Mirjam Brusius's AcademicInfluence.com Rankings Why Is Mirjam Brusius Influential? (Suggest an Edit or Addition)
According to Wikipedia , Mirjam Sarah Brusius is a cultural historian and historian of science. She is currently Research Fellow in Colonial and Global History at the German Historical Institute London. She specialises in the history of photography, museums, collecting and race in colonial contexts.
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Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
2010 2020 0 2.5 5 7.5 10 12.5 15 17.5 20 22.5 25 Published Works Museum Storage and Meaning : Tales from the Crypt (2017) Misfit objects : Layard's excavations in ancient Mesopotamia and the biblical imagination in mid-nineteenth century Britain (2012) Impreciseness in Julia Margaret Cameron's Portrait Photographs (2010) William Henry Fox Talbot : beyond photography (2013) (5)The Field in the Museum: Puzzling Out Babylon in Berlin (2017) From photographic science to scientific photography : Talbot and decipherment at the British Museum around 1850 (2013) (4)Towards a History of Preservation Practices: Archaeology, Heritage, and the History of Science (2015) The ancient near east in storage : Assyrian Museum objects as a cultural challenge in Victorian England (2014) Introduction—What is Preservation? (2017) 100 Histories of 100 Worlds in One Object (2020) (2)Hitting two birds with one stone: An afterword on archeology and the history of science (2017) Photography’s Fits and Starts: The Search for Antiquity and its Image in Victorian Britain (2016) Royal photographs in Qajar Iran : writing the history of photography between Persian miniature painting and Western technology (2015) (1)The many inventions of photography (2014) (1)"Map of Turkey, a flexible hat, pencils, and the Talbotype”: Photography and the search for archaeological imagery in mid-19th century Britain (2012) (0)The Wilkinson Album (Metropolitan Museum of Art) (2010) (0)Objects and history adrift. Contextualizing the debate about Middle Eastern »heritage« (2019) Richard Ovenden, Bodley’s Librarian, in conversation with Mirjam Brusius (2017) Stephen Sheehi. The Arab Imago: A Social History of Portrait Photography, 1860–1910. Princeton, N.J.: Princeton University Press, 2016. 264 pp. (2019) Beyond photography : an introduction to William Henry Fox Talbot’s notebooks in the Talbot Collection at the British Library (2010) (0)Re-inventing Sinai. Biblical myth, photographic imagination and the arrival of tourism (2010) (0)LIVING THROUGH THE WENDE (2021) (0)Connecting the ancient and the modern Middle East in museums and public space (2021) Kunst, Nicht-Kunst’, Review, Exhibition Catalogue P.H. Emerson, National Media Museum, Bradford (UK) (2007) (0)Misfit Objects. Excavations in Mesopotamia and biblical imagination in mid-19th century Britain (2012) (0)LIVING THROUGH THE WENDE (2021) (0)William Henry Fox Talbot and the variety of the photographic archive : exploring Oxford’s photography collections (2014) (0)Inscriptions in a double sense : the biography of an early scientific photograph of script (2009) Editorial (2016) Inscriptions in a double sense: An early scientific photograph of script (2009) (0)From photographic science to scientific photography: Photographic experiments at the British Museum around 1850 (2011) (0)catalogue entry: Nota (Album Wilkinson) (2010) (0)Beyond Photography. William Henry Fox Talbot’s notebooks in the Talbot Collection at the British Library (2010) (0)More Papers This paper list is powered by the following services:
Other Resources About Mirjam Brusius What Schools Are Affiliated With Mirjam Brusius? Mirjam Brusius is affiliated with the following schools:
