According to Wikipedia, Peter Manning FRSA is a British conductor and violinist. Biography Manning was born in Manchester on 17 July 1956. His conducting career includes work with the Royal Philharmonic Chamber Orchestra, the Edsberg Chamber Orchestra, BBC Symphony Orchestra, Odense Symphony Orchestra, Musica Vitae and the Soloists of The Royal Opera House. He is currently Concertmaster of The Royal Opera House and Artistic Director of Musica Vitae, Sweden, The Soloists of The Royal Opera House and guest Conductor Dallas Opera Texas USA. He is also Artistic Director of Manning Camerata, the classical group for the 21st century which he started in 2005 to create innovative events that are centred on music and invigorate other disciplines.
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Barry Truax Riverrun (1986/2004), a case study from the TaCEM project, exploring new approaches to techniques of analysis and re-synthesis in the study of concert electroacoustic works (2014) (1)
Interactive Tools for the Study of Electroacoustic Music Composition Methods: Resources for teaching and learning from the TaCEM software (2015) (1)
The TaCEM Project: Technology and Creativity in Electroacoustic Music (2015) (1)
TaCEM: Technology and Creativity in Electroacoustic Music (2015) (1)
New Techniques for a Real-time Phase Vocoder (1990) (1)
Deriving a Chart-Organised Notation from a Sonogram Based Exploration: TIAALS (Tools for Interactive Aural Analysis) (2014) (1)
Using Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning's Stria, a case study from the TaCEM project (2016) (1)
Tracking Creativity and Investigating Technology in Electroacoustic Music: Methods and perspectives of the TaCEM project (2013) (0)
Le projet TaCEM et l’analyse interactive des musiques électroacoustiques [The TaCEM Project and the Interactive Analysis of Electroacoustic Music] (2013) (0)
Performing works with instruments and real-time electronics. An analytical and interactive perspective from the TaCEM project (2016) (0)
The Significance of Technical Research in the Study of Electroacoustic Music: A Perspective from the TaCEM Project (2014) (0)
The Impact of Technology on the Creative Processes of Composing Electroacoustic Music (2013) (0)
Electronic music and the computer: a critical study of the development of electronic music systems and the introduction of computer-based technology, with particular reference to the interface problems encountered in composer/machine communications (1977) (0)
An interactive simulation of John Chowning’s creative environment for the composition of Stria (1977) (2015) (0)
Francis Dhomont's Phonurgie: A New Case Study from the TaCEM Project (2015) (0)
Tracking the creative process in Trevor Wishart’s Imago (2015) (0)
Towards an Analysis of Trevor Wishart’s Imago: Form, Structure and Technology (2014) (0)
Technology and Creativity in Music for Real-Time Electronics: An interactive approach to Philippe Manoury and Cort Lippe’s works (2015) (0)
Durham Music Technology: Active Report (1996) (0)
The Interrelation of Technology and Creativityin the Analysis of Electroacoustic Music:A comparative study of Barry Truax’s Riverrunand Trevor Wishart’s Imago (2015) (0)
Towards incorporating computer-aided techniques to interactive aural analysis (2016) (0)
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