Richard Parncutt
#32,888
Most Influential Person Now
Australian academic
Richard Parncutt's AcademicInfluence.com Rankings
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Richard Parncutt's Degrees
- PhD Music Psychology University of Adelaide
- Masters Musicology University of Adelaide
- Bachelors Musicology University of Adelaide
Why Is Richard Parncutt Influential?
(Suggest an Edit or Addition)According to Wikipedia, Richard Parncutt is an Australian-born academic. He has been professor of systematic musicology at Karl Franzens University Graz in Austria since 1998. Education Parncutt studied music and physics at the University of Melbourne, and physics at the University of New England, Australia. In 1987, he was awarded a PhD from the University of New England. He was a guest researcher under Ernst Terhardt , Johan Sundberg , Annabel Cohen , Al Bregman , Helga de la Motte-Haber and John Sloboda . From 1996 to 1998 he held a position as a lecturer in psychology at Keele University, UK.
Richard Parncutt's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- A Perceptual Model of Pulse Salience and Metrical Accent in Musical Rhythms (1994) (536)
- Harmony: A Psychoacoustical Approach (1989) (373)
- The Science and Psychology of Music Performance Creative Strategies for Teaching and Learning (2002) (240)
- The Science & Psychology of Music Performance (2002) (233)
- Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training (1996) (215)
- Language, Music, and Mind (1993) (146)
- Perceiving musical tension in long chord sequences (1999) (133)
- AN IMPROVED MODEL OF TONALITY PERCEPTION INCORPORATING PITCH SALIENCE AND ECHOIC MEMORY (1993) (120)
- Size and Synchronization of Auditory Cortex Promotes Musical, Literacy, and Attentional Skills in Children (2014) (99)
- An Ergonomic Model of Keyboard Fingering for Melodic Fragments (1997) (99)
- Revision of Terhardt's Psychoacoustical Model of the Root(s) of a Musical Chord (1988) (91)
- Determinants of finger choice in piano sight-reading. (1998) (64)
- Neural Biomarkers for Dyslexia, ADHD, and ADD in the Auditory Cortex of Children (2016) (64)
- Consonance and dissonance in music theory and psychology : Disentangling dissonant dichotomies (2012) (60)
- Systematic Musicology and the History and Future of Western Musical Scholarship (2007) (58)
- Prenatal and infant conditioning, the mother schema, and the origins of music and religion (2009) (45)
- Template‐matching models of musical pitch and rhythm perception (1994) (44)
- The emotional connotations of major versus minor tonality: One or more origins? (2014) (44)
- Accents and expression in piano performance (2003) (44)
- Applying Psychoacoustics in Composition: "Harmonic" Progressions of "Nonharmonic" Sonorities (1994) (41)
- The Tonic as Triad: Key Profiles as Pitch Salience Profiles of Tonic Triads (2011) (39)
- Tone Profiles following Short Chord Progressions: Top-down or Bottom-up? (2000) (37)
- Piano Technique and Fingering in the Eighteenth and Nineteenth Centuries: Bringing a Forgotten Method Back to Life (1996) (33)
- A Model of the Perceptual Root(s) of a Chord Accounting for Voicing and Prevailing Tonality (1996) (33)
- Pitch properties of chords of octave-spaced tones (1993) (32)
- Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model (1997) (28)
- Listening to music in the real world? A critical discussion of Marc Leman's (1995) music and schema theory: Cognitive foundations of systematic musicology * (1998) (27)
- Talking Fingers: An Interview Study of Pianists' Views on Fingering (1997) (26)
- A matter of presence: A qualitative study on teaching individual and collective music classes (2018) (24)
- A Psychocultural Theory of Musical Interval: Bye Bye Pythagoras (2018) (22)
- Measuring melodic similarity: Human vs. algorithmic Judgments (2004) (22)
- The Human Cost of Anthropogenic Global Warming: Semi-Quantitative Prediction and the 1,000-Tonne Rule (2019) (22)
- Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity (2018) (21)
- Interdependence of Right and Left Hands in Sight‐Read, Written, and Rehearsed Fingerings of Parallel Melodic Piano Music (1999) (19)
- An Accent-Based Approach to Automatic Rendering of Piano Performance: Preliminary Auditory Evaluation (2011) (18)
- Identification of microtonal melodies: Effects of scale-step size, serial order, and training (1995) (18)
- THE INFLUENCE OF RELATIVE INTENSITY ON THE PERCEPTION OF ONSET ASYNCHRONIES (2002) (17)
- Commentary on Cook & Fujisawa’s “The Psychophysics of Harmony Perception: Harmony is a Three-Tone Phenomenon” (2006) (17)
- Instrumental Technique, Expressivity, and Communication. A Qualitative Study on Learning Music in Individual and Collective Settings (2019) (16)
- Processes and Experiences of Creative Cognition in Seven Western Classical Composers (2020) (16)
- Proceedings of the Conference on Interdisciplinary Musicology (2004) (13)
- Concentration and tension (1991) (13)
- Error management for musicians: an interdisciplinary conceptual framework (2014) (12)
- Commentary on Keith Mashinter’s "Calculating Sensory Dissonance: Some Discrepancies Arising from the Models of Kameoka & Kuriyagawa, and Hutchinson & Knopoff" (2006) (12)
- A Computational Model of Immanent Accent Salience in Tonal Music (2019) (12)
- Tonal Implications of Harmonic and Melodic Tn-Types (2007) (12)
- Musik als virtuelle person (2006) (11)
- Music in the Social and Behavioral Sciences: An Encyclopedia (2014) (11)
- ASYNCHRONY VERSUS INTENSITY AS CUES FOR MELODY PERCEPTION IN CHORDS AND REAL MUSIC (2003) (11)
- The timbre vocabulary of professional female jazz vocalists (2007) (11)
- An accent-based approach to performance rendering: Music theory meets music psychology (2011) (10)
- Major-Minor Tonality, Schenkerian Prolongation, and Emotion: A commentary on Huron and Davis (2012) (2013) (10)
- Prenatal Development and the Phylogeny and Ontogeny of Musical Behavior (2016) (10)
- Learning Music From Each Other: Synchronization, Turn-taking, or Imitation? (2020) (9)
- Perception of onset asynchronies: Acoustic piano versus synthesized complex versus pure tones (2001) (9)
- Prenatal development and the phylogeny and ontogeny of music (2008) (9)
- Optimizing Performative Skills in Social Interaction: Insights From Embodied Cognition, Music Education, and Sport Psychology (2019) (9)
- Live streaming at international academic conferences: Ethical considerations (2019) (8)
- The Rosegarden Codicil: Rehearsing Music in nineteen-tone equal Temperament (2007) (8)
- Piano touch, timbre, ecological psychology, and cross-modal interference (2013) (8)
- The Multi-hub Academic Conference: Global, Inclusive, Culturally Diverse, Creative, Sustainable (2021) (8)
- Introduction: “Interdisciplinary musicology” (2006) (7)
- Chuckrow’s theory of the prenatal origin of music (2019) (7)
- How do Musicians deal with their Medical problems (2006) (6)
- Modeling piano performance: Physics and cognition of a virtual pianist (1997) (5)
- MIDDLE-OUT MUSIC ANALYSIS AND ITS PSYCHOLOGICAL BASIS (2002) (5)
- Book Review: Patrik Juslin & John Sloboda, Handbook of Music and Emotion: Theory, Research, Application (2013) (5)
- Prenatal “experience” and the phylogenesis and ontogenesis of music (2009) (5)
- Perception of musical patterns: Ambiguity, emotion, culture (2005) (5)
- Style-Dependency of Melodic Expectation (2015) (5)
- Live streaming at international academic conferences (2021) (4)
- Live-streaming at international academic conferences: Technical and organizational options for single- and multiple-location formats (2019) (4)
- A Model of Beat Induction Accounting for Perceptual Ambiguity by Continuously Variable Parameters (1994) (4)
- CHILDREN'S, TEACHERS' AND PARENTS' ATTRIBUTIONS OF CHILDREN'S MUSICAL SUCCESS AND FAILURE (2004) (4)
- A Preliminary Computational Model of Immanent Accent Salience in Tonal Music (2013) (3)
- Recorded interpretations of Chopin Preludes: Performer’s choice of score events for emphasis and emotional communication (2012) (3)
- Art and music research 1 (2010) (3)
- Historical Development of Tonal Syntax: Counting Pitch-Class Sets in 13th-16th Century Polyphonic Vocal Music (2011) (3)
- Empirical Aesthetic Evaluation Of Sonifications (2013) (3)
- Mother–infant attachment, musical idol worship, and the origins of human behaviour (2018) (3)
- Let the music play the feelings: The performative effect of music in advertising (2004) (3)
- The role of music in the integration of cultural minorities (2010) (2)
- Interculturality : Practice meets Research (2)
- COMPOSING IN THE FLESH: PERCEPTUALLY- INFORMED HARMONIC SYNTAX (2004) (2)
- Functions of sad music in daily life: An explorative study on the influence of exposure, coping strategies and personality (2014) (2)
- Musical novices perform with equal accuracy when learning to drum alone or with a peer (2021) (2)
- Chromatic Chord Symbols (1990) (2)
- Regulation of Creative Processes in Music (1997) (2)
- Psychoacoustic aspects of the speed of melody performance (2008) (2)
- Tone Profiles of Isolated Musical Chords: Psychoacoustic Versus Cognitive Models (2019) (2)
- An Interactive Tool for Training and Testing Musical Auditory Skills (2008) (2)
- Narrative archetypes in the imagery of clients in Guided Imagery and music therapy sessions (2019) (1)
- What Emotions and Free Associations Characterize Different Musical Styles (2013) (1)
- Applying Music Psychology to Music Education: Can Perceptual Theory Inform Undergraduate Harmony? (1999) (1)
- Pitch salience in chords of harmonic complex tones (2009) (1)
- Gender effects in young musicians' mastery-oriented achievement behavior and their interaction with teachers (2006) (1)
- The vocal audition process: Do you hear what I hear? (2007) (1)
- Book review: DAVID TEMPERLEY, Music and Probability. Cambridge, MA: MIT Press, 2007. 256 pp. ISBN 0262201666 (hbk) $40.00/£25.95 (2008) (1)
- Pitch-class prevalence in plainchant, scale-degree consonance, and the origin of the rising leading tone (2019) (1)
- Octave-generalized analysis of chord progressions: Diatonic/fifth relations, missing fundamentals, completion tones (2020) (1)
- A Psychoacoustical Model for Tonal Composition (1991) (1)
- Mother Schema, Obstetric Dilemma, and the Origin of Behavioral Modernity (2019) (1)
- CAI for harmony and ear training using octave-complex (Shepard) tones, pitch-class sets, and perceptual theory (1994) (1)
- Musical Content Processing for Expressive Gesture Applications in Interactive Multimedia (2004) (0)
- The missing fundamentals of harmonic theory: Chord roots and their ambiguity in arrangements of jazz standards (2021) (0)
- Effects of music and alpha-wave frequencies on meditation (2014) (0)
- Expression in Romantic Piano Music: Criteria for Choice of Score Events for Emphasis (2011) (0)
- PRENATAL DEVELOPMENT richard parncutt (2006) (0)
- Reply to Balsach (1998) (0)
- CHAPTER 9 Art and music research 1 JULIE (2010) (0)
- The Ideal Jazz Voice Sound: A Qualitative Interview Study (2012) (0)
- CIM08. 4th Conference on Interdisciplinary Musicology (2008) (0)
- About This Issue (2020) (0)
- Let the music play the feelings: The performative effect of advertising music (2004) (0)
- Similarity judgments of fifth‐spaced tones and dyads thereof (1993) (0)
- Information (1995) (0)
- Structural communication in piano duos: Musical compatibility and individual differences in interpretation (2013) (0)
- Live streaming at international academic conferences: Doing rather than talking (2021) (0)
- Intervals as distances, not ratios: Evidence from tuning and intonation (2013) (0)
- Performers' body motion and phrase structure: the role of velocity magnitude (2010) (0)
- WESTERN MUSIC HISTORY, PITCH SALIENCE, KEY PROFILES, AND THE ORIGINS OF TONALITY (2005) (0)
- The reliability/ validity of cognitive/emotional approaches to the evaluation of musical performance: Implications for competition juries (2023) (0)
- The Musician's Guide to Perception and Cognition David Butler (1995) (0)
- Proceedings of the Society, 1996 (1997) (0)
- Response to Demske: Relating Sets (1995) (0)
- Computer-assisted composition with algorithmic implementations of pitch-perceptual theory (2007) (0)
- Proceedings of the Experimental Psychology Society 1997 (1997) (0)
- Chapter Seven Psychoacoustics and cognition for musicians (2012) (0)
- Consonance and Dissonance of Simultaneous Trichords in Western Music (2023) (0)
- Andrzej Rakowski 1931–2018, internationally distinguished scholar and founding member of ESCOM (2018) (0)
- Structuring the argument of a theoretical paper: A guideline and its reception by advanced undergraduate musicologists (2006) (0)
- The 1970s and 1980s saw the consolidation of three influential approaches to the perception of harmony and tonality: the psychoacoustical approach of Ernst Terhardt (1976), the music-theoretical approach of Fred Lerdahl (2020) (0)
- Motivation and anti-stress training for children and teachers in music schools (2005) (0)
- Enrichment of Music Theory Pedagogy by Computer-based Repertoire Analysis and Perceptual-cognitive Theory (2017) (0)
- Melodic accent in Estonian and Lithuanian folk songs (2007) (0)
- Review of the 1993 Conference of the Society for Music Perception and Cognition (1994) (0)
- Document and Shift the Hats to the Right so That They Are Directly above the following Number. This Is a Music-theoretical Convention for Referring to the Steps of a Musical Scale (2007) (0)
- Recordings in musicological and sound technological practice: Portraying Estonian musical scene in 1939 (2007) (0)
- Commentary on Justin London’s MTO 0.2 article (1993) (0)
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