Pauline Oliveros

Q: What Schools Are Affiliated With Pauline Oliveros

Pauline Oliveros is affiliated with the following schools: Rensselaer Polytechnic Institute, University of California, San Diego, University of Houston

Pauline Oliveros's AcademicInfluence.com Rankings

Pauline Oliveros

Communications

#2950

World Rank

#4181

Historical Rank

#1301

USA Rank

communications Degrees

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Communications

Why Is Pauline Oliveros Influential?

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According to Wikipedia, Pauline Oliveros was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music. She was a founding member of the San Francisco Tape Music Center in the 1960s, and served as its director. She taught music at Mills College, the University of California, San Diego , Oberlin Conservatory of Music, and Rensselaer Polytechnic Institute. Oliveros authored books, formulated new music theories, and investigated new ways to focus attention on music including her concepts of "deep listening" and "sonic awareness", drawing on metaphors from cybernetics. She was an Eyebeam resident.

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Pauline Oliveros's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Deep Listening: A Composer's Sound Practice (2005) (212)
Software for People Collected Writings 1963-80 (1984) (31)
Telematic Music: Six Perspectives (2009) (28)
A Musical Improvisation Interface for People With Severe Physical Disabilities (2011) (27)
Acoustic and Virtual Space as a Dynamic Element of Music (2016) (25)
A Conversation about Feminism and Music (1994) (22)
Electro/Acoustic Improvisation and Deeply Listening Machines (2013) (22)
A SYSTEM FOR MUSICAL IMPROVISATION COMBINING SONIC GESTURE RECOGNITION AND GENETIC ALGORITHMS (2009) (18)
Auralizing in the Sonosphere: A Vocabulary for Inner Sound and Sounding (2011) (15)
Software for People (1979) (13)
Developing Systems For Improvisation Based On Listening (2010) (11)
The Vibrobyte: A Haptic Interface for Co-Located Performance (2009) (11)
Tripping On Wires: The Wireless Body: Who is Improvising? (2004) (11)
Fluxus Art-Amusement: The Music of the Future? (2004) (10)
The Expanded Instrument System (EIS) (1991) (9)
Improvisation in the Sonosphere (2006) (9)
Networked Music: Low and High Tech (2009) (8)
The Roots Of The Moment (1998) (7)
My "American Music": Soundscape, Politics, Technology, Community (2007) (7)
OHM : the early gurus of electronic music : 1948-1980 (2000) (7)
Sound Texture Analysis Based on a Dynamical Systems Model and Empirical Mode Decomposition (2010) (6)
A creative artificially-intuitive and reasoning agent in the context of live music improvisation (2012) (6)
Mapping to musical actions in the FILTER system (2012) (5)
The Earth Worm Also Sings: A composer’s practice of deep listening (2016) (5)
IMPROVISING WITH SPACES (2006) (5)
Sound texture recognition through dynamical systems modeling of empirical mode decomposition. (2012) (4)
Anthology of Text Scores (2013) (4)
CAIRA - A Creative Artificially-Intuitive and Reasoning Agent as Conductor of Telematic Music Improvisations (2011) (4)
Improvising Composition: How to Listen in the Time Between (2016) (3)
Pauline Oliveros and Quantum Sound (2010) (3)
Pauline Oliveros: The World Wide Tuning Meditation (2011) (3)
Pauline Oliveros in the Arms of Reynols: A Collaboration (2006) (3)
Handle: Engineering Artificial Musical Creativity at the “Trickery” Level (2015) (3)
Dynamic spaces (2007) (3)
Mixing Console Design Considerations for Telematic Music Applications (2009) (3)
Reverberations : tape & electronic music, 1961-1970 (2012) (2)
III of IV (2011) (2)
Stretched Boundaries: Improvising across Abilities (2016) (2)
The World Wide Tuning Meditation (2011) (2)
LMJ19 CD Companion Introduction: Listening for Music through Community (2009) (2)
Space as Reference : Representations of Space in Electroacoustic Music (2014) (1)
Creativity and conducting: handle in the CAIRA project (2011) (1)
Haptic communication and colocated performance. (2008) (1)
CDCM Computer Music Series, Volume 7 (1992) (1)
Telehaptic interfaces for interpersonal communication within a music ensemble (2013) (1)
Tracing voice through the career of a musical pioneer: A conversation with Pauline Oliveros (2017) (1)
Reverberations: Eight Decades (2012) (1)
Vibrotactile music systems for co-located and telematic performance (2012) (1)
A composer’s practice (2016) (1)
The Expanded instrument System: Recent Developments (1998) (1)
Performance & Science (2012) (0)
4. Improvising Composition (2020) (0)
10. Stretched Boundaries: (2020) (0)
Safe To Play (2018) (0)
Karl Kohn: Concerto Mutabile (1964) (0)
Telematic performance in mixed realities: Virtual and acoustic spaces. (2008) (0)
CAIRA – a Creative Artificially-Intuitive and Reason- ing Agent in the context of ensemble music improvisa- tion (2013) (0)
Simulating, mirroring, morphing, and blurring acoustic space as an extended instrumental technique. (2010) (0)
Electro Acoustic Music V (1998) (0)
Networked Music : low & High Tech (2009) (0)
Aki Takahashi plays hyper Beatles (2017) (0)
St. George and the dragon ; In memoriam Mr. Whitney (1994) (0)
News (2018) (0)
The Expanded Instrument System : New Developments and Implementations Computer (2008) (0)
Hildegard Westerkamp : Transformations (1996) (0)
Alien Bog (excerpt) (2011) (0)
From Outside the Window: Electronic Sound Performance (2011) (0)
The Lightning Box (2017) (0)
ICMC 2010 Keynote Address (2020) (0)
Sound patterns : for mixted chorus (1964) (0)
An Intelligent Music System to Perform Different “Shapes of Jazz—To Come” (2017) (0)
Sharir Dance Company's Seventh Anniversary Gala Performance, featuring HARRY: dance & other works by Senta Driver & Pauline Oliveros and the Deep Listening Band: Deep Listening; March 24, 1990 (1990) (0)
Aeolian Partitions, for Flute, Clarinet, Violin, Cello, [And] Piano (1972) (0)
Responses to Gender and Computer Music (2020) (0)
Leonardo Network News (2003) (0)
On the need for Research Facilities for New Music and Related Arts (1979) (0)

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What Schools Are Affiliated With Pauline Oliveros?

Pauline Oliveros is affiliated with the following schools: