Reinhard Strohm

Reinhard Strohm's AcademicInfluence.com Rankings

Reinhard Strohm

Philosophy

#11884

World Rank

#16429

Historical Rank

Logic

#9046

World Rank

#11408

Historical Rank

philosophy Degrees

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Philosophy

Why Is Reinhard Strohm Influential?

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According to Wikipedia, Professor Reinhard Strohm FBA is a German musicologist based largely in the United Kingdom, with an interest in 14th to 18th-century music. Strohm studied Musicology, Medieval Latin, and Romance Literatures, at the University of Munich, Scuola Normale Superiore di Pisa, and the Technical University of Berlin during 1961–1969. He earned his Ph.D. degree at TU Berlin in 1971, with Carl Dahlhaus, producing a dissertation titled “Italienische Opernarien des frühen Settecento .

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Reinhard Strohm's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

The relationship between alcohol and criminal homicide. (1956) (108)
Music in Late Medieval Bruges (1985) (77)
European politics and the distribution of music in the early fifteenth century (1981) (36)
Essays on Handel and Italian opera (1985) (35)
Looking Back at Ourselves: The Problem with the Musical Work-Concept (2000) (31)
The Rise of European Music, 1380-1500 (1993) (29)
Review: Census-Catalogue of Manuscript Sources of Polyphonic Music, 1400-1550 by The University of Illinois Musicological Archives for Renaissance Manuscript Studies (1995) (26)
Dramma per Musica: Italian Opera Seria of the Eighteenth Century (1997) (17)
[Patients with psychotic disorders in forensic psychiatric hospitals: are there consequences for general psychiatry?]. (2010) (16)
Dramatic Time and Operatic Form in Wagner'sTannhäuser (1977) (14)
Music as concept and practice in the late Middle Ages (2001) (9)
The eighteenth-century diaspora of Italian music and musicians (2001) (8)
"The Rise of European Music, 1380-1500", Reinhard Strohm, Cambridge 1993 : [recenzja] / Agnieszka Leszczyńska. (1996) (6)
Studies on a Global History of Music : A Balzan Musicology Project (2018) (6)
The Close of the Middle Ages (1990) (5)
THE OPERAS OF ANTONIO VIVALDI (2008) (5)
Letter from Reinhard Strohm (1987) (3)
Dramatic dualities: Metastasio and the tradition of the opera pair (1998) (3)
The Ars Nova Fragments of Gent (1984) (3)
The Medieval Mass Proper, and the Arrival of Polyphonic Proper Settings in Central Europe (2011) (2)
Enea Silvio Piccolomini and Music (2009) (2)
IPHIGENIA’S CURIOUS MÉNAGE À TROIS IN MYTH, DRAMA, AND OPERA (2012) (2)
The ‘Rise of European Music’ and the Rights of Others (1996) (2)
'Rienzi' and Authenticity (1976) (2)
Music, Humanism, and the Idea of a ‘Rebirth’ of the Arts (2017) (2)
John Hothby, The Lucca Choirbook - and Further Dragon's Heads? (2008) (2)
Diplomatic Relationships between Chantilly and Cividale (2010) (2)
Ancient Tragedy in Opera, and the Operatic Debut of Oedipus the King (Munich, 1729) (2010) (1)
“Medieval Music” or “Early European Music”? (2018) (1)
Music in the German Renaissance: Sources, Styles and Contexts.John Kmetz (1997) (1)
The Music Road: An Expedition across Time and Space (2019) (1)
Kirnberger’s 4/4 Meters and Handel’s Basic Paces: The Growth of Temporal Narrativity Across Four Decades of Composition Channan Willner I. Introduction In Die Kunst des reinen Satzes—The Art of Strict Musical Composition—Johann (2007) (0)
Postmodern Problems in European Musical Historiography (2000) (0)
'Italian Opera' in 'Central Europe', 1600–1780: Research Trends and the Geographic Imagination (2004) (0)
Alexander’s Timotheus: Towards a Critical “Biography” (2004) (0)
Handel, Metastasio, Racine: The Case of 'Ezio' (1977) (0)
Mass settings from the Lucca choirbook (2007) (0)
Non-Mensural Polyphony: Performing Plainsong (2020) (0)
Bruges and beyond (1987) (0)
Bach Network UK latest report: New Directions in Bach Studies: : Second J.S.Bach Dialogue Meeting (2007) (0)
Mysticism’s Musical Modalities: Philosophies of Audition in Medieval Persian Sufism (2019) (0)
Tannhäuser : overture to the opera, WWV 70 (2010) (0)
Book Reviews (1999) (0)
Music and religious identity in counter-Reformation Augsburg, 1580–1630. By Alexander J. Fisher. (St Andrews Studies in Reformation History.) Pp. xvi+345 incl. 11 figs, 2 tables and 22 music examples. Aldershot: Ashgate, 2004. £59.50. 0 7546 3875 8 (2006) (0)
Institutions and ceremonies (2006) (0)
Postmodern Thought and the History of Music: Some lntersections (2014) (0)
Transgression , Transcendence and Metaphor – the ‘ Other Meanings ’ of the B-Minor Mass (2006) (0)
"Italian Opera in Central Europe", T. I: "Institutions and Ceremonies"; T. II: "Italianita: Image and Practice"; T. III: "Opera Subjects and European Relationships", Melania Bucciarelli, Norbert Dubowy, Reinhard Strohm, Berlin 2006, 2007, 2008 : [recenzja]. (2009) (0)
Lotario: Opera in tre atti, HWV 26 (review) (2006) (0)
Review: Handel as Orpheus: Voice and Desire in the Chamber Cantatas by Ellen T. Harris (2007) (0)
Antonio Vivaldi’s setting of Teuzzone: dramatic speech and musical image (2017) (0)
Ritual, power and opera seria (2009) (0)
Collected Works, 7: Missa Malheur Me Bat; Missa Maria Zart (1990) (0)
'Rienzi' in Perspective (1978) (0)
A major research project on Late Medieval and Early Renaissance music (2018) (0)
Music and urban culture in Austria - comparing profiles (2001) (0)
Sacred song in the fifteenth century: cantio, carol, lauda, Kirchenlied (2015) (0)
The Balzan Musicology Project towards a global history of music, the study of global modernisation, and open questions for the future (2019) (0)
The Fullness of Time: Temporalities of the Fifteenth-Century Low Countries, by Matthew S. Champion (2020) (0)
Andrew Kirkman, The Cultural Life of the Early Polyphonic Mass: Medieval Context to Modern Revival . Cambridge: Cambridge University Press, 2010. xiii + 383 pp. (2011) (0)
The Dent Medal (2000) (0)
MUSICA - A CHANGING CONCEPT IN EUROPEAN SOCIETIES (2008) (0)
Tolomeo, Re d'Egitto: Dramma per musica in tre atti, HWV 25, (review) (2003) (0)
Faculty of Music Prospectus (2010) (0)
Hamburg, 23. bis 26. März 1999: Internationales Symposion „Johann Adolf Hasse in seiner Zeit“ (2016) (0)
Italian Pasticcio Opera, 1700-1750 Practices and Repertoires (2021) (0)
Briefly Noted (2006) (0)
Händel and the discourse of modernity (2010) (0)
Musica - A Changing Concept in European Societies / Reinhard Strohm. (2008) (0)
Collection of Fragments , or a Fragment of a Collection ? The Musical Appendix of AWn Cod (2020) (0)
OPR volume 6 issue 1 Cover and Front matter (1994) (0)
Handel and the Uses of Antiquity (2017) (0)
Fifteenth-century humanism and music outside Italy (2015) (0)
Round Table II: Constitution and Conservation of Polyphonic Repertories in the 14th and 15th Centuries (1987) (0)
HANDEL'S OPERAS AND THE 'HANSEATIC' ARIOSO (2018) (0)
Drammaturgia Musicale Veneta. Musical Theater in the Venetian-Republic (1986) (0)
Musical Life of the Late Middle Ages in the Austrian Region (c. 1340–c. 1520): a Historical and Audio-Visual Exploration (2019) (0)
Scipione impasticciato: Performing, Researching and Reviving London operas from 1730–1731 (2021) (0)

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Other Resources About Reinhard Strohm

en.wikipedia.org

What Schools Are Affiliated With Reinhard Strohm?

Reinhard Strohm is affiliated with the following schools:

University of Oxford