Robert L. Belknap
#36,720
Most Influential Person Now
American scholar of Russian literature
Robert L. Belknap's AcademicInfluence.com Rankings
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Literature
Robert L. Belknap's Degrees
- Bachelors Russian Language and Literature University of California, Berkeley
Why Is Robert L. Belknap Influential?
(Suggest an Edit or Addition)According to Wikipedia, Robert Lamont Belknap was an American scholar of Russian literature. He was a professor at Columbia University, where he served as interim dean of Columbia College, and director of the Harriman Institute. He received a Guggenheim Fellowship in 1994.
Robert L. Belknap's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Deceit, Desire, and the Novel: Self and Other in Literary Structure (1966) (520)
- Literature and Society in Imperial Russia, 1800-1914 (1978) (20)
- Demons: A Novel in Three Parts (11)
- The genesis of The brothers Karamazov : the aesthetics, ideology, and psychology of text making (1992) (11)
- The structure of The brothers Karamazov (1967) (10)
- Tradition and Innovation: General Education and the Reintegration of the University. A Columbia Report. (1977) (9)
- Tradition and Innovation: General Education and the Reintegration of the University (1979) (9)
- The Genesis of 'The Brothers Karamazov': The Aesthetics, Ideology and Psychology of Making a Text (1992) (8)
- The Young Dostoevsky (1846-1849): A Critical Study (1971) (6)
- Literary Journals in Imperial Russia: Survey of Russian journals, 1840–1880 (1998) (5)
- Dostoevskii and psychology (2002) (2)
- The unpublished Dostoevsky : diaries and notebooks (1860-81) (1973) (2)
- Studies on a Nation ' s Identity (2010) (1)
- Recent Soviet Scholarship and Criticism on Dostoevskij: A Review Article (1967) (1)
- Stanislavsky's Protege: Eugene Vakhtangov. By Ruben Simonov. Translated and adapted by Miriam Goldina. New York: DBS Publications, 1969. x, 243 pp. $6.95. (1971) (1)
- Studies on a Nation ' s Identity (2010) (1)
- Two Techniques of Hostile Criticism: Tolstoy's and Dostoevsky's? (2011) (0)
- A lemmatized concordance to Letters of a Russian traveler of N.M. Karamzin (2000) (0)
- 3. The Fabula Arranges the Events in the World the Characters Inhabit; the Siuzhet Arranges the Events in the World the Reader Encounters in the Text (2016) (0)
- Donald Fanger, Dostoevsky and Romantic Realism: A Study of Dostoevsky in Relation to Balzac, Dickens, and Gogol. Cambridge, Mass.: Harvard University Press, 1965. Pages x, 307. $7.50. (1965) (0)
- 17. The Siuzhet of Part I of Crime and Punishment Programs the Reader to Read the Rest and to Participate Actively in a Vicious Murder (2016) (0)
- Letters of Feodor Mikhailovich Dostoevsky to His Family and Friends@@@Dostoevsky, a Human Portrait (1962) (0)
- 2. Text and Context I. Teaching Contexts (2019) (0)
- 14. European Novelists Elaborated or Assembled Incidents into Plots Long Before Critics Recognized the Sophistication of the New Genre in Plotting Such Subgenres as the Letter Novel and the Detective Novel (2016) (0)
- Dostoevsky, a Self Portrait@@@Dostoevsky (1963) (0)
- 2. Plot Summaries Need More Serious Study (2016) (0)
- 5. Plots Are Fractal, Formed from Incidents That Are Formed from Smaller, Similarly Shaped Incidents (2016) (0)
- Canadian Slavonic Papers, V (1962) (0)
- Struktura Khudozhestvennogo Teksta. By lu. M. Lotman. Introduction by Thomas G. Winner. The Brown University Slavic Reprint Series, 9. Providence: Brown University Press, 1971. x, 381 pp. $6.00, paper. (1972) (0)
- 13. Tolstoy and Tate Preferred the Comforting Plots of Lear’s Sources to Shakespeare’s, But Shakespeare Had Considered That Variant and Rejected It (2016) (0)
- 12. In King Lear , Shakespeare Uses Elaborated Lies to Psychologize the Gloucester Subplot (2016) (0)
- 8. For Integrity of Impact, Stages, Actors, and the Audience Need a Unity of Action (2016) (0)
- 11. Shakespeare Prepares for His Recognition Scenes with Elaborate Lies (2016) (0)
- 16. In Reinventing the Psychological Plot, Dostoevsky Challenged the Current Literary Leaders (2016) (0)
- 9. Shakespeare Replaced the Greek Unity of Action with a New Thematic Unity Based on Parallelism (2016) (0)
- 21. The Plots of Novels Teach Novelistic Justice, Not Poetic Justice (2016) (0)
- Works by Robert L. Belknap (2016) (0)
- 7. But Siuzhets and the Incidents That Form Them Have Two Parts: An Expectation and Its Fulfillment or Frustration (2016) (0)
- 4. Authors Can Relate One Incident to Another Only Chronologically, Spatially, Causally, Associatively, or Narratively (2016) (0)
- Stories from Modern Russia (1962) (0)
- 1. Plots Arrange Literary Experience (2016) (0)
- 6. The Best Authorities Consider Plots and Incidents to Be Tripartite, with a Situation, a Need, and an Action (2016) (0)
- 10. Shakespeare Uses Conflict, the Righting of Wrongs, the Healing of an Inruption or Disruption, and Other Standard Plotting Devices, But His Recognition Scenes Move Us Most (2016) (0)
- 15. Dostoevsky Shaped and Was Shaped by the Russian Version of the Nineteenth-Century Novel (2016) (0)
- 19. Critics Often Attack Crime and Punishment for a Rhetoric That Exploits Causality in Ways They Misunderstand (2016) (0)
- 18. The One-Sidedness of Desire and Violence in Crime and Punishment Is More Peculiar to Dostoevsky’s Plotting Than Dostoevshchina (2016) (0)
- 20. The Epilogue of Crime and Punishment Crystallizes Its Ideological Plot (2016) (0)
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