Paul Binski | Academic Influence

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Paul Binski

Education

#1399

World Rank

#1994

Historical Rank

Pedagogy

#200

World Rank

#261

Historical Rank

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Education

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According to Wikipedia, Paul Binski FSA FBA is a British art historian and Emeritus Professor of the History of Medieval Art at the University of Cambridge. Early life and education Binski was born to Eugene and Pamela Binski in 1956. He was educated at Harrow School before going up to Gonville and Caius College, Cambridge .

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Paul Binski's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Medieval Death: Ritual and Representation (1996) (151)
Age of Chivalry: Art in Plantagenet England 1200-1400 (1987) (69)
Westminster Abbey and the Plantagenets: Kingship and the Representation of Power, 1200-1400 (1995) (57)
The Angel Choir at Lincoln and the Poetics of the Gothic Smile (1997) (47)
Becket’s Crown: Art and Imagination in Gothic England 1170-1300 (2004) (37)
III. Abbot Berkyng's Tapestries and Matthew Paris's Life of St Edward the Confessor (1991) (30)
Two ceiling fragments from the Painted Chamber at Westminster Palace (1995) (27)
The Painted Chamber at Westminster (1986) (22)
THE ILLUMINATION AND PATRONAGE OF THE DOUCE APOCALYPSE (2014) (22)
Ten centuries of book production in the medieval west (2005) (21)
The Cosmati at Westminster and the English Court Style (1990) (14)
Western Illuminated Manuscripts: A Catalogue of the Collection in Cambridge University Library (2011) (11)
Gothic Wonder: Art, Artifice, and the Decorated Style, 1290–1350 (2014) (9)
Women, Art and Patronage: From Henry III to Edward III (1216-1377) (2003) (8)
Dominican Painting in East Anglia: The Thornham Parva Retable and the Musee de Cluny Frontal (1987) (7)
THE ENGLISH PARISH CHURCH AND ITS ART IN THE LATER MIDDLE AGES: A REVIEW OF THE PROBLEM (2016) (7)
What was the Westminster Retable (1987) (6)
The Westminster retable : history, technique, conservation (2009) (6)
Medieval Allegory and the Building of the New Jerusalem (2004) (6)
Reflections on la estoire de Seint Aedward le rei: hagiography and kingship in thirteenth-century England (1990) (6)
Notes on artistic invention in Gothic Europe (2014) (5)
The Heroic Age of Gothic and the Metaphors of Modernism (2013) (5)
Toledo cathedral: building histories in medieval Castile (2019) (4)
Death and burial in medieval England, 1066–1550. By Christopher Daniell. Pp. ix+242+13 plates. London–New York: Routledge, 1997. £35. 0 415 11629 5 (1998) (3)
Humfrey Lovell and the Gates of Gonville and Caius College: A Note on the Sources (2013) (3)
Late Gothic England: Art and Display (2009) (2)
Villard de Honnecourt and Invention (2012) (2)
The Painted Chamber at Westminster, the Fall of Tyrants and the English Literary Model of Governance (2011) (2)
Hierarchies and Orders in English Royal Images of Power (1999) (2)
The Murthly Hours: Devotion, Literacy and Luxury in Paris, England and the Gaelic West (2004) (1)
Liturgy and Local Knowledge English Perspectives on Trondheim Cathedral (2007) (1)
An Early Miniature Copy of the Choir Vault of Wells Cathedral at Irnham, Lincolnshire (2016) (1)
The Imagery of the High Altar Piscina of Saint-Urbain at Troyes (2011) (1)
The Rhetorical Occasions of Gothic Sculpture (2017) (1)
The crucifixion and the censorship of art around 1300 (2018) (1)
Medieval Invention and its Potencies (2017) (1)
Monarchy and consent. The Coronation Book of Charles V of France. British Library MS Cotton Tiberius B. VIII (Book) (2003) (1)
The English Decorated Style: Problems and Possibilities (1995) (1)
The patronage and date of the legend of St Francis in the Upper Church of S. Francesco at Assisi (2009) (1)
How Northern was the Northern Master at Assisi (2002) (1)
The ‘Prentice’s Bracket’ at Gloucester Cathedral (2014) (1)
Pontius Pilate, anti-semitism, and the passion in medieval art . By Colum Hourihane. Pp. xv+464 incl. frontispiece and 187 black-and-white plates+8 colour plates. Princeton–Oxford: Princeton University Press, 2009. £32.95 ($55). 978 0 691 13956 2 (2010) (0)
Art and propaganda. Charles IV of Bohemia, 1346-1378 (Book) (2003) (0)
Medieval Death@@@Master of Death (1998) (0)
Notre-Dame, cathedral of Amiens. The power of change in Gothic. By Stephen Murray. Pp. xix+233 incl. frontispiece and 21 figs.+138 plates. Cambridge: Cambridge University Press 1996. £55. 0 521 49735 3 (1998) (0)
3 Charisma and Material Culture (2018) (0)
Ashby Kinch,Imago Mortis: Mediating Images of Death in Late Medieval Culture. (Visualising the Middle Ages.) Leiden and Boston: Brill, 2013. Pp. xvi, 301; 45 color and black-and-white figures. $189. ISBN: 978-90-04-24369-9. (2014) (0)
The holy blood. King Henry III and the Westminster blood relic (Book) (2003) (0)
Court Patronage and International Gothic (2000) (0)
Illuminators and Patrons in Fourteenth-Century England: The Psalter and Hours of Humphrey de Bohun and the Manuscripts of the Bohun Family, by Lucy Freeman Sandler (2016) (0)
Speaking to the eye. Sight and insight through text and image (1150–1650) . Edited byThérèse De Hemptinne,Veerle Fraeters andMaría Eugenia Góngora. (Medieval Identities: Socio-Cultural Spaces, 2.) Pp. xx+313 incl. 8 colour plates and 36 figs.Turnhout:Brepols,2013. €90.978 2 503 53420 6 (2014) (0)
Seats, Relics and the Rationale of Images in Westminster Abbey, Henry III to Edward II (2015) (0)
Medieval and Renaissance Manuscripts in the Walters Art Gallery, 1: France, 875-1420.Lilian M. C. Randall, Judith Oliver , Christopher Clarkson , Jeanne Krochalis , Jennifer Morrish (1991) (0)
Observation and Image-Making in Gothic Art. Jean A. Givens (2006) (0)
Marvellous to behold. Miracles in medieval manuscripts . By Deirdre Jackson. Pp. 160 incl. 120 colour plates. London: The British Library, 2007. £25. 978 0 7123 4946 8 (2009) (0)
Cathedral shrines of medieval England. By Ben Nilson. Pp. x+276, incl. frontispiece, 16 plates, 10 tables and 17 graphs. Woodbridge: Boydell Press, 1998. £40. 0 85115 540 5 (1999) (0)
Weaving Sacred Stories: French Choir Tapestries and the Performance of Clerical Identity (2005) (0)
British Isles, page 126 to 262 (2011) (0)
Western Illuminated Manuscripts: Northern Netherlands (2011) (0)
English Gothic Choir Stalls 1400–1540 . By Charles Tracy. 320 × 240mm. Pp. xx + 75, 214 pls. Woodbridge: The Boydell Press, 1990. ISBN 0-85115-272-4. £49·50. (1990) (0)
Art and architecture (1999) (0)
The voices of morebath: reformation and rebellion in an english village Duffy, Eamon (2005) (0)
Charles Tracy, with Andrew Budge, Britain’s Medieval Episcopal Thrones: History, Archaeology and Conservation. Oxford and Philadelphia: Oxbow Books, 2015. Pp. x, 186; many color and black-and-white figures, and 4 fold-out diagrams. £50. ISBN: 978-1-78297-782-7. (2018) (0)
Architecture and society in Normandy, 1120–1270. By Lindy Grant. Pp. viii+274 incl. 220 plates, 3 maps and 4 genealogical tables. New Haven–London: Yale University Press, 2005. £45. 0 300 10686 6 (2006) (0)
A Note on the Hutton Conyers Charter and Related Fenland Manuscript (2000) (0)
Ely. Bishops and diocese, 1109–2009. Edited by Peter Meadows. Pp. xix+354+16 black-and-white and 16 colour plates. Woodbridge: Boydell Press, 2010. £29.95. 978 1 84383 540 0 (2012) (0)
Towards an Art History of the Parish Church: An Afterword on Explanation, Meaning, and Experience (2021) (0)
Patrons and Professionals in the Middle Ages: Proceedings of the 2010 Harlaxton Symposium (2012) (0)
The tombs of the doges of Venice. By Debra Pincus. Pp. xvii+257 incl. frontispiece and 126 figs. Cambridge: Cambridge University Press, 2000, £50. 0 521 59354 9 (2002) (0)
Reprints and Books Received (1992) (0)
Review: The Cathedral: The Social and Architectural Dynamics of Construction by Alain Erlande-Brandenburg, Martin Thom (1996) (0)
The Gothic Line of Beauty: Motif and Medieval Aesthetics (2018) (0)
Western Illuminated Manuscripts: Italy (2011) (0)
Dorothy Gillerman, ed., Gothic Sculpture in America, 1: The New England Museums . (Publications of the International Center of Medieval Art, 2.) New York and London: Garland, 1989. Pp. xxi, 403; 309 black-and-white illustrations. $99. (1991) (0)
Flanders (2000) (0)
Art and propaganda. Charles IV of Bohemia, 1346–1378. By Iva Rosario. Pp. xvii+155+46 colour plates. Woodbridge: Boydell Press, 2000. £45. 0 85115 787 4 (2003) (0)
Western Illuminated Manuscripts: Flanders (2011) (0)
Western Illuminated Manuscripts: British Isles, page 126 to 262 (2011) (0)
Gary M. Radke, Viterbo: Profile of a Thirteenth-Century Papal Palace . Cambridge, Eng.: Cambridge University Press, 1996. Pp. xx, 354; many black-and-white figures, 11 plans, 2 maps, and 2 charts. $85. (1998) (0)
Medieval art. Recent perspectives. A memorial tribute to C. R. Dodwell. Edited by Gale R. Owen-Crocker and Timothy Graham. Pp. xv+253, incl. frontispiece and 101 figs+8 colour plates. Manchester–New York: Manchester University Press, 1998. £45. 0 7190 4992 X (1999) (0)
Gothic Europe, 1200–1450 (2002) (0)
Visualizing kingship in the windows of the Sainte-Chapelle. By Alyce A. Jordan. (Publications of the International Center of Medieval Art, 5.) Pp. xi+263 incl. 78 figs+2 plates+7 loose leaf plates. Turnhout: Brepols, 2002. €120. 2 503 51184 8 (2004) (0)
Art and crusade in the age of Saint Louis. By Daniel H. Weiss. Pp. xiv+279 incl. 96 ills+8 plates. Cambridge: Cambridge University Press, 1998. £55. 0 521 62130 5 (2000) (0)
Picturing Kingship: History and Painting in the Psalter of Saint Louis (review) (2009) (0)
Image:Music:Text (1996) (0)
The holy blood. King Henry III and the Westminster blood relic. By Nicholas Vincent. Pp. xiii+254 incl. 23 ills. Cambridge: Cambridge University Press, 2001. £30. 0 521 57128 6 (2003) (0)
Western Illuminated Manuscripts: Bibliography (2011) (0)
A Tale of Two Monasteries: Westminster and Saint-Denis in the Thirteenth Century (review) (2010) (0)

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What Schools Are Affiliated With Paul Binski?

Paul Binski is affiliated with the following schools:

University of Cambridge

What Are Paul Binski's Academic Contributions?

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Paul Binski has made the following academic contributions:

The Painted Chamber at Westminster