Robyn R. Warhol | Academic Influence

Robyn R. Warhol's AcademicInfluence.com Rankings

Robyn R. Warhol

Literature

#4046

World Rank

#6532

Historical Rank

literature Degrees

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Literature

Robyn R. Warhol's Degrees

PhD English University of California, Berkeley
Masters English University of California, Berkeley
Bachelors English University of California, Berkeley

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Why Is Robyn R. Warhol Influential?

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According to Wikipedia, Robyn R. Warhol is an American literary scholar, associated in particular with feminist narrative theory, of which she is considered one of the originators. She is currently an Arts and Humanities Distinguished Professor of English at the Ohio State University and a core faculty member of Project Narrative. Warhol received her BA in English from Pomona College in 1977 and her PhD in English and American Literature from Stanford University in 1982, where she studied with Thomas Moser, George Dekker, and Ian Watt.

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Robyn R. Warhol's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Feminisms: An Anthology of Literary Theory and Criticism (1991) (330)
Narrative Theory: Core Concepts and Critical Debates (2012) (123)
Gendered Victorians@@@Sisters in Time: Imagining Gender in Nineteenth-Century British Fiction@@@Gendered Interventions: Narrative Discourse in the Victorian Novel (1989) (78)
Having a good cry : effeminate feelings and pop-culture forms (2003) (63)
Neonarrative; or, How to Render the Unnarratable in Realist Fiction and Contemporary Film (2007) (50)
Toward a Theory of the Engaging Narrator: Earnest Interventions in Gaskell, Stowe, and Eliot (1986) (46)
The Look, the Body, and the Heroine: A Feminist-Narratological Reading of "Persuasion" (1992) (35)
Double Gender, Double Genre in Jane Eyre and Villette (1996) (34)
The Space Between: A Narrative Approach to Alison Bechdel’s Fun Home (2011) (31)
Narrative Theory Unbound: Queer and Feminist Interventions (2015) (25)
Narrating the Unnarratable: Gender and Metonymy in the Victorian Novel (1994) (11)
Narrative Refusals and Generic Transformation in Austen and James: What Doesn't Happen in Northanger Abbey and The Spoils of Poynton (2007) (10)
The work of genre: selected essays from the English Institute (2011) (10)
Multimodal You: Playing with Direct Address in Contemporary Narrative Television (2017) (7)
“It Is of Little Use for Me to Tell You”: George Eliot's Narrative Refusals (2013) (7)
Adventures in the Archives: Two Literary Critics in Pursuit of a Victorian Subject (2010) (5)
Love Among the Archives: Writing the Lives of George Scharf, Victorian Bachelor (2015) (5)
Making `gay' and `lesbian' into household words: How serial form works in Armistead Maupin's (1999) (5)
The Edinburgh Companion to Contemporary Narrative Theories (2018) (5)
Toward a Second Phase of Postclassical Narratology (2015) (4)
Physiology, Gender, and Feeling: On Cheering Up (2004) (3)
Describing the Unseen: The Visceral and Virtual Construction of Spaces in Bleak House (2014) (3)
“What Might Have Been Is Not What Is”: Dickens’s Narrative Refusals (2011) (2)
Nice Work, If You Can Get It-and If You Can’t? Building Women’s Studies without Tenure Lines (2002) (2)
The Campus Visit (2006) (2)
The Real Ideal@@@All-American Girl: The Ideal of Real Womanhood in Mid-Nineteenth-Century America (1991) (2)
Narrative Theory Unbound (2015) (2)
How We Got Contracts for Lecturers at the University of Vermont: A Tale of (Qualified) Success, and Response. (1997) (2)
HAVING A GOOD CRY (2021) (1)
Second-wave feminism and after (2016) (1)
Recruiting and Retaining Minority Faculty Members in English at the University of Vermont (2005) (1)
The unspeakable, the unnarratable, and the repudiation of epiphany in ‘Recitatif’: a collaboration between linguistic and literary feminist narratologies (2018) (1)
4. Jasmine Reconsidered: Narrative Structure and Multicultural Subjectivity (2011) (1)
Plotting Women: Gender and Narration in the Eighteenth‐ and Nineteenth‐Century British Novel. By Alison A. Case. Charlottesville: University Press of Virginia, 1999. Pp. x+223. (2003) (0)
Realism in the Nineteenth-Century Novel (2019) (0)
A Feminist-Narratological Reading of Persuasion (2016) (0)
Body Language@@@The Flesh Made Word: Female Figures and Women's Bodies (1989) (0)
Seriality (2018) (0)
Digital Pedagogies for Nineteenth- and Early-Twentieth-Century Literature (2020) (0)
The Engaging Narrator - Reply (1987) (0)
Love Among the Archives (2015) (0)
Engaging Narrators - Reply (1987) (0)
Reading for differentiation: the family romance plot (2015) (0)
“Ain’t I de One Everybody Come to See?!”: Popular Memories of Uncle Tom’s Cabin (2003) (0)
Literature and the Body: Essays on Populations and Persons (review) (2011) (0)
Synchronic Reading (2022) (0)
Disaster Drawn: Visual Witness, Comics, and Documentary Form by Hillary L. Chute (review) (2017) (0)
Basic Concepts of Narrative Theory: A Polyphonic View (2013) (0)
Reading for success: the professional plot (2015) (0)
Matters of Taste@@@American Literary Realism, Critical Theory, and Intellectual Prestige, 1880-1995 (2001) (0)
Women's work : an anthology of American literature (1994) (0)
Coda: our archivist, ourselves (2015) (0)
The unspeakable, the unnarratable, and the repudiation of epiphany in 'Recitatif': a collaboration between linguistic and literary feminist narratologies (0)
Introduction: adventures in the archives (2015) (0)
Subject to Change: Reading Feminist Writing (review) (2011) (0)

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