According to Wikipedia, Robert Stam is an American film theorist working on film semiotics. He is a professor at New York University, where he teaches about the French New Wave filmmakers. Stam has published widely on French literature, comparative literature, and on film topics such as film history and film theory. Together with Ella Shohat, he co-authored Unthinking Eurocentrism: Multiculturalism and the Media.
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
"Third World and Postcolonial Cinema," in Pam Cook and Mieke Bernink, The Cinema Book (London: BFI, 1999) (1999) (17)
"Film Theory and Spectatorship in the Age of the Posts," (with Ella Shohat), in Christine Gledhill and Linda Williams, eds. Reinventing Film Studies (London: Arnold, 2000) (2000) (15)
"Contested Histories,"(with Ella Shohat) in David Theo Goldberg, ed. Multiculturalism: A Critical Reader (Oxford: Basil Blackwell, 1994) (1994) (3)
HITCHCOCK AND BUNUEL: DESIRE AND THE LAW (2014) (3)
"The Cinema after Babel: Language, Difference and Power," in Shirley Staton ed. Literary Theories in Praxis (Philadelphia: University of Pennsylvania Press, 1987). (1987) (2)
New Vocabularies in Film Semiotics: Structuralism, Poststructuralism, and Beyond. (with Sandy Flitterman Lewis and Robert Burgoyne, Routledge, 1992) (1992) (2)
“The Long 1968 and Radical Film Aesthetics,” in Christian Gerhardt and Sara Saljoughi eds. 1968 and Global Cinema (Detroit: Wayne State University Press, 2018) (2018) (2)
Leslie Marsh’s Revisioning Citizenship: Brazilian Women’s Filmmaking from Dictatorship to Democracy, for University of Illinois Press (2012) (1)
“Race in Translation: the Red, Black, and White Atlantics,” in Sabine Broeck and Carsten Junker, eds. Postcoloniality, Decoloniality, Black Critique (Frankfurt/New York: Campus Verlag, 2014) (2014) (1)
"Hitchcock and Buñuel: Authority, Desire and the Absurd," in Walter Raubicheck and Walter Srebnick, eds. Hitchcock's Rereleased Films (Detroit:Wayne State, 1991) (1991) (1)
Race in Translation: Culture Wars in the Postcolonial Atlantic (Routledge, May, 2012) (2012) (1)
“What is Eurocentrism” in Arnold H. Itwaru, ed . The White Supremacist State: Eurocentrism, Imperialism, Colonialism, Racism (Toronto: Other Eye, 2009) (2009) (0)
"Hybridity and the Aesthetics of Garbage," in Performing Hybridity May Joseph/Jennifer Fink, eds. University of Minnesota Press, 1999. (1999) (0)
"Blacks in Brazilian Cinema," in John Downing ed. Film and Politics in the Third World (New York: Autonomedia, 1987). (1987) (0)
Strategy for Shrinkage: The development of a strategy to accommodate and stabilise demographic shrinkage in Delfzijl (2011) (0)
Brazilian Cinema (with Randal Johnson, Associated Presses, 1985, republished in paperback by University of Texas Press, 1988, updated and revised edition, Columbia University Press, 1995) (1995) (0)
"Redeeming the Past: Cinema in Portugal," Wm. Luhr, ed. World Cinema Since 1945 (New York: Ungar, 1988) (1989) (0)
Subversive Pleasures: Bakhtin, Cultural Criticism and Film: translated into Japanese (2015) (0)
“Traveling Multiculturalism: A Trinational Debate in Translation,” in Ania Loomba et. al, Postcolonial Studies and Beyond (Durham: Duke University Press, 2005. (2005) (0)
“The Red Atlantic: Travelling Debates,” Racial and Ethnic Identities in Media, Eleftheria Arapoglou, Yiorgos Kalogeras, and Jopi Nyman (eds.), Palgrave Macmillan, 2016, pp. 13-40. (2016) (0)
Film Theory: An Introduction: translated into Spanish, Portuguese, Greek, Farsi, Chinese, Taiwanese, Turkish, Serbo-Croation, Italian, Estonian, and Korean (2015) (0)
"Third World Cinema" in Erik S. Lunde and Douglas Nover, eds. Film History. New York: Markus Weiner, 1988. (1988) (0)
“Cultural Debates in Translation” (coauthored with Ella Shohat), in The Postcolonial and the Global, Revathi Krishnaswamy & John Hawley, eds.( Minneapolis: The University of Minnesota Press, 2008), pp. 124-133. (2008) (0)
World Literature, Transnational Cinema, Global Media: A Transdisciplinary Polylogue, forthcoming from Routledge 2018 (2018) (0)
"The Imperial Imaginary" in Graeme Turner ed. The Film Cultures Reader. London: Routledge, 2002. (2002) (0)
"Rear Window: Reflexivity and the Critique of Voyeurism," in A Hitchcock Reader(Iowa City: Iowa State University Press, 1986). (1986) (0)
Subversive Pleasures: Bakhtin, Cultural Criticism, and Film (Johns Hopkins University Press, 1989) (1989) (0)
"Cultural Studies and Race," in Toby Miller, ed. A Companion to Cultural Studies (Oxford: Blackwell, 2001) (2001) (0)
"Third World Cinema," in Patricia Erens and Marian Henley, eds. College Course Files, University Film and Video Association (1986) (1986) (0)
Multiculturalism, Postcoloniality, and Transnational Media (with Ella Shohat, Rutgers, 2003) (2003) (0)
Race in Translation translated into German as Race in Translation: Kulturkampfe rings um den postolonialen Atlantik (Unrast-Verlag Munster Germany (2015) (2015) (0)
"The Imperial Imaginary," in Kelly Askew and Richard R. Wilk, eds. The Anthropology of Media, Oxford: Blackwell, 2002. (2002) (0)
"Eurocentrism, Afrocentrism, Polycentrism: Theories of Third Cinema," in Hamid Naficy and Teshome H. Gabriel, eds. Otherness and the Media (Harwood 1993). (1993) (0)
“Crossing Border,” Introductory Interview/Introduction to Zubin Shroff’s Book of Photographs: Cosmopolitans (Rotterdam: Veeman Publishers, 2008) (2008) (0)
Tropical Multiculturalism: A Comparative history of Race and Culture in Brazil, translated into Portuguese (EDUSP, Sao Paulo, Brazil) (1997) (0)
“Brazilian Cinema: Reflections on Race and Representation,” in Stephen Hart and Richard Young, eds. Contemporary Latin American Cultural Studies. New York: Arnold, 2003. (2003) (0)
“The Red Atlantic Dialogue: Response 1” (with Ella Shohat), Red Pedagogy: Native American Social and Political Thought, 10th Anniversary Edition, Sandy Grande auth., Lanham: Rowman & Littlefield Publishers, 2015, pp. 261-272. (2015) (0)
“Stereotype, Realism, and the Struggle over Representation,” in Timothy Corrigan, Patricia White, and Meta Mazaj, eds. Critical Visions in Film Theory: Classic and Contempoary Reaadings (New York: St. Martins, 2011) (2011) (0)
This paper list is powered by the following services:
