Omise'eke Natasha Tinsley
American scholar
Omise'eke Natasha Tinsley's AcademicInfluence.com Rankings
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Sociology Anthropology
Omise'eke Natasha Tinsley's Degrees
- PhD English Duke University
- Masters English Duke University
- Bachelors English Spelman College
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Why Is Omise'eke Natasha Tinsley Influential?
(Suggest an Edit or Addition)According to Wikipedia, Omise'eke Natasha Tinsley is Professor of Black Studies at the University of California, Santa Barbara. Previously she was an Associate Professor of African and African Diaspora Studies at the University of Texas at Austin. She is trained in literary critique, and does work in Caribbean Studies, Black Diaspora Studies, Gender and Women's Studies, and Pop Culture Studies. She is the author of Thiefing Sugar: Eroticism between Women in Caribbean Literature , and Ezili′s Mirrors: Imagining Black Queer Genders . She received the F.O. Matthiessen Visiting Professorship of Gender and Sexuality at Harvard for the 2018–2019 school year. Her latest work Beyoncé in Formation: Remixing Black Feminism was published in November 2018. It is based on her course at University of Texas Austin entitled Beyoncé Feminism, Rihanna Womanism, which launched in Spring 2015.
Omise'eke Natasha Tinsley's Published Works
Published Works
- Black Atlantic, Queer Atlantic: Queer Imaginings of the Middle Passage (2008) (194)
- Thiefing Sugar: Eroticism between Women in Caribbean Literature (2010) (127)
- Ezili's Mirrors (2020) (82)
- A Conversation "Overflowing with Memory": On Omise'eke Natasha Tinsley's "Water, Shoulders, Into the Black Pacific" (2012) (20)
- “Go Beyond Our Natural Selves”The Prison Letters of CeCe McDonald (2017) (17)
- After the Love: Remembering Black/Queer/Diaspora (2019) (14)
- Extract from "Water, Shoulders, Into the Black Pacific" (2012) (11)
- From Black Transgender Studies to Colin Dayan: Notes on Methodology (2014) (5)
- Beyoncé in Formation: Remixing Black Feminism (2018) (4)
- Ezili's Mirrors: Imagining Black Queer Genders (2018) (3)
- To Transcender Transgender: Choreographies of Gender Fluidity in the Performances of Mildred Gerestant (2016) (2)
- Breaking Hard against Things: Crossing between Sexual and Revolutionary Politics in Dionne Brand’s No Language Is Neutral (2010) (1)
- Gender Pirates of the Caribbean: Queering Caribbeanness in the Novels of Zoé Valdés and Christopher John Farley (2010) (1)
- At the River of Washerwomen: Work, Water, and Sexual Fluidity in Mayotte Capécia’s I Am a Martinician Woman (2010) (0)
- “No Storm to Blow Me Over?” Mapping Same-Sex Sexuality in the Other Americas (2009) (0)
- Darkening the Lily: The Erotics of Self-Making in Eliot Bliss’s Luminuous Isle (2010) (0)
- “This Sudden Silence”: A Brief History of the Literature of Caribbean Women Who Love Women (2014) (0)
- Blue Countries, Dark Beauty: Opaque Desires in the Poetry of Ida Faubert (2010) (0)
- For the Texas Bama Femme: (2020) (0)
- Thiefing Sugar (2020) (0)
- “Rose is my mama, stanfaste is my papa”: Hybrid Landscapes and Sexualities in Surinamese Women’s Oral Poetry (2010) (0)
- Transforming Sugar, Transitioning Revolution: Male Womanhood and Lesbian Eroticism in Michelle Cliff’s No Telephone to Heaven (2010) (0)
- Introduction: The Spring of Her Look (2010) (0)
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