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According to Wikipedia , Michele Bacci, is an Italian art historian. He is professor of medieval history of art at the University of Fribourg since 2011 and member of the Academia Europaea since 2015. Career Michele Bacci studied art history at the Scuola Normale Superiore di Pisa and received his PhD there in 1999. Between 2002 and 2011, he was associate professor for medieval art history at the University of Siena; 2011 he received a call to the chair for medieval art history at the University of Fribourg in Switzerland, which he holds since then. Visiting professorships and research stays brought him to, among others, the Hebrew University in Jerusalem , the University of Tokyo , the Scuola Normale Superiore di Pisa , the Masaryk University in Brno , the Kunsthistorisches Institut in Florenz-Max-Planck-Gesellschaft , and the University of Zürich . Since 2010, Bacci is member of the international consortium team for the restoration of the Nativity Church in Bethlehem, Palestine.
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2000 2010 0 2.5 5 7.5 10 12.5 15 17.5 20 22.5 25 27.5 30 32.5 35 Published Works The Berardenga Antependium and the Passio Ymaginis Office (1998) Historical and archaeological analysis of the Church of the Nativity (2012) Speculum (2011) A Sacred Space for a Holy Icon: The Shrine of Our Lady of Saydnaya (2004) (10)Patterns of Church Decoration in Famagusta (Fourteenth to Sixteenth Centuries) (2014) Syrian, Palaiologan, and Gothic Murals in the “Nestorian” Church of Famagusta (2011) Syrian, Palaiologan, and Gothic Murals in the “Nestorian” Church of Famagusta (2011) The Many Faces of Christ: Portraying the Holy in the East and West, 300 to 1300 (2014) Devotional Panels as Sites of Intercultural Exchange (2018) Relics of the Pharos Chapel: A View from the Latin West (2003) (5)The Holy Name of Jesus in Venetian-ruled Crete (2014) A Holy Site for Sailors: Our Lady of the Cave in Famagusta (2019) On the Holy Topography of Sailors: An Introduction (2014) The Holy Face and the Paradox of Representation (2016) Veneto-Byzantine "Hybrids": towards a reassessment (2014) (3)Cult-Images and Religious Ethnology: The European Exploration of Medieval Asia and the Discovery of New Iconic Religions (2005) Some Thoughts on Greco-Venetian Artistic Interactions in the Fourteenth and Early Fifteenth Centuries (2013) (2)Locative Memory and the Pilgrim’s Experience of Jerusalem in the Late Middle Ages (2014) Identity Markers in the Art of Fourteenth-Century Famagusta (2014) (2)Greek Painters Working for Latin and Non-Orthodox Patrons in the Late Medieval Mediterranean (2009) (1)The Volto Santo’s Legendary and Physical Image (2013) (1)From Living to Visual Images. Paradigms of Corporeal Iconicity in Late Antiquity Introduction (2019) (1)Histories of Ornament (2016) (1)The Painted Program of the Armenian Church in Light of Recent Discoveries (2017) Old Restorations and New Discoveries in the Nativity Church, Bethlehem (2015) VOLCANIC ROCK FRAGMENTS AS TEMPERS IN THE CERAMIC PRODUCTS OF FRANCAVILLA, TAORMINA AND NAXOS (MESSINA): A KEY TO PROVENANCE STUDIES (2008) (1)The Armenian Church in Famagusta and Its Mural Decoration (2009) (1)Site-Worship and the Iconopoietic Power of Kinetic Devotions (2019) Exploitation of the whole electromagnetic spectrum in art conservation studies (2010) A power of relative importance : San Marco and the holy icons (2015) Medieval Art Today, Why? (2020) (0)Rainer Warland. Allegorese in Byzanz (2023) Greek Art and Culture: Origins and Influences International conference (2007) (0)Coastal sailing, landscape inspection, and the making of holy sites along the eastern Mediterranean sea-routes (2022) Mat Immerzeel, The Narrow Way to Heaven. Identity and Identities in the Art of Middle Eastern Christianity, Orientalia Lovaniensia Analecta 259, Leuven: Peeters 2017 (2020) The Mise-en-Scène of the Holy in the Lateran Church in the Eleventh and Twelfth Centuries (2016) Sacred spaces versus holy sites (2021) The Pisan relic in Saint Peter of Vyšehrad and the Medieval disputes about the earliest consecrated altar (2016) (0)Marian Cult-sites along the Venetian sea-routes to Holy Land in the Late Middle Ages (2017) (0)The World of Convivium: between Post-modernism and new Discoveries (2015) Remarks on the Visual Experience of Holy Sites in the Middle Ages (2013) Liquid holy sites (2021) Zaroui POGOSSIAN, Edda VARDANYAN (eds.), The Church of the Holy Cross of Ałt‘amar. Politics, Art, Spirituality in the Kingdom of Vaspurakan (2020) Greek Madonnas and Venetian Fashion (2020) On the Prehistory of Cretan Icon Painting (2020) The Icon of the Virgin from the Perspective of Religious Experience (2019) An Introductory Essay Mediterranean Perspectives on Royal Images (2022) (0)Sacred Narratives, Holy Objects and the Visionary Experience in Late Medieval Italy (2012) (0)The New Zion of Ot’kht’a (2022) 09.07.07, Cutler/Papaconstantinou, eds., The Material and the Ideal (2009) (0)Italian Ex-Votos and ‘Pro Anima’ Images in the Late Middle Ages (2016) Meanings and Functions of the Royal Portrait in the Mediterranean World (11th – 15th Centuries) (2022) Byzantium and the West (2008) (0)Cross-Mediterranean misinterpretations of sacred imagery (2022) The Rediscovery of a Byzantine Capital, Reused as a Baptismal Font, in the Nativity Church, Bethlehem (2019) Icons of Narratives: Greek-Venetian Artistic Interchange, Thirteenth–Fifteenth Centuries (2019) Kathryn Blair Moore. The Architecture of the Christian Holy Land: Reception from Late Antiquity through the Renaissance. (2018) Identity Markers in the Art of 14th and 15th Century Famagusta (2012) (0)Sacred Installations: The Mise-en-scène of the Holy in the Cathedral from the 10th through the 12th Centuries (2012) (0)More Papers This paper list is powered by the following services:
Other Resources About Michele Bacci What Schools Are Affiliated With Michele Bacci? Michele Bacci is affiliated with the following schools:
