Philip Tagg

Q: What Schools Are Affiliated With Philip Tagg

Philip Tagg is affiliated with the following schools: University of Liverpool, Université de Montréal, University of Salford, University of Nottingham, University of Huddersfield, University of Gothenburg

Philip Tagg's AcademicInfluence.com Rankings

Philip Tagg

Philosophy

#6694

World Rank

#9777

Historical Rank

Logic

#9573

World Rank

#12158

Historical Rank

philosophy Degrees

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Philosophy

Philip Tagg's Degrees

PhD Musicology University of Nottingham
Masters Musicology University of Nottingham
Bachelors Music University of Nottingham

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Why Is Philip Tagg Influential?

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According to Wikipedia, Philip Tagg is a British musicologist, writer and educator. He is co-founder of the International Association for the Study of Popular Music and author of several influential books on popular music and music semiotics.

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Philip Tagg's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Analysing popular music: theory, method and practice (1982) (276)
"Kojak" - 50 seconds of television music: Towards the analysis of affect in popular music (1979) (77)
Open letter (1989) (53)
Debate: From refrain to rave: the decline of figure and the rise of ground (1994) (51)
Musicology and the semiotics of popular music (2010) (35)
Fernando the flute : analysis of musical meaning in an Abba mega-hit (1991) (33)
Music, moving image, semiotics and the democratic right to know (2008) (25)
Caught on the Back Foot: Epistemic Inertia and Visible Music (2012) (20)
`Universal' music and the case of death (1993) (19)
Nature as a Musical Mood Category (2007) (18)
From Refrain to Rave. The Decline of Figure and the Rise of Gr (2000) (12)
Towards a Sign Typology of Music (2015) (11)
Subjectivity and Soundscape, Motor- bikes and Music (2001) (11)
An Anthropology of Stereotypes in TV Music (2008) (10)
The Göteborg connection: lessons in the history and politics of popular music education and research (1998) (8)
Understanding Musical Time Sense — concepts , sketches and consequences — (2001) (8)
'The work': an evaluative charge (2001) (8)
Gestural interconversion and connotative precision (2005) (7)
Music analysis for ‘ non-musos ’ Popular perception as a basis for understanding musical structure and signification (6)
The Sonic Aesthetics of the Industrial: Re-Constructing Yesterday's Soundscape for Today's Alienation and Tomorrow's Dystopia (2001) (6)
Music, Moving Image, and the "Missing Majority": How Vernacular Media Competence Can Help Music Studies Move into the Digital Era (2012) (6)
Music's Meanings (2013) (5)
Can we get rid of the ‘popular’ in popular music? A virtual symposium with contributions from the International Advisory Editors of Popular Music (2005) (5)
Popular Music Perspectives. Papers from the First International Conference on Popular Music Research, Amsterdam, June 1981 (1983) (5)
Towards a definition of ‘ Music ’ Taken from provisional course text (3)
Film music, anti-depressants and anguish management (2004) (3)
TROUBLES with TONAL TERMINOLOGY (2013) (3)
Tritonal crime and 'music as music ' (2008) (2)
Text and Context as Corequisites in the Popular Analysis of Music (2004) (1)
Music for Silent Films 1894–1929: a Guide. Compiled and with an Introduction by Gillian B. Anderson. Washington: Library of Congress, 1988. 182 pp. (1990) (1)
Panel Discussion: Songs in Films, Part Two (2013) (1)
Popular Music Studies — Bridge or barrier? (2001) (1)
Gerard Kempers (1948–2005): a personal statement (2006) (0)
Acquiring Music for Television Commercials: an investigation i (2000) (0)
Preface to this reissue (0)

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Other Resources About Philip Tagg

en.wikipedia.org

What Schools Are Affiliated With Philip Tagg?

Philip Tagg is affiliated with the following schools:

Philip Tagg's Academic­Influence.com Rankings