Myrtilla Avery
#79,777
Most Influential Person Across History
Art historian
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Why Is Myrtilla Avery Influential?
(Suggest an Edit or Addition)According to Wikipedia, Myrtilla Avery was an American classical scholar focused on Medieval art, former chair of the Department of Art at Wellesley College and director of the Farnsworth Art Museum from 1930–1937. Biography Avery graduated in 1891 from Wellesley College, majoring in Greek. After in which she started taking classes at University at Albany, SUNY, while working in the university library. By 1895 she earned a bachelor's degree in Library Science. Her Master of Arts degree from Wellesley was in 1913 and a doctorate in art history from Radcliffe College in 1927.
Myrtilla Avery's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- The Exultet rolls of South Italy (1936) (13)
- The Alexandrian Style at Santa Maria Antiqua, Rome (1925) (5)
- Miniatures of the Fables of Bidpai and of the Life of Aesop in the Pierpont Morgan Library (1941) (1)
- An Exultet Roll Illuminated in the XIth century at the Abbey of Monte Cassino. (1930) (1)
- A. G. Little, ed., Franciscan History and Legend in English Medieval Art (British Society of Franciscan Studies No. 19). Manchester (Eng.): Manchester University Press, 1937. Cloth. Pp. xix+119+53 plates. 21 shillings. (1939) (0)
- The Exultet Rolls of South Italy. Vol. II, Plates (1938) (0)
- Joan Evans, Pattern: A study of Ornament in Western Europe, 1180 to 1900 . Oxford: Clarendon Press. 1931. Cloth. Vol I, xxxvi + 179; Vol II, xv + 249. $50. (1932) (0)
- The Exultet Rolls of South Italy, II, Plates (1938) (0)
- British Museum, Schools of Illumination; Reproductions from Manuscripts in the British Museum, part VI: French mid-14th to 16th centuries . London: British Museum, 1930. Boards. 15 plates. £1/5. (1931) (0)
- Abstracts of Papers Read at the Twentieth Annual Meeting of the College Art Association (1931) (0)
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