Roger B. Dannenberg
#164,696
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American academic
Roger B. Dannenberg's AcademicInfluence.com Rankings
Roger B. Dannenbergcomputer-science Degrees
Computer Science
#9778
World Rank
#10258
Historical Rank
#1761
USA Rank
Database
#6734
World Rank
#6972
Historical Rank
#829
USA Rank

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Computer Science
Roger B. Dannenberg's Degrees
- PhD Computer Science Stanford University
- Masters Computer Science Stanford University
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(Suggest an Edit or Addition)Roger B. Dannenberg's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Garnet: comprehensive support for graphical, highly interactive user interfaces (1990) (536)
- An On-Line Algorithm for Real-Time Accompaniment (1984) (355)
- Polyphonic audio matching and alignment for music retrieval (2003) (289)
- TagATune: A Game for Music and Sound Annotation (2007) (259)
- A Machine Learning Approach to Musical Style Recognition (1997) (185)
- Pattern Discovery Techniques for Music Audio (2002) (165)
- Music score alignment and computer accompaniment (2006) (127)
- SMERS: Music Emotion Recognition Using Support Vector Regression (2009) (124)
- Music Representation Issues,Techniques,and Systems (1993) (119)
- A comparative evaluation of search techniques for query-by-humming using the MUSART testbed (2007) (113)
- Tracking Musical Beats in Real Time (1990) (113)
- Polyphonic Audio Matching for Score Following and Intelligent Audio Editors (2003) (112)
- Multimedia interface design (1992) (107)
- Creating graphical interactive application objects by demonstration (1989) (91)
- A comparison of melodic database retrieval techniques using sung queries (2002) (86)
- Remixing Stereo Music with Score-Informed Source Separation (2006) (86)
- The MUSART Testbed for Query-by-Humming Evaluation (2004) (83)
- Machine tongues XIX: Nyquist, a language for composition and sound synthesis (1997) (81)
- Following an Improvisation in Real Time (1987) (81)
- A computer‐based multi‐media tutor for beginning piano students (1990) (80)
- A Stochastic Method of Tracking a Vocal Performer (1997) (79)
- Music Structure Analysis from Acoustic Signals (2008) (78)
- Melody Matching Directly From Audio (2001) (77)
- New Techniques for Enhanced Quality of Computer Accompaniment (1988) (75)
- Real-Time Computer Accompaniment of Keyboard Performances (1985) (75)
- Combining Instrument and Performance Models for High-Quality Music Synthesis (1998) (67)
- Autonomous robot dancing driven by beats and emotions of music (2012) (56)
- A Probabilistic Model of Melodic Similarity (2002) (51)
- Understanding Search Performance in Query-by-Humming Systems (2004) (46)
- McBlare: A Robotic Bagpipe Player (2005) (46)
- Real-time scheduling and computer accompaniment (1989) (46)
- Analysis and Synthesis of Tones by Spectral Interpolation (1987) (45)
- The Canon Score Language (1989) (44)
- SICIB: An Interactive Music Composition System Using Body Movements (2001) (43)
- Query by humming with the VocalSearch system (2006) (42)
- Discovering Musical Structure in Audio Recordings (2002) (41)
- Arctic: A functional language for real-time control (1984) (39)
- The Implementation of Nyquist, A Sound Synthesis Language (1997) (38)
- Toward Automated Holistic Beat Tracking, Music Analysis and Understanding (2005) (38)
- A Brief Survey of Music Representation Issues, Techniques, and Systems (1993) (37)
- Low-latency Music Software Using Off-the-shelf Operating Systems (1998) (37)
- Instructional Design and Intelligent Tutoring: Theory and the Precision of Design. (1993) (36)
- Arctic: A Functional Language for Real-Time Systems (1986) (36)
- A structure for efficient update, incremental redisplay and undo in graphical editors (1990) (33)
- Programming language design for music (1997) (33)
- A Language for Interactive Audio Applications (2002) (32)
- Panel: New directions in Music Information Retrieval (2001) (31)
- Formal Program Verification Using Symbolic Execution (1982) (30)
- Interactive Visual Music: A Personal Perspective (2005) (30)
- Time in Distributed Real-Time Systems (1999) (29)
- A Flexible Real-Time Software Synthesis System (1996) (29)
- Listening to "Naima": An Automated Structural Analysis of Music from Recorded Audio (2002) (29)
- Audio signal Driven sound synthesis (2005) (28)
- As-If Infinitely Ranged Integer Model (2010) (28)
- Fugue: a functional language for sound synthesis (1991) (28)
- Resource sharing in a network of personal computers (1982) (26)
- The Interpretation of MIDI Velocity (2006) (25)
- CHI'90 workshop on multimedia and multimodal interface design (1990) (25)
- Understanding Features and Distance Functions for Music Sequence Alignment (2010) (24)
- Results from the Piano Tutor Project 1 (1993) (24)
- Controllable deep melody generation via hierarchical music structure representation (2021) (23)
- An Intelligent Multi-Track audio Editor (2007) (23)
- The Carnegie Mellon Laptop Orchestra (2007) (23)
- Abstract Time Warping of Compound Events and Signals (1997) (22)
- Enhanced Vocal Performance Tracking Using Multiple Information Sources (1998) (22)
- A Fast Data Structure for Disk-Based Audio Editing (2002) (22)
- The CMU MIDI Toolkit (1986) (21)
- A gesture based user interface prototyping system (1989) (20)
- Real-time software synthesis on superscalar architectures (1997) (20)
- A Butler process for resource sharing on Spice machines (1985) (20)
- Towards Reliable Partial Music Alignments Using Multiple Synchronization Strategies (2009) (18)
- Automated Accompaniment of Musical Ensembles (1994) (17)
- Software support for interactive multimedia performance (1993) (17)
- Polyphonic Music Note Onset Detection Using Semi-Supervised Learning (2007) (17)
- Bootstrap learning for accurate onset detection (2006) (16)
- Human-computer interaction in the piano tutor (1992) (16)
- New interfaces for popular music performance (2007) (16)
- Music Interfaces Based on Automatic Music Signal Analysis: New Ways to Create and Listen to Music (2019) (16)
- A Framework for Coordination and Synchronization of Media (2011) (15)
- Toward Modular, Portable, Real-Time Software (1995) (14)
- Music Understanding By Computer (1993) (14)
- A Model for Interactive Art (1995) (14)
- Duet interaction: learning musicianship for automatic accompaniment (2015) (14)
- Automating Ensemble Performance (1994) (14)
- Spectral Learning for Expressive Interactive Ensemble Music Performance (2015) (13)
- Be Careful What You Backpropagate: A Case For Linear Output Activations & Gradient Boosting (2017) (13)
- Recent work in real-time music understanding by computer (1991) (13)
- Sound Synthesis from Real-Time Video Images (2003) (13)
- Are Just-InTime Lectures Effective At Teaching ? (1997) (12)
- Synthesizing Trumpet Performances (1998) (12)
- A System Supporting Flexible Distributed Real-Time Music Processing (2001) (12)
- Automatic Analysis and Influence of Hierarchical Structure on Melody, Rhythm and Harmony in Popular Music (2020) (11)
- A Study of Trumpet Envelopes (1998) (11)
- Style in Music (2010) (11)
- New Technologies for Music Education (2013) (11)
- Sound Synthesis from Video, Wearable Lights, and "The Watercourse Way" (2003) (11)
- A Real Time Scheduler/Dispatcher (1988) (11)
- A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems (2011) (11)
- A Virtual Orchestra for Human-Computer Music Performance (2011) (10)
- Combining Visual and Textual Representations for Flexible Interactive Audio Signal Processing (2004) (10)
- Conducting the MIDI Orchestra, Part 1: Interviews with Max Mathews, Barry Vercoe, and Roger Dannenberg (1990) (10)
- A Workstation in Live Performance: Composed Improvisation (1986) (10)
- Audience Interactivity: A Case Study in Three Perspectives Including Remarks About a Future Production (1996) (9)
- Languages for Computer Music (2018) (9)
- A Structure for Representing, Displaying, and Editing Music (1986) (9)
- Segmentation, Clustering, and Display in a Personal Audio Database for Musicians (2011) (9)
- Aura II: Making Real-Time Systems Safe for Music (2004) (9)
- The Resource - Instance Model of Music Representation (1991) (8)
- Improvised duet interaction: learning improvisation techniques for automatic accompaniment (2017) (8)
- AMPL: Design, Implementation, and Evaluation of a Multiprocessing Language (1981) (8)
- Algorithmic Composition - A Guide to Composing Music with Nyquist (2013) (8)
- Artificial Intelligence , Machine Learning , and Music Understanding (2000) (8)
- Music Information Retrieval as Music Understanding (2001) (8)
- An introduction to query by humming with the VocalSearch system (2006) (8)
- A Taxonomy of Computer Music (1994) (8)
- ShIFT: A Semi-haptic Interface for Flute Tutoring (2018) (8)
- Reinventing Audio and Music Computation for Many-Core Processors (2008) (8)
- Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance (2013) (7)
- Human-Computer Music Performance: From Synchronized Accompaniment to Musical Partner (2013) (7)
- Characterizing Tempo Change In Musical Performances (2011) (7)
- A probabilistic method for tracking a vocalist (1998) (7)
- An Audience-Interactive Multimedia Production on the Brain (2001) (7)
- A Vision of Creative Computation in Music Performance (2011) (7)
- Real-time issues in computer music (1993) (7)
- Formal Semantics for Music Notation control Flow (2013) (7)
- Tactus: toolkit-level support for synchronized interactive multimedia (1992) (7)
- Real-Time Software Synthesis on Superscaler Architectures (1992) (7)
- Optical music recognition for interactive score display (2015) (7)
- Interpolation Error in Waveform Table Lookup (1998) (7)
- The computer as musical accompanist (1986) (6)
- Learning an Orchestra Conductor's Technique Using a Wearable Sensor Platform (2007) (6)
- Predicting Chords in Jazz (1995) (6)
- Human Computer Music Performance (2012) (6)
- Concatenative Synthesis Using Score-Aligned Transcriptions (2006) (6)
- Personalized Popular Music Generation Using Imitation and Structure (2021) (6)
- Performance Measurements of the Multimedia Testbed on Mach 3.0: Experience Writing Real-Time Device Drivers, Servers, and Applications (1993) (6)
- Software for Interactive and Collaborative Creation in the Classroom and Beyond: An Overview of the Soundcool Software (2019) (6)
- MidiFind : Fast and Effective Similarity Searching in Large MIDI databases (2013) (6)
- Aura as a Platform for Distributed Sensing and Control (2002) (6)
- An Expert System for Teaching Piano to Novices (1990) (6)
- The Analysis and Resynthesis of Tones via Spectral Interpolation (1988) (5)
- Active Scores: Representation and Synchronization in Human–Computer Performance of Popular Music (2014) (5)
- A Perspective on Computer Music (1996) (5)
- Real Time Control For Interactive Computer Music and Animation (1989) (5)
- Methods and Prospects for Human–Computer Performance of Popular Music (2014) (5)
- Placement of sound Sources in the Stereo Field using measured Room impulse responses (2008) (5)
- What is missing in deep music generation? A study of repetition and structure in popular music (2022) (5)
- Practical Aspects of a MIDI Conducting System (1991) (5)
- Low-latency interaction through choice-points, buffering, and cuts in Tactus (1994) (5)
- Estimating the Error Distribution of a Single Tap Sequence without Ground Truth (2009) (5)
- Panel: Standards from the Computer Music Community (2004) (5)
- Dynamic Programming for Interactive Music Systems (2000) (4)
- A Bootstrap Method for Training an Accurate Audio Segmenter (2005) (4)
- ARCTIC - Programmer's Manual and Tutorial. (1987) (4)
- Fugue: Composition and Sound Synthesis with Lazy Evaluation and Behavioral Abstraction (1989) (4)
- Optimizing Software Synthesis Performance (1995) (4)
- The Nyquist Composition Environment: Supporting Textual Programming with a Task-Oriented User Interface (2008) (4)
- The Intelligent Music Editor: Towards an Automated Platform for Music Analysis and Editing (2010) (4)
- Extending music notation through programming (1996) (4)
- David Cope, Computer Models of Musical Creativity, MIT Press (2005) (2006) (3)
- Method and apparatus for providing coordinated accompaniment for a performance (1989) (3)
- Panel I-computer-generated music and multimedia computing (1994) (3)
- Teaching Programming to Musicians (1984) (3)
- O2: Rethinking Open Sound Control (2016) (3)
- Overview and conclusions of the Music Interfaces Panel Session at the MOSART Workshop (Barcelona, 2001) (2001) (3)
- EXPLORING THE DESIGN SPACE OF HAND-CONTROLLED GUITAR EFFECTS FOR LIVE MUSIC (2014) (3)
- Music, Mind and Machine: Studies in Computer Music, Music Cognition and Artificial Intelligence Peter Desain Henkjan Honing (1995) (3)
- Image Quality Estimation for Multi-Score OMR (2015) (3)
- Impressions from the SMC Roadmap (2007) (3)
- O2: A Network Protocol for Music Systems (2019) (3)
- A Statistical View on the Expressive Timing of Piano Rolled Chords (2015) (3)
- MidiFind: Similarity Search and Popularity Mining in Large MIDI Databases (2013) (3)
- Remote access to interactive media (1993) (3)
- Arrangements: flexibly adapting music data for live performance (2015) (2)
- Computer Models of Musical Creativity, David Cope. MIT Press (2005) (2006) (2)
- Debugging Interactive Applications (1996) (2)
- Nyquist : A Language for Composition and Sound Synthesisi (1997) (2)
- Scaling Up Live Internet Performance with The Global Net Orchestra (2014) (2)
- TOWARD AN INTELLIGENT EDITOR FOR JAZZ MUSIC (2003) (2)
- Models and APIs for audio synthesis and Processing a Panel Discussion (2007) (2)
- Expressing Temporal Behavior Declaratively (2007) (2)
- Real‐time computer accompaniment (1990) (2)
- Cancellation of Unwanted Audio to Support Interactive Computer Music (2004) (2)
- KO2 - DISTRIBUTED MUSIC SYSTEMS WITH O2 AND KRONOS (2018) (2)
- An architecture with many operand registers to efficiently execute block-structured languages (1979) (2)
- Live Coding Using a Visual Pattern Composition Language (2011) (2)
- Expressive humanoid robot for automatic accompaniment (2019) (2)
- Protection for Communication and Sharing in A Personal Computer Network (1985) (2)
- A Comparison of Streams and Time Advance As Paradigms for Multimedia Systems (2001) (2)
- Time-Flow Concepts and Architectures For Music and Media Synchronization (2017) (2)
- Computer Coordination With Popular Music: A New Research Agenda (2008) (2)
- A Functional Approach to Real-Time Control (1984) (1)
- Instruction of Computer Music for Computer Engineering Students and Professionals (1994) (1)
- Scalable and Easy-to-Use NIME Networking (1)
- Exploring Meaning And Intention In Music Conducting (2010) (1)
- Artificial Creative Intelligence: Breaking the Imitation Barrier (2020) (1)
- Carnegie-Mellon University Studio Report (1984) (1)
- Automatic Capture for Spectrum-Based Instrument Models (1999) (1)
- "Origin, Direction, Location": An Installation (2006) (1)
- Art/ificial Intelligence: A Short Bibliography on AI and the Arts by Richard K. Zach, Gerhard Widmer, and Robert Trappl (review) (2016) (1)
- 1 Recent Developments in the CMU Midi Toolkit (2000) (1)
- Essays on the 1986 International Computer Music Conference (1987) (1)
- Intelligent computer accompaniment systems (1999) (1)
- Real-Time Software Synthesis (1998) (1)
- Music Representation Issues: A Position Paper (1989) (1)
- SOUNDCOOL: NEW TECHNOLOGIES FOR MUSIC EDUCATION (2015) (1)
- Is Music Audio Processing Embarrassingly Parallel? (2009) (1)
- Human-computer music performance: A brief history and future prospects (2014) (1)
- Recent Work In Music Understanding (1991) (1)
- A Max Forum (1993) (1)
- Canons for Conlon: Composing and Performing Multiple Tempi on the Web (2021) (0)
- ISMIR 2001 Invited Address Music Information Retrieval as Music Understanding (2001) (0)
- Instrumented Fuzz Testing Using AIR Integers (2010) (0)
- Foundations of Computer Music edited by Curtis Roads and John Strawn (1985) (0)
- An Accurate Algorithm for Generating a Music Playlist based on Facial Expressions (2015) (0)
- ENTROPY AND THE ESTIMATION OF MUSICAL ABILITY (2016) (0)
- About This Issue (2004) (0)
- KO 2-DISTRIBUTED MUSIC SYSTEMS WITH O 2 AND KRONOS (2018) (0)
- David Temperley, Music and Probability , MIT Press (2007) (2007) (0)
- About This Issue (2020) (0)
- A Virtual Patchbay for robust Distributed Interactive Music Systems (2005) (0)
- Computer Accompaniment and Music Understanding 1 (2009) (0)
- Editorial: Music and AI (2021) (0)
- Patterns: A Graphical Language for Live Coding Music Performance (2011) (0)
- An Online Interactive Course on Computer Music (2015) (0)
- Transplayer: Timbre Style Transfer with Flexible Timbre Control (2023) (0)
- About This Issue (2001) (0)
- Interactive Drama : The Woggles in Edge of Intention (1995) (0)
- Note‐by‐note synthesis is not enough (2001) (0)
- Review of the Cognition of Basic Musical Structures (2009) (0)
- 1 The Resource-Instance Model of Music Representation (1998) (0)
- Trumpet synthesis using context‐dependent envelopes (2002) (0)
- As-If Infinitely Ranged Integer Model, Second Edition (2010) (0)
- Communication for Real-Time Music Systems: An Overview of O2 (2022) (0)
- Extending Aura with Csound Opcodes (2014) (0)
- The automation of the MSN Search Engine : a commercial perspective (2001) (0)
- A Run-time System for Arctic (1990) (0)
- Software Techniques for Interactive Performance Systems (2007) (0)
- Toward Modular, Portable, Real-Time Software 1 (1998) (0)
- Mobile Devices and Sensors for an Educational Multimedia Opera Project (2023) (0)
- An Automated Approach to Tuning (1983) (0)
- Real-Time Polyphonic Pitch-Detection for the Harpsichord (2012) (0)
- UGG: a Unit Generator Generator (2018) (0)
- Run time data structures (1982) (0)
- Aurafx: A Simple And Flexible Approach To Interactive Audio Effect-Based Composition And Performance (2010) (0)
- ICMC 2003 Keynote Address (2020) (0)
- Letters (2002) (0)
- About This Issue (2005) (0)
- Using music structure to improve beat tracking (2005) (0)
- 1-Music Structure Analysis from Acoustic Signals (2005) (0)
- Performance Measurements of the Multimedia Testbed on Real-Time Mach (2001) (0)
- array summer 2004 (2020) (0)
- Critical point, a composition for cello and computer (2010) (0)
- Relating Human Perception of Musicality to Prediction in a Predictive Coding Model (2022) (0)
- 1 TOWARD AN INTELLIGENT EDITOR FOR JAZZ MUSIC (0)
- ARCTIC - programmer's manual and tutorial. Interim report (1987) (0)
- Abstract Behaviors for Structured Music Programming (2007) (0)
- Review of "The Haskell School of Music: from Signals to Symphonies, " by Paul Hudak and Donya Quick, Cambridge University Press, 2018 (2019) (0)
- Book Review (2002) (0)
- Time Warping of Compound Events and Signals (2016) (0)
- About This Issue (2002) (0)
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