Ramon Lobato
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Ramon Lobatophilosophy Degrees
Philosophy
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#13907
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Logic
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#10304
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Philosophy
Ramon Lobato's Degrees
- PhD Media and Communication University of Melbourne
Why Is Ramon Lobato Influential?
(Suggest an Edit or Addition)According to Wikipedia, Ramon Lobato is an author, researcher, and scholar of cultural industries. The focus of his research is on video distribution networks, and how they structure audience access, discovery, and content diversity. He is currently Associate Professor of Media and Communication at RMIT University in Melbourne, Australia.
Ramon Lobato's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Netflix Nations: The Geography of Digital Distribution (2019) (143)
- Shadow Economies of Cinema (2012) (122)
- Shadow Economies of Cinema: Mapping Informal Film Distribution (2012) (112)
- Rethinking International TV Flows Research in the Age of Netflix (2018) (93)
- The cultural logic of digital intermediaries (2016) (85)
- The Informal Media Economy (2015) (69)
- Creative industries and informal economies (2010) (63)
- Chinese video streaming services in the context of global platform studies (2019) (61)
- Histories of User-Generated Content: Between Formal and Informal Media Economies (2011) (48)
- Subcinema: Theorizing Marginal Film Distribution (2007) (38)
- Cultures of Sharing in 3D Printing: What Can We Learn from the Licence Choices of Thingiverse Users? (2014) (38)
- Rethinking genre studies through distribution analysis: issues in international horror movie circuits (2011) (35)
- Netflix Nations (2020) (35)
- The politics of digital distribution: exclusionary structures in online cinema (2009) (34)
- Imagining Global Video: The Challenge of Netflix (2020) (33)
- Internet-Distributed Television Research: A Provocation (2018) (29)
- Amateur media : social, cultural and legal perspectives (2013) (28)
- The Business of Anti-Piracy: New Zones of Enterprise in the Copyright Wars (2011) (18)
- The six faces of piracy: global media distribution from below (2008) (18)
- The cyberlocker gold rush: Tracking the rise of file-hosting sites as media distribution platforms (2014) (15)
- Gentrification, Cultural Policy and Live Music in Melbourne (2006) (14)
- Subcinema: mapping informal film distribution (2009) (13)
- Television device ecologies, prominence and datafication: the neglected importance of the set-top box (2019) (13)
- Geoblocking and Global Video Culture (2016) (11)
- Kittens All the Way Down: Cute in Context (2014) (11)
- Australian content in SVOD catalogs: availability and discoverability - 2018 edition (2018) (10)
- A sideways view of the film economy in an age of digital piracy (2012) (9)
- The good, the bad, the ugly (2011) (9)
- Constructing the Pirate Audience: On Popular Copyright Critique, Free Culture and Cyber-Libertarianism (2011) (8)
- An Introduction to Informal Media Economies (2012) (7)
- Invisible Audiences for Australian Films?: Cinema and Its Many Publics (2009) (6)
- On the Boundaries of Digital Markets (2020) (6)
- Living and Labouring as a Music Writer (2013) (6)
- The streaming wars (2016) (6)
- The Paradoxes of Piracy (2014) (5)
- Informal mobile economies (2014) (5)
- Creative Industries and Informal Economies: The Case of Nigerian Video (2009) (5)
- Prestige and professionalisation at the margins of the journalistic field: the case of music writers (2013) (5)
- Secret lives of Asian Australian cinema: offshore labour in transnational film industries (2008) (4)
- Communication networks, cities and the informal economies (2012) (4)
- Transnational Piracy Research in Practice (2011) (4)
- Beyond Streaming Wars: Rethinking Competition in Video Services (2021) (4)
- Producing local content in international waters: the case of Netflix’s Tidelands (2021) (4)
- Australia: Circumvention Goes Mainstream (2016) (4)
- Unlocking the geoblock: Australians embrace VPNs (2014) (3)
- The OTT TV Box as a Diasporic Media Platform (2019) (3)
- Introduction: The new video geography (2016) (3)
- Amazing Grace: Decadence, Deviance, Disco (2007) (3)
- The six faces of media piracy: global film distribution from below (2008) (3)
- Streaming services and the changing global geography of television (2017) (3)
- Informal Translation, Post-Cinema and Global Media Flows (2016) (2)
- Informal Economies in International Communications: Connecting Parallel Debates (2013) (2)
- Evolving Practices of Informal Distribution in Internet Television (2019) (2)
- Crimes against urbanity: The concrete soul of Michael Mann (2008) (1)
- Geoblocking and Video Culture (2016) (1)
- Piracy and Promotion: The Double-Edged Power of Crowds (2014) (1)
- Piracy and promotion: Understanding the double-edged power of crowds (2015) (1)
- Piracy and Promotion (2015) (1)
- Ramon Lobato, Netflix Nations: The Geography of Digital Distribution (2020) (1)
- Subscription video-on-demand (SVOD) original production in Australia: Evolution or revolution? (2022) (1)
- Studios lose the way in bigger picture (2010) (0)
- Ashley Madison and the identity protection racket (2015) (0)
- Conclusion: Coordinates for Studying Distribution in a Digital Age (2012) (0)
- B for Bad Cinema: aesthetics, politics and cultural value (2010) (0)
- Informal media economies in aspiring global cities (2010) (0)
- Not afraid to be Heavy (1998) (0)
- Writing about streaming portals: The drama of distribution (2019) (0)
- Caribbean copyright showdown (2013) (0)
- Connecting the formal and informal media economies (2012) (0)
- Six Faces of Piracy (2012) (0)
- Shades of grey: cyberlockers as a media distribution platform (2012) (0)
- CCI Digital dividend green paper submission (2010) (0)
- Ways of Seeing Netflix (2022) (0)
- Law and disorder on the small screen (2012) (0)
- Online Copyright Infringement submission (2014) (0)
- Book Review: This Program is Brought to You By … Distributing Television News Online (2016) (0)
- The fine line between the media business and piracy (2012) (0)
- Genres of pirate theory (2013) (0)
- Geographies of informal media (2010) (0)
- Distribution from Above and Below (2012) (0)
- Pirate networks and world cinema audiences (2011) (0)
- Elegy for the internet (2013) (0)
- Piracy and anti-piracy as generative forces (2011) (0)
- Writing about streaming portals (2019) (0)
- Informality and indeterminacy in media industries research (2021) (0)
- The problem with free culture: copyright critique after digital libertarianism (2010) (0)
- Australian crime films (2010) (0)
- The video years: Stuart Cunningham and screen industry research (2021) (0)
- Rescaling (2018) (0)
- Globalisation at ground level (2011) (0)
- The hole in their bucket (2010) (0)
- Between formal and informal media economies: the instrumentality of piracy (2011) (0)
- Digital piracy and the fragmentation question (2015) (0)
- Inside story. (1999) (0)
- Piracy and economic plurality (keynote address) (2015) (0)
- A contrarian takes on the internet, again (2015) (0)
- Informal cinemas: strategies from below (2013) (0)
- Counterfeit cinematic cities: mapping informal distribution (2010) (0)
- Netflix nation: on the geography of video streaming (Keynote address) (2015) (0)
- Rising in the east? Michael Curtin's 'Playing to the world's biggest audience' (2007) (0)
- The counterfeit city: pirate media, informal economies, and urban space (2010) (0)
- Informality, development and the creative economy: The case of Nollywood (2013) (0)
- The "residentialization" of the student (2008) (0)
- Fragments of an underworld (2012) (0)
- The Straight-to-video Slaughterhouse (2012) (0)
- From disc to stream: The changing world of home video (2017) (0)
- MCNs and the long distribution revolution (2015) (0)
- Historiographies of media piracy (2011) (0)
- Nollywood at Large (2012) (0)
- Kim Dotcom and the economic image of the cloud (2015) (0)
- Cultural policy between television and digital platforms: the case of SVOD regulation in Australia (2023) (0)
- The Grey Internet (2012) (0)
- The media geographies of Tom O’Regan (2021) (0)
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