Perry R. Cook
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Perry R. Cook's AcademicInfluence.com Rankings
Perry R. Cookengineering Degrees
Engineering
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Electrical Engineering
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Applied Physics
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Perry R. Cookcomputer-science Degrees
Computer Science
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Engineering Computer Science
Perry R. Cook's Degrees
- PhD Electrical Engineering Stanford University
- Masters Electrical Engineering Stanford University
- Bachelors Electrical Engineering Stanford University
Why Is Perry R. Cook Influential?
(Suggest an Edit or Addition)Perry R. Cook's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Musical genre classification of audio signals (2002) (2764)
- MARSYAS: a framework for audio analysis (1999) (457)
- Sonification Report: Status of the Field and Research Agenda Prepared for the National Science Foundation by members of the International Community for Auditory Display (1999) (400)
- Principles for Designing Computer Music Controllers (2001) (322)
- Real Sound Synthesis for Interactive Applications (2002) (309)
- Building and Using A Scalable Display Wall System (2000) (237)
- Audio Analysis using the Discrete Wavelet Transform (2001) (227)
- Memory for musical tempo: Additional evidence that auditory memory is absolute (1996) (207)
- Physically Informed Sonic Modeling (PhISM): Synthesis of percussive sounds (1997) (192)
- Pitch Histograms in Audio and Symbolic Music Information Retrieval (2003) (192)
- Human model evaluation in interactive supervised learning (2011) (189)
- The Synthesis ToolKit (STK) (1999) (188)
- ChucK: A Concurrent, On-the-fly, Audio Programming Language (2003) (182)
- Sonific ation Report: Status of the Field and Research Agenda (2010) (170)
- Manipulation, analysis and retrieval systems for audio signals (2002) (169)
- Music, cognition, and computerized sound: an introduction to psychoacoustics (1999) (167)
- Bayesian Nonparametric Matrix Factorization for Recorded Music (2010) (164)
- A Meta-Instrument for Interactive, On-the-Fly Machine Learning (2009) (128)
- "On-the-fly Programming: Using Code as an Expressive Musical Instrument" (2004) (113)
- The chuck audio programming language. a strongly-timed and on-the-fly environ/mentality (2008) (111)
- Identification Of Control Parameters In An Articulatory Vocal Tract Model, With Applications To The Synthesis Of Singing (1990) (106)
- Real-time human interaction with supervised learning algorithms for music composition and performance (2011) (105)
- BoSSA: The Deconstructed Violin Reconstructed (2000) (104)
- Easy As CBA: A Simple Probabilistic Model for Tagging Music (2009) (103)
- Composing for Laptop Orchestra (2008) (89)
- A Meta-Wind-Instrument Physical Model, and a Meta-Controller for Real-Time Performance Control (1992) (89)
- Sound analysis using MPEG compressed audio (2000) (85)
- Tools and applications for large-scale display walls (2005) (85)
- PLOrk: The Princeton Laptop Orchestra, Year 1 (2006) (84)
- Content-Based Musical Similarity Computation using the Hierarchical Dirichlet Process (2008) (75)
- Modeling Bill's Gait: Analysis and Parametric Synthesis of Walking Sounds (2002) (73)
- Audio Information Retrieval (AIR) Tools (2000) (68)
- SPASM, a Real-Time Vocal Tract Physical Model Controller; and Singer, the Companion Software Synthesis System (1993) (67)
- Synthesis of Hand Clapping Sounds (2007) (61)
- MOSIEVIUS: FEATURE DRIVEN INTERACTIVE AUDIO MOSAICING (2003) (61)
- Don't forget the laptop: using native input capabilities for expressive musical control (2007) (60)
- Singing Voice Synthesis: History, Current Work, and Future Directions (1996) (58)
- Rtmidi, Rtaudio, and a synthesis Toolkit (STK) Update (2005) (56)
- Music, Cognition, and Computerized Sound (1999) (56)
- Synthesizing sounds from physically based motion (2001) (53)
- ChucK: a programming language for on-the-fly, real-time audio synthesis and multimedia (2004) (53)
- SONART : THE SONIFICATION APPLICATION RESEARCH TOOLBOX (2002) (53)
- A framework for audio analysis based on classification and temporal segmentation (1999) (50)
- Remutualizing the Musical Instrument: Co-Design of Synthesis Algorithms and Controllers (2004) (47)
- The Laptop Orchestra as Classroom (2008) (47)
- The Electronic Sitar Controller (2004) (47)
- Re-Designing Principles for Computer Music Controllers: a Case Study of SqueezeVox Maggie (2009) (46)
- The Second-Order Digital Waveguide Oscillator (1992) (46)
- An auditory display system for aiding interjoint coordination (2000) (46)
- MARSYAS3D: A PROTOTYPE AUDIO BROWSER-EDITOR USING A LARGE SCALE IMMERSIVE VISUAL AND AUDIO DISPLAY (2001) (45)
- ENHANCING SONIC BROWSING USING AUDIO INFORMATION RETRIEVAL (2002) (44)
- ChucK: A Strongly Timed Computer Music Language (2015) (43)
- Toward Understanding Human-Computer Interaction In Composing The Instrument (2010) (43)
- TBone: An Interactive WaveGuide Brass Instrument Synthesis Workbench for the NeXT Machine (1991) (43)
- HUMAN PERCEPTION AND COMPUTER EXTRACTION OF MUSICAL BEAT STRENGTH (2002) (41)
- The Electronic Tabla Controller (2002) (41)
- Interactive Network Performance: a dream worth dreaming? (2005) (40)
- Towards Automatic Musical Instrument Timbre Recognition (2010) (39)
- VFerret: content-based similarity search tool for continuous archived video (2006) (39)
- Feature-Based Synthesis: Mapping Acoustic and Perceptual Features onto Synthesis Parameters (2006) (38)
- Real-time Computer Modeling of Woodwind Instruments (1998) (36)
- Theory of Banded Waveguides (2004) (36)
- Play-Along Mapping of Musical Controllers (2009) (34)
- Music analysis and retrieval systems for audio signals (2004) (33)
- squeezeVox: A New Controller for Vocal Synthesis Models (2000) (33)
- Musical Tapestry: Re-composing Natural Sounds† (2007) (33)
- Visual/Acoustic Emotion Recognition (2005) (32)
- Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments (1999) (32)
- A FRAMEWORK FOR SONIFICATION OF VICON MOTION CAPTURE DATA (2005) (31)
- Combining Analysis and synthesis in the Chuck Programming Language (2007) (28)
- Physical wave propagation modeling for real-time synthesis of natural sounds (2002) (27)
- Physically Informed Sonic Modeling (PhISM): Percussive Synthesis (1996) (27)
- A NEW PARADIGM FOR SOUND DESIGN (2006) (27)
- Beyond the Query-By-Example Paradigm: New Query Interfaces for Music Information Retrieval (2002) (27)
- Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social (2009) (26)
- A Database of Measured Musical Instrument Body Radiation Impulse Responses , and Computer Applications for Exploring and Utilizing the Measured Filter Functions (1998) (26)
- Real-Time Performance Controllers for Synthesized Singing (2005) (26)
- The Audicle: A Context-Sensitive, On-the-fly Audio Programming Environ/mentality (2004) (25)
- PERCEPTUAL SPACES FOR SOUND EFFECTS OBTAINED WITH AN INTERACTIVE SIMILARITY RATING PROGRAM (2001) (24)
- Alternative Voices for Electronic Sound: Spherical Speakers and Sensor-Speaker Arrays (SenSAs) (2000) (24)
- Integration of Physical Modeling for Synthesis and Animation (1995) (24)
- Toward physically-informed parametric synthesis of sound effects (1999) (24)
- The integral Music controller: Introducing a Direct Emotional Interface to gestural control of sound synthesis (2005) (23)
- Digitizing North Indian Performance (2004) (23)
- Speaking through pictures: images vs. icons (2009) (21)
- Synthesis toolkit in C (2002) (21)
- Support for MIR Prototyping and Real-Time Applications in the ChucK Programming Language (2008) (21)
- Co-Audicle: a Collaborative audio Programming Space (2005) (20)
- Experiences with Scalability of Display Walls (2002) (20)
- Data-Driven Recomposition using the Hierarchical Dirichlet Process Hidden Markov Model (2009) (19)
- Alternative voices for electronic sound (2000) (18)
- Better vocabularies for assistive communication aids: connecting terms using semantic networks and untrained annotators (2009) (18)
- Experiments in computer-assisted annotation of audio (2000) (18)
- Musical Applications of Banded Waveguides (2004) (17)
- Sound Production and Modeling (2002) (17)
- Toward Synthesized Environments: A Survey of Analysis and Synthesis Methods for Sound Designers and Composers (2009) (17)
- A MIDI Control and Performance System for Brass Instruments (1993) (17)
- miniAudicle and ChucK Shell: New Interfaces for ChucK Development and Performance (2006) (16)
- Building Collaborative Graphical interFaces in the Audicle (2006) (16)
- N ≫ 2: multi-speaker display systems for virtual reality and spatial audio projection (1998) (16)
- Yeah, ChucK It! => Dynamic, Controllable Interface Mapping (2005) (15)
- Synthesis fo the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract (1989) (15)
- Click on bake to get cookies: guiding word-finding with semantic associations (2010) (15)
- How well do visual verbs work in daily communication for young and old adults? (2009) (15)
- Sndtools: Real-Time audio DSP and 3D Visualization (2005) (14)
- TAPESTREA: sound scene modeling by example (2006) (14)
- Bayesian Spectral Matching: Turning Young MC into MC Hammer via MCMC Sampling (2009) (13)
- A Hierarchical System for Controlling Synthesis by Phyical Modeling (1995) (13)
- LECTOR: An Ecclesiastical Latin Control Language for the SPASM/singer Instrument (1991) (12)
- Banded Waveguides on Circular Topologies and of Beating Modes: Tibetan Singing Bowls and Glass Harmonicas (2002) (12)
- Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work (1989) (11)
- Non Linear Periodic Prediction for On-Line Identification of Oscillator Characteristics in Woodwind Instruments (1991) (11)
- Creating a Network of Integral Music Controllers (2006) (11)
- Preservation and extension of traditional techniques:Digitizing North Indian performance (2005) (10)
- The Featsynth Framework for Feature-Based synthesis: Design and Applications (2007) (10)
- NBody: Interactive Multidirectional Musical Instrument Body Radiation Simulators, and a Database of Measured Impulse Responses (1998) (10)
- Remutualizing the Instrument : Co-Design of Synthesis Algor ithms and Controllers (10)
- Toward the Perfect Audio Morph? Singing Voice Synthesis and Processing (2007) (10)
- W2ANE: when words are not enough: online multimedia language assistant for people with aphasia (2009) (10)
- Programming for Musicians and Digital Artists: Creating music with ChucK (2015) (9)
- Combined Linear and Nonlinear Periodic Prediction in Calibrating Models of Musical Instruments to Recordings (1994) (9)
- Don't Forget the Loudspeaker - A History of Hemispherical Speakers at Princeton, Plus a DIY Guide (2009) (9)
- Vocabulary navigation made easier (2010) (9)
- Acoustic analysis of the Chavín pututus (Strombus galeatus marine shell trumpets). (2010) (9)
- HUMAN PERCEPTION AND COMPUTER EXTRACTION OF BEAT STRENGTH (2002) (9)
- FAUST: A framework for algorithm understanding and sonification testing (1997) (8)
- Feature-Based Synthesis: A Tool for Evaluating, Designing, and Interacting with Music IR Systems (2006) (8)
- SoundNet: investigating a language composed of environmental sounds (2010) (8)
- An automatic musical frequency detection and MIDI control system for brass instruments (1992) (7)
- Intonation: A Dataset of Quality Vocal Performances Refined by Spectral Clustering on Pitch Congruence (2019) (7)
- Real-time feature-based synthesis for live musical performance (2007) (7)
- Pitch, periodiciy, and noise in the voice (1999) (7)
- The Wekinator: Software for using machine learning to build real-time interactive systems (2011) (6)
- Foundations for on-the-Fly Learning in the Chuck Programming Language (2009) (6)
- Physical Modeling Simulation of the ancient Greek Elgin Auloi (1997) (6)
- RADIAL / ELLIPTICAL BASIS FUNCTION NEURAL NETWORKS FOR TIMBRE CLASSIFICATION (2005) (5)
- A Multimodal Vocabulary for Augmentative and Alternative Communication from Sound/Image Label Datasets (2010) (5)
- Re-coupling: the uBlotar synthesis instrument and the sHowl speaker-feedback controller (2004) (5)
- The design of ViVA: a mixed-initiative visual vocabulary for aphasia (2009) (5)
- Designing and Implementing the Chuck Programming Language (2005) (4)
- Knowledge acquisition by listeners in a source learning task using physical models (2000) (4)
- Digital waveguide speech synthesis system and method (1997) (4)
- Synthesis ToolKit in C++ Version (1996) (4)
- Din of an ``Iniquity'': Analysis and Synthesis of Environmental Sounds (2007) (4)
- Adding art to STEM (2016) (3)
- Laptop orchestras, robotic drummers, singing machines, and musical kitchenware: learning programming, algorithms, user interface design, and science through the arts (2012) (3)
- Environmental Sounds as Concept Carriers for Communication (2010) (3)
- FOFs, Wavelets, and Particles (2002) (3)
- Absolute Memory for Musical Tempo (1995) (3)
- A System for Generating Real-Time Visual Meaning for Live Indian Drumming (2003) (3)
- Feature-Based Synthesis for Sonification and Psychoacoustic Research (2006) (3)
- Derivation of a new banded waveguide model topology for sound synthesis. (2013) (2)
- Digital Waveguide Modelling of Reed Woodwinds: An Interactive Development (1991) (2)
- Teaching Computer Science to Digital artists through Music and sound (2013) (2)
- Nearest Centroid error Clustering for radial/elliptical Basis Function Neural Networks in Timbre Classification (2005) (2)
- Freedom in Tapestrea! Voice-Aware Track Manipulations (2009) (2)
- NOISE AND APERIODICITY IN THE GLOTTAL SOURCE : A STUDY OF SINGER VOICES (2019) (2)
- Shortest Path Techniques for Annotation and Retrieval of Environmental Sounds (2012) (2)
- An interactive similarity rating program for large timbre sets (2001) (2)
- Building semantic networks to improve word finding in assistive communication tools (2010) (2)
- Formant peaks and spectral valleys (1999) (2)
- Communication beyond words: multimedia approaches to bridging language disabilities and barriers (2010) (2)
- REAL-TIME DISSONANCIZERS: TWO DISSONANCE-AUGMENTING AUDIO EFFECTS (2008) (2)
- Pulsed Noise in Musical Systems, Techniques for Extraction, Analysis and Visualization (1990) (2)
- Enabling truly collaborative writing on a computer (2006) (2)
- Aperiodicities in the singer voice source. (1992) (2)
- Book review: MirandaEduardo R. and WanderleyMarcelo M., New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. Volume 21 of the Computer Music and Digital Audio Series. A-R Editions, Inc., Middleton, , WI, 2006. ISBN 0-895790585-X (2007) (2)
- Music Information Retrieval in ChucK; Real-Time Prototyping for MIR Systems & Performance (2008) (2)
- IGDIS (Instrument for Greek DIction and Singing): A Modern Greek Text to Speech/Singing Program for the SPASM/Singer Instrument (1993) (2)
- Accurate pitch measurement and tracking system and method (1995) (2)
- SOLA: Sustainable Orchestras of Laptops and Analog (2010) (2)
- Tapestrea: techniques and paradigms for expressive synthesis, transformation, and re-composition of environmental audio (2009) (2)
- Voice physics and neurology (1999) (2)
- Dissonance theory of sound objects (2007) (1)
- Musical coffee mugs, singing machines, and laptop orchestras: New paradigms for musical expression (2006) (1)
- Listen up! Realtime auditory interfaces for the real world (panel) (1998) (1)
- Physically informed stochastic modal sound synthesis (2001) (1)
- Project Arbol:Deer-B-Gone: journal of a guerrilla sound installation (2003) (1)
- TAPESTREA: a new way to design sound (2009) (1)
- Semantic Labeling of Nonspeech Audio Clips (2010) (1)
- The Electronic Tabla Controller 1 (2003) (1)
- Spectral Modeling and Additive Synthesis (2002) (0)
- Tone generator for use with hearing aids (1994) (0)
- Improving word-finding in assistive communication tools: a mixed-initiative approach (2010) (0)
- About This Issue (2011) (0)
- Musical Applications of Banded Waveguides Bar Percussion Instruments (2004) (0)
- Examples, Systems, and Applications (2002) (0)
- Exciting and Controlling Sound Models (2002) (0)
- Subtractive Synthesis and LPC (2002) (0)
- Table of Contents (2011) (0)
- We could not have tackled this task without the invaluable assessments provided by the Programme Committee, whose contribution we gratefully acknowledge: (1996) (0)
- In Memory of Max Mathews (2011) (0)
- About This Issue (2008) (0)
- Strings and Bars (2002) (0)
- About This Issue (2016) (0)
- Computational music: birds of a feather discussion and demonstration (2012) (0)
- Sound Examples and Code (2002) (0)
- Using musical acoustics to teach digital signal processing, scientific computing, and human–computer interface technology (1997) (0)
- 2009: A History of Hemispherical Speakers at Princeton, Plus a DIY Guide (2017) (0)
- Non-Linear Recursion InAcoustics And Music (1970) (0)
- An assessment tool for auditory realism (2003) (0)
- Two and Three Dimensions (2002) (0)
- Re-coupling: the uBlotar synthesis instrument and the sHowl speaker-interface controller (2005) (0)
- FEATURE-BASED SYNTHESIS FOR SONIFICATION AND (2006) (0)
- SOLA: Sustainable Orchestras of Laptops and Analog PerryR.Cookand ScottSmallwood (2010) (0)
- DFT, Convolution, and Transform Properties (2002) (0)
- About This Issue (2008) (0)
- Studio Report: Center for Computer Research in Music and Acoustics (CCRMA) (1993) (0)
- SOLA: Sustainable Orchestras of Laptops and Analog PerryR.Cookand ScottSmallwood (2010) (0)
- Products of Interest (2004) (0)
- Walking Synthesis: A Complete System (2002) (0)
- Sampling (Wavetable) Synthesis (2002) (0)
- Subband Vocoders and Filterbanks (2002) (0)
- Digital Audio Signals (2002) (0)
- Creating and evaluating a video vocabulary for communicating verbs for different age groups (2008) (0)
- The Fourier Transform (2002) (0)
- Erratum: The Laptop Orchestra as Classroom (2008) (0)
- Tubes and Air Cavities (2002) (0)
- P3B-3 Staining Doppler Audio (2006) (0)
- 2004: The Electronic Sitar Controller (2017) (0)
- Computer music: Copyright restrictions prevent ACM from providing the full text for this work. (2004) (0)
- Staining Doppler Audio (2006) (0)
- Princeton Sound Kitchen Open Source Software Report (2001) (0)
- Mother Tongue (review) (2004) (0)
- I Managing Tiled Displays Scalable Automatic Geometric Alignment Tools and Applications for Large-scale Display Walls 2 (2005) (0)
- Articulation in speech and sound (1999) (0)
- Chapter 9 Sound Synthesis for Auditory Display (2011) (0)
- On-the-fly Counterpoint: Copyright restrictions prevent ACM from providing the full text for this work. (2006) (0)
- Nonlinearity, Waveshaping, FM (2002) (0)
- The Ideal String (2002) (0)
- Eduardo Reck Miranda: Mother Tongue (2004) (0)
- CCRMA Papers on Physical Modeling and Signal Processing from the 1993 International Computer Music (2010) (0)
- In Memory of Manfred Schroeder (2010) (0)
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What Schools Are Affiliated With Perry R. Cook?
Perry R. Cook is affiliated with the following schools: