS Musicology Series, Vol 1.) xxvii, 734 pp. London: School of Oriental and African Studies, University of London, 1992. £60. (1993) (0)
Book forum on Charles Hirschkind, The Feeling of History: Islam, Romanticism, and Andalusia (Chicago, 2021) (2021) (0)
O. Wright: Words without songs: a musicological study of an early Ottoman anthology and its precursors. (SOAS Musicology Series, Vol. 3). xii, 321 pp. London: School of Oriental and African Studies, University of London, 1992. £25. (1995) (0)
The Musical Imagination in the Epoch of Globalization Article 8 Summer 2008 On Musical Cosmopolitanism (2015) (0)
Note on Orthography, Notational Conventions, and Names (2019) (0)
Understanding Media and Culture in Turkey (2013) (0)
S ANNUAL REVIEW (2016) (0)
Three Versions of “Beloved Istanbul” (2010) (0)
Muslim Rap, Halal Soaps and Revolutionary Theater (2011) (0)
Fantezi/Fantasy and Usûl (2017) (0)
Turkish Popular Music in Global Perspective (2018) (0)
Neapolitan Postcards: Introduction (2016) (0)
Balkan Popular Music and the Ottoman Ecumene (2008) (0)
Music and Anthropology (2006) (0)
Sentimentalism and Its Futures: The Vocal Art of Zeki Müren and Abd Al-Halim Hafiz (2002) (0)
Edward Said and Ethnomusicology (2016) (0)

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What Schools Are Affiliated With Martin Stokes?

Martin Stokes is affiliated with the following schools:

Martin Stokes's Academic­Influence.com Rankings