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According to Wikipedia , Michael A. Casey is James Wright Professor of Music at Dartmouth College, where he is also the Chair of the Department of Music. He was educated at Lutterworth College, the University of East Anglia where he received a BA in music, at Dartmouth College where he received an MA in music, and at the Massachusetts Institute of Technology where he completed his PhD in media arts and sciences in 1998. He was previously Professor of Computer Science at Goldsmiths, University of London, where he directed the Media Futures Laboratory. He has an h-index of 32 according to Google Scholar.
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Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
2000 2010 2020 0 125 250 375 500 625 750 875 1000 1125 1250 1375 1500 Published Works Content-Based Music Information Retrieval: Current Directions and Future Challenges (2008) Separation of Mixed Audio Sources By Independent Subspace Analysis (2000) (314)Locality-Sensitive Hashing for Finding Nearest Neighbors [Lecture Notes] (2008) Locality-Sensitive Hashing for Finding Nearest Neighbors (2008) (236)Music and movement share a dynamic structure that supports universal expressions of emotion (2012) Analysis of Minimum Distances in High-Dimensional Musical Spaces (2008) General sound classification and similarity in MPEG-7 (2001) Diamond Park and Spline:Social Virtual Reality with 3D Animation, Spoken Interaction, and Runtime Extendability (1997) Diamond Park and Spline: A Social Virtual Reality System with 3D Animation (1996) (85)Theory and Evaluation of a Bayesian Music Structure Extractor (2005) (82)Extraction of High-Level Musical Structure From Audio Data and Its Application to Thumbnail Generation (2006) AUDIO/VISUAL INDEPENDENT COMPONENTS (2003) (73)The Importance of Sequences in Musical Similarity (2006) Song Intersection by Approximate Nearest Neighbor Search (2006) (59)Discovering Chord Idioms Through Beatles and Real Book Songs (2007) (57)Auditory group theory with applications to statistical basis methods for structured audio (1998) (55)Fast Recognition of Remixed Music Audio (2007) The sound dimension (1997) Musical Audio Synthesis Using Autoencoding Neural Nets (2014) (45)A new method for ecoacoustics? Toward the extraction and evaluation of ecologically-meaningful soundscape components using sparse coding methods (2016) Using duration models to reduce fragmentation in audio segmentation (2006) Vision-Steered Beam Forming and Transaural Rendering for the Artificial Life Interactive Video Environment (ALIVE) (1995) (32)Algorithms for Determining and Labelling Approximate Hierarchical Self-Similarity (2007) (30)Acoustic lexemes for organizing internet audio (2005) Content-Based Music Information Retrieval (2008) (28)Social Playlists and Bottleneck Measurements: Exploiting Musician Social Graphs Using Content-Based Dissimilarity and Pairwise Maximum Flow Values (2008) (26)Analysis and Exploitation of Musician Social Networks for Recommendation and Discovery (2011) Population Codes Representing Musical Timbre for High-Level fMRI Categorization of Music Genres (2011) High-resolution 7-Tesla fMRI data on the perception of musical genres – an extension to the studyforrest dataset (2015) Reduced-Rank Spectra and Minimum Entropy Priors for Generalized Sound Recognition (2001) (24)A Markov-Chain Monte-Carlo Approach to Musical Audio Segmentation (2006) Music of the 7Ts: Predicting and Decoding Multivoxel fMRI Responses with Acoustic, Schematic, and Categorical Music Features (2017) Soundspotting: A New Kind of Process? (2011) Investigating Music Collections at Different Scales with AudioDB (2010) Reduced-Rank Spectra and Minimum-Entropy Priors as Consistent and Reliable Cues for Generalized Sound Recognition (2001) (20)Sound Classification and Similarity Tools (2002) (15)Learning Representations Using Complex-Valued Nets (2015) (13)You Call That Singing? Ensemble Classification for Multi-Cultural Collections of Music Recordings (2009) (13)mHashup: fast visual music discovery via locality sensitive hashing (2008) Understanding Musical Sound with Forward Models and Physical Models (1994) Do You sound like your Friends? Exploring Artist Similarity via Artist Social Network Relationships and audio signal Processing (2009) (13)Study of Chinese and UK Hit Songs Prediction (2013) (13)Assessing Feedback Response With a Wearable Electroencephalography System (2019) NetSound: Realtime Audio from Semantic Descriptions (1996) (9)Automatic Location and Measurement of Ornaments in Audio Recordings (2004) (8)Soundspotter / remix-TV: Fast Approximate Matching for audio and video Performance (2007) (7)Groove Kernels as Rhythmic-Acoustic Motif Descriptors (2013) (7)Musical components important for the Mozart K448 effect in epilepsy (2021) Cross-Modal Aesthetics from A Feature Extraction Perspective: A Pilot Study (2011) (6)Song Intersection by Approximate Nearest Neighbour Retrieval (2006) (6)Large data methods for multimedia (2007) Elementary Sources: Latent Component Analysis for Music Composition (2011) (5)40‐Hz auditory stimulation for intracranial interictal activity: A pilot study (2021) A new direction for Soundscape Ecology? Toward the extraction and evaluation of ecologically-meaningful soundscape objects using sparse coding methods (2015) The Effects of Lossy Audio Encoding on Genre Classification Tasks (2008) (3)General Audio Information Retrieval (2004) (3)ACTION (Audio-visual Cinematic Toolbox for Interaction, Organization, and Navigation): an open-source Python platform (2013) (3)AudioDB: Scalable approximate nearest‐neighbor search with automatic radius‐bounded indexing. (2008) Soundspotter and Remix-TV: Fast Approxmate Matching for Audio-Visual Performance (2007) (3)UNSUPERVISED CROSS-MODAL ANALYSIS OF PROFESSIONAL MONOLOGUE DISCOURSE (1996) (3)Musical Structure and Content Repurposing with Bayesian Models (2003) (2)Heretic: Modeling Anthony Braxton's Language Music (2019) White Paper Grant Number : HD 5139411 ACTION : Audio-visual Cinematics Toolbox for Interaction , Organization , and Navigation of film (2014) (2)19 Sound • Classification and Similarity (2002) (1)Locality-Sensitive Hashing: Finding a Needle in a Haystack (2008) (1)Audiovisual Independent Component Analysis (2003) (1)A New Method for Ecoacoustics? Toward the Extraction and Evaluation of Ecologically-Meaningful Sound Objects using Sparse Coding Methods (2016) Multi-Model Classification as Basis for Computational Timbre Understanding (1996) (1)Distal Learning of Musical Instrument Control Parameters (1993) (1)Vision-steered Beam Forming and Transaural Rendering for the Artiicial Life Interactive Video Environment, (alive) 1 Vision-steered Beam Forming 1.1 Introduction 1.2 Free--eld Speech Recognition 1.4 Fixed Beamforming 1.5 a Visually Constrained Beamformer (1995) (0)The Sound Dimension: Audio for Distributed Virtual Environments (1997) (0)Audio stimulus reconstruction from brain activity using multi-source semantic embedding (2013) (0)Decoding Imagined Sound (2021) Eliciting neural mechanisms of music medicine for epilepsy (2022) Sound• Classification and Similarity (2002) (0)Audio Tools for Music Discovery (2016) System And Method For Automatically Remixing Digital Music, US13580072 (2017) (0)Imagined Musical Scale Relationships Decoded from Auditory Cortex (2022) Representation of Musical Signals by Independent Component Cross Entropies (1999) (0)Unsupervised Cross-Modal Analysis of Discourse (1996) (0)Exploring Authorship with the ACTION toolbox (2014) (0)Automatic Location And Measurement Of Score-based Gestures In Audio Recordings (2004) (0)Timbre-Based Percussive Rhythm Classification and Retrieval (2010) (0)Locality Sensitive Hashing for Large Music Databases (2008) (0)The sound dimension : Sharing virtual worlds (1997) (0)Looking for art in artificial intelligence (2016) (0)Computational Creativity by Structural Analogy between Acoustic (2003) (0)Computational Creativity by Structural Analogy between Acoustic Bayesian Models (2003) (0)Vision-Steered Audio for Interactive Environments (2016) (0)Familiar Feelings: Listener-Rated Familiarity in Music Emotion Recognition (2019) Using Audio Classifiers as a Mechanism for Content-Based Song Similarity (2007) (0)Practice Makes Perfect: Distal Learning of Musical Instrument Control Parameters (1993) (0)Integrating Low Level Metadata in Multimedia Database Mangement Systems (2004) (0)Independent Component Analysis and Sound Synthesis (1997) (0)Netsound: Structured Audio Encoding and Rendering (1996) (0)Evoked responses to note onsets and phrase boundaries in Mozart's K448 (2022) More Papers This paper list is powered by the following services:
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