Phyllis Weliver
#111,102
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American historian
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Why Is Phyllis Weliver Influential?
(Suggest an Edit or Addition)According to Wikipedia, Phyllis Weliver is an American academic specializing in Victorian literature and music history. Career Weliver completed first degrees at Oberlin College, Oberlin Conservatory of Music, and the University of Cambridge, and her doctoral studies at the University of Sussex. She taught at Wilkes University, and is now Professor of English at Saint Louis University.
Phyllis Weliver's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Mary Gladstone and the Victorian Salon: Music, Literature, Liberalism (2019) (38)
- The Musical Crowd in English Fiction, 1840-1910: Class, Culture and Nation (2006) (23)
- The figure of music in nineteenth-century British poetry (2005) (20)
- Words & Notes in the Long Nineteenth Century (2013) (7)
- Women Musicians in Victorian Fiction, 1860-1900: Representations of Music, Science and Gender in the Leisured Home : Representations of Music, Science and Gender in the Leisured Home (2016) (6)
- Oscar Wilde, Music, and the ‘Opium-Tainted Cigarette’: Disinterested Dandies and Critical Play (2010) (5)
- A Score of Change: Twenty Years of Critical Musicology and Victorian Literature (2011) (4)
- The “silent song” of D.G. Rossetti’s The House of Life (2017) (2)
- George Eliot: Melody, Evolution and Aesthetics (2016) (0)
- Words and Notes in the Long Nineteenth Century: Frontmatter (2013) (0)
- System of References (2017) (0)
- George Eliot and the Prima Donna's 'Script' (2022) (0)
- The Prima Donna, Opera Chorus and Amateur Violinist: Music as ‘Event’ in Wilkie Collins's Man and Wife (2012) (0)
- Idealist Philosophy, Culture and the Gladstones (2017) (0)
- Surveillance and Musical Passion in Villette (2006) (0)
- Music as a Sign in Daniel Deronda (1996) (0)
- Musical and Literary Case Studies (2017) (0)
- The Passion of Liberalism (2017) (0)
- REVIEW OF EMMA SUTTON, AUBREY BEARDSLEY AND WAGNERISM IN THE 1890S (2004) (0)
- Music and the Gladstone Salon (2017) (0)
- Germanic Music Ideals in Utopian Communities: Charles Auchester, Erewhon and “Euphonia” (2006) (0)
- Shaw’s Fiction and the Emerging English Musical Renaissance (2006) (0)
- Mary Gladstone's Diary and the Royal College of Music (2017) (0)
- The Victorian Salon (2017) (0)
- Introduction: A Discursive Duet (2022) (0)
- Imagining 1848 Risorgimento Opera Production in Vittoria (2006) (0)
- Dissonance and Fugue in The Mystery of Edwin Drood (2016) (0)
- Glynne Family Tree (2017) (0)
- Music, Climate Theory and the Working Classes in Sandra Belloni (2006) (0)
- “there ought to be some melody in poetry”: Tennyson's Salon Readings (2017) (0)
- Review of John M. Picker, Victorian Soundscapes (2005) (0)
- From Collective Action to Creative Individuality: Robert Elsmere, Dodo, Althea and Howards End (2006) (0)
- Mary Gladstone and the Victorian salon (2017) (0)
- Female Power in Sensation Fiction (2016) (0)
- The Parrys andPrometheus Unbound (2019) (0)
- “musical, I see!”: Triangulated Criticism and Daniel Deronda (2017) (0)
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