Roger B. Dannenberg

Roger B. Dannenberg's AcademicInfluence.com Rankings

Roger B. Dannenberg

Computer Science

#9778

World Rank

#10258

Historical Rank

#1761

USA Rank

Database

#6734

World Rank

#6972

Historical Rank

#829

USA Rank

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Computer Science

Roger B. Dannenberg's Degrees

PhD Computer Science Stanford University
Masters Computer Science Stanford University

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Roger B. Dannenberg's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Garnet: comprehensive support for graphical, highly interactive user interfaces (1990) (536)
An On-Line Algorithm for Real-Time Accompaniment (1984) (355)
Polyphonic audio matching and alignment for music retrieval (2003) (289)
TagATune: A Game for Music and Sound Annotation (2007) (259)
A Machine Learning Approach to Musical Style Recognition (1997) (185)
Pattern Discovery Techniques for Music Audio (2002) (165)
Music score alignment and computer accompaniment (2006) (127)
SMERS: Music Emotion Recognition Using Support Vector Regression (2009) (124)
Music Representation Issues,Techniques,and Systems (1993) (119)
A comparative evaluation of search techniques for query-by-humming using the MUSART testbed (2007) (113)
Tracking Musical Beats in Real Time (1990) (113)
Polyphonic Audio Matching for Score Following and Intelligent Audio Editors (2003) (112)
Multimedia interface design (1992) (107)
Creating graphical interactive application objects by demonstration (1989) (91)
A comparison of melodic database retrieval techniques using sung queries (2002) (86)
Remixing Stereo Music with Score-Informed Source Separation (2006) (86)
The MUSART Testbed for Query-by-Humming Evaluation (2004) (83)
Machine tongues XIX: Nyquist, a language for composition and sound synthesis (1997) (81)
Following an Improvisation in Real Time (1987) (81)
A computer‐based multi‐media tutor for beginning piano students (1990) (80)
A Stochastic Method of Tracking a Vocal Performer (1997) (79)
Music Structure Analysis from Acoustic Signals (2008) (78)
Melody Matching Directly From Audio (2001) (77)
New Techniques for Enhanced Quality of Computer Accompaniment (1988) (75)
Real-Time Computer Accompaniment of Keyboard Performances (1985) (75)
Combining Instrument and Performance Models for High-Quality Music Synthesis (1998) (67)
Autonomous robot dancing driven by beats and emotions of music (2012) (56)
A Probabilistic Model of Melodic Similarity (2002) (51)
Understanding Search Performance in Query-by-Humming Systems (2004) (46)
McBlare: A Robotic Bagpipe Player (2005) (46)
Real-time scheduling and computer accompaniment (1989) (46)
Analysis and Synthesis of Tones by Spectral Interpolation (1987) (45)
The Canon Score Language (1989) (44)
SICIB: An Interactive Music Composition System Using Body Movements (2001) (43)
Query by humming with the VocalSearch system (2006) (42)
Discovering Musical Structure in Audio Recordings (2002) (41)
Arctic: A functional language for real-time control (1984) (39)
The Implementation of Nyquist, A Sound Synthesis Language (1997) (38)
Toward Automated Holistic Beat Tracking, Music Analysis and Understanding (2005) (38)
A Brief Survey of Music Representation Issues, Techniques, and Systems (1993) (37)
Low-latency Music Software Using Off-the-shelf Operating Systems (1998) (37)
Instructional Design and Intelligent Tutoring: Theory and the Precision of Design. (1993) (36)
Arctic: A Functional Language for Real-Time Systems (1986) (36)
A structure for efficient update, incremental redisplay and undo in graphical editors (1990) (33)
Programming language design for music (1997) (33)
A Language for Interactive Audio Applications (2002) (32)
Panel: New directions in Music Information Retrieval (2001) (31)
Formal Program Verification Using Symbolic Execution (1982) (30)
Interactive Visual Music: A Personal Perspective (2005) (30)
Time in Distributed Real-Time Systems (1999) (29)
A Flexible Real-Time Software Synthesis System (1996) (29)
Listening to "Naima": An Automated Structural Analysis of Music from Recorded Audio (2002) (29)
Audio signal Driven sound synthesis (2005) (28)
As-If Infinitely Ranged Integer Model (2010) (28)
Fugue: a functional language for sound synthesis (1991) (28)
Resource sharing in a network of personal computers (1982) (26)
The Interpretation of MIDI Velocity (2006) (25)
CHI'90 workshop on multimedia and multimodal interface design (1990) (25)
Understanding Features and Distance Functions for Music Sequence Alignment (2010) (24)
Results from the Piano Tutor Project 1 (1993) (24)
Controllable deep melody generation via hierarchical music structure representation (2021) (23)
An Intelligent Multi-Track audio Editor (2007) (23)
The Carnegie Mellon Laptop Orchestra (2007) (23)
Abstract Time Warping of Compound Events and Signals (1997) (22)
Enhanced Vocal Performance Tracking Using Multiple Information Sources (1998) (22)
A Fast Data Structure for Disk-Based Audio Editing (2002) (22)
The CMU MIDI Toolkit (1986) (21)
A gesture based user interface prototyping system (1989) (20)
Real-time software synthesis on superscalar architectures (1997) (20)
A Butler process for resource sharing on Spice machines (1985) (20)
Towards Reliable Partial Music Alignments Using Multiple Synchronization Strategies (2009) (18)
Automated Accompaniment of Musical Ensembles (1994) (17)
Software support for interactive multimedia performance (1993) (17)
Polyphonic Music Note Onset Detection Using Semi-Supervised Learning (2007) (17)
Bootstrap learning for accurate onset detection (2006) (16)
Human-computer interaction in the piano tutor (1992) (16)
New interfaces for popular music performance (2007) (16)
Music Interfaces Based on Automatic Music Signal Analysis: New Ways to Create and Listen to Music (2019) (16)
A Framework for Coordination and Synchronization of Media (2011) (15)
Toward Modular, Portable, Real-Time Software (1995) (14)
Music Understanding By Computer (1993) (14)
A Model for Interactive Art (1995) (14)
Duet interaction: learning musicianship for automatic accompaniment (2015) (14)
Automating Ensemble Performance (1994) (14)
Spectral Learning for Expressive Interactive Ensemble Music Performance (2015) (13)
Be Careful What You Backpropagate: A Case For Linear Output Activations & Gradient Boosting (2017) (13)
Recent work in real-time music understanding by computer (1991) (13)
Sound Synthesis from Real-Time Video Images (2003) (13)
Are Just-InTime Lectures Effective At Teaching ? (1997) (12)
Synthesizing Trumpet Performances (1998) (12)
A System Supporting Flexible Distributed Real-Time Music Processing (2001) (12)
Automatic Analysis and Influence of Hierarchical Structure on Melody, Rhythm and Harmony in Popular Music (2020) (11)
A Study of Trumpet Envelopes (1998) (11)
Style in Music (2010) (11)
New Technologies for Music Education (2013) (11)
Sound Synthesis from Video, Wearable Lights, and "The Watercourse Way" (2003) (11)
A Real Time Scheduler/Dispatcher (1988) (11)
A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems (2011) (11)
A Virtual Orchestra for Human-Computer Music Performance (2011) (10)
Combining Visual and Textual Representations for Flexible Interactive Audio Signal Processing (2004) (10)
Conducting the MIDI Orchestra, Part 1: Interviews with Max Mathews, Barry Vercoe, and Roger Dannenberg (1990) (10)
A Workstation in Live Performance: Composed Improvisation (1986) (10)
Audience Interactivity: A Case Study in Three Perspectives Including Remarks About a Future Production (1996) (9)
Languages for Computer Music (2018) (9)
A Structure for Representing, Displaying, and Editing Music (1986) (9)
Segmentation, Clustering, and Display in a Personal Audio Database for Musicians (2011) (9)
Aura II: Making Real-Time Systems Safe for Music (2004) (9)
The Resource - Instance Model of Music Representation (1991) (8)
Improvised duet interaction: learning improvisation techniques for automatic accompaniment (2017) (8)
AMPL: Design, Implementation, and Evaluation of a Multiprocessing Language (1981) (8)
Algorithmic Composition - A Guide to Composing Music with Nyquist (2013) (8)
Artificial Intelligence , Machine Learning , and Music Understanding (2000) (8)
Music Information Retrieval as Music Understanding (2001) (8)
An introduction to query by humming with the VocalSearch system (2006) (8)
A Taxonomy of Computer Music (1994) (8)
ShIFT: A Semi-haptic Interface for Flute Tutoring (2018) (8)
Reinventing Audio and Music Computation for Many-Core Processors (2008) (8)
Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance (2013) (7)
Human-Computer Music Performance: From Synchronized Accompaniment to Musical Partner (2013) (7)
Characterizing Tempo Change In Musical Performances (2011) (7)
A probabilistic method for tracking a vocalist (1998) (7)
An Audience-Interactive Multimedia Production on the Brain (2001) (7)
A Vision of Creative Computation in Music Performance (2011) (7)
Real-time issues in computer music (1993) (7)
Formal Semantics for Music Notation control Flow (2013) (7)
Tactus: toolkit-level support for synchronized interactive multimedia (1992) (7)
Real-Time Software Synthesis on Superscaler Architectures (1992) (7)
Optical music recognition for interactive score display (2015) (7)
Interpolation Error in Waveform Table Lookup (1998) (7)
The computer as musical accompanist (1986) (6)
Learning an Orchestra Conductor's Technique Using a Wearable Sensor Platform (2007) (6)
Predicting Chords in Jazz (1995) (6)
Human Computer Music Performance (2012) (6)
Concatenative Synthesis Using Score-Aligned Transcriptions (2006) (6)
Personalized Popular Music Generation Using Imitation and Structure (2021) (6)
Performance Measurements of the Multimedia Testbed on Mach 3.0: Experience Writing Real-Time Device Drivers, Servers, and Applications (1993) (6)
Software for Interactive and Collaborative Creation in the Classroom and Beyond: An Overview of the Soundcool Software (2019) (6)
MidiFind : Fast and Effective Similarity Searching in Large MIDI databases (2013) (6)
Aura as a Platform for Distributed Sensing and Control (2002) (6)
An Expert System for Teaching Piano to Novices (1990) (6)
The Analysis and Resynthesis of Tones via Spectral Interpolation (1988) (5)
Active Scores: Representation and Synchronization in Human–Computer Performance of Popular Music (2014) (5)
A Perspective on Computer Music (1996) (5)
Real Time Control For Interactive Computer Music and Animation (1989) (5)
Methods and Prospects for Human–Computer Performance of Popular Music (2014) (5)
Placement of sound Sources in the Stereo Field using measured Room impulse responses (2008) (5)
What is missing in deep music generation? A study of repetition and structure in popular music (2022) (5)
Practical Aspects of a MIDI Conducting System (1991) (5)
Low-latency interaction through choice-points, buffering, and cuts in Tactus (1994) (5)
Estimating the Error Distribution of a Single Tap Sequence without Ground Truth (2009) (5)
Panel: Standards from the Computer Music Community (2004) (5)
Dynamic Programming for Interactive Music Systems (2000) (4)
A Bootstrap Method for Training an Accurate Audio Segmenter (2005) (4)
ARCTIC - Programmer's Manual and Tutorial. (1987) (4)
Fugue: Composition and Sound Synthesis with Lazy Evaluation and Behavioral Abstraction (1989) (4)
Optimizing Software Synthesis Performance (1995) (4)
The Nyquist Composition Environment: Supporting Textual Programming with a Task-Oriented User Interface (2008) (4)
The Intelligent Music Editor: Towards an Automated Platform for Music Analysis and Editing (2010) (4)
Extending music notation through programming (1996) (4)
David Cope, Computer Models of Musical Creativity, MIT Press (2005) (2006) (3)
Method and apparatus for providing coordinated accompaniment for a performance (1989) (3)
Panel I-computer-generated music and multimedia computing (1994) (3)
Teaching Programming to Musicians (1984) (3)
O2: Rethinking Open Sound Control (2016) (3)
Overview and conclusions of the Music Interfaces Panel Session at the MOSART Workshop (Barcelona, 2001) (2001) (3)
EXPLORING THE DESIGN SPACE OF HAND-CONTROLLED GUITAR EFFECTS FOR LIVE MUSIC (2014) (3)
Music, Mind and Machine: Studies in Computer Music, Music Cognition and Artificial Intelligence Peter Desain Henkjan Honing (1995) (3)
Image Quality Estimation for Multi-Score OMR (2015) (3)
Impressions from the SMC Roadmap (2007) (3)
O2: A Network Protocol for Music Systems (2019) (3)
A Statistical View on the Expressive Timing of Piano Rolled Chords (2015) (3)
MidiFind: Similarity Search and Popularity Mining in Large MIDI Databases (2013) (3)
Remote access to interactive media (1993) (3)
Arrangements: flexibly adapting music data for live performance (2015) (2)
Computer Models of Musical Creativity, David Cope. MIT Press (2005) (2006) (2)
Debugging Interactive Applications (1996) (2)
Nyquist : A Language for Composition and Sound Synthesisi (1997) (2)
Scaling Up Live Internet Performance with The Global Net Orchestra (2014) (2)
TOWARD AN INTELLIGENT EDITOR FOR JAZZ MUSIC (2003) (2)
Models and APIs for audio synthesis and Processing a Panel Discussion (2007) (2)
Expressing Temporal Behavior Declaratively (2007) (2)
Real‐time computer accompaniment (1990) (2)
Cancellation of Unwanted Audio to Support Interactive Computer Music (2004) (2)
KO2 - DISTRIBUTED MUSIC SYSTEMS WITH O2 AND KRONOS (2018) (2)
An architecture with many operand registers to efficiently execute block-structured languages (1979) (2)
Live Coding Using a Visual Pattern Composition Language (2011) (2)
Expressive humanoid robot for automatic accompaniment (2019) (2)
Protection for Communication and Sharing in A Personal Computer Network (1985) (2)
A Comparison of Streams and Time Advance As Paradigms for Multimedia Systems (2001) (2)
Time-Flow Concepts and Architectures For Music and Media Synchronization (2017) (2)
Computer Coordination With Popular Music: A New Research Agenda (2008) (2)
A Functional Approach to Real-Time Control (1984) (1)
Instruction of Computer Music for Computer Engineering Students and Professionals (1994) (1)
Scalable and Easy-to-Use NIME Networking (1)
Exploring Meaning And Intention In Music Conducting (2010) (1)
Artificial Creative Intelligence: Breaking the Imitation Barrier (2020) (1)
Carnegie-Mellon University Studio Report (1984) (1)
Automatic Capture for Spectrum-Based Instrument Models (1999) (1)
"Origin, Direction, Location": An Installation (2006) (1)
Art/ificial Intelligence: A Short Bibliography on AI and the Arts by Richard K. Zach, Gerhard Widmer, and Robert Trappl (review) (2016) (1)
1 Recent Developments in the CMU Midi Toolkit (2000) (1)
Essays on the 1986 International Computer Music Conference (1987) (1)
Intelligent computer accompaniment systems (1999) (1)
Real-Time Software Synthesis (1998) (1)
Music Representation Issues: A Position Paper (1989) (1)
SOUNDCOOL: NEW TECHNOLOGIES FOR MUSIC EDUCATION (2015) (1)
Is Music Audio Processing Embarrassingly Parallel? (2009) (1)
Human-computer music performance: A brief history and future prospects (2014) (1)
Recent Work In Music Understanding (1991) (1)
A Max Forum (1993) (1)
Canons for Conlon: Composing and Performing Multiple Tempi on the Web (2021) (0)
ISMIR 2001 Invited Address Music Information Retrieval as Music Understanding (2001) (0)
Instrumented Fuzz Testing Using AIR Integers (2010) (0)
Foundations of Computer Music edited by Curtis Roads and John Strawn (1985) (0)
An Accurate Algorithm for Generating a Music Playlist based on Facial Expressions (2015) (0)
ENTROPY AND THE ESTIMATION OF MUSICAL ABILITY (2016) (0)
About This Issue (2004) (0)
KO 2-DISTRIBUTED MUSIC SYSTEMS WITH O 2 AND KRONOS (2018) (0)
David Temperley, Music and Probability , MIT Press (2007) (2007) (0)
About This Issue (2020) (0)
A Virtual Patchbay for robust Distributed Interactive Music Systems (2005) (0)
Computer Accompaniment and Music Understanding 1 (2009) (0)
Editorial: Music and AI (2021) (0)
Patterns: A Graphical Language for Live Coding Music Performance (2011) (0)
An Online Interactive Course on Computer Music (2015) (0)
Transplayer: Timbre Style Transfer with Flexible Timbre Control (2023) (0)
About This Issue (2001) (0)
Interactive Drama : The Woggles in Edge of Intention (1995) (0)
Note‐by‐note synthesis is not enough (2001) (0)
Review of the Cognition of Basic Musical Structures (2009) (0)
1 The Resource-Instance Model of Music Representation (1998) (0)
Trumpet synthesis using context‐dependent envelopes (2002) (0)
As-If Infinitely Ranged Integer Model, Second Edition (2010) (0)
Communication for Real-Time Music Systems: An Overview of O2 (2022) (0)
Extending Aura with Csound Opcodes (2014) (0)
The automation of the MSN Search Engine : a commercial perspective (2001) (0)
A Run-time System for Arctic (1990) (0)
Software Techniques for Interactive Performance Systems (2007) (0)
Toward Modular, Portable, Real-Time Software 1 (1998) (0)
Mobile Devices and Sensors for an Educational Multimedia Opera Project (2023) (0)
An Automated Approach to Tuning (1983) (0)
Real-Time Polyphonic Pitch-Detection for the Harpsichord (2012) (0)
UGG: a Unit Generator Generator (2018) (0)
Run time data structures (1982) (0)
Aurafx: A Simple And Flexible Approach To Interactive Audio Effect-Based Composition And Performance (2010) (0)
ICMC 2003 Keynote Address (2020) (0)
Letters (2002) (0)
About This Issue (2005) (0)
Using music structure to improve beat tracking (2005) (0)
1-Music Structure Analysis from Acoustic Signals (2005) (0)
Performance Measurements of the Multimedia Testbed on Real-Time Mach (2001) (0)
array summer 2004 (2020) (0)
Critical point, a composition for cello and computer (2010) (0)
Relating Human Perception of Musicality to Prediction in a Predictive Coding Model (2022) (0)
1 TOWARD AN INTELLIGENT EDITOR FOR JAZZ MUSIC (0)
ARCTIC - programmer's manual and tutorial. Interim report (1987) (0)
Abstract Behaviors for Structured Music Programming (2007) (0)
Review of "The Haskell School of Music: from Signals to Symphonies, " by Paul Hudak and Donya Quick, Cambridge University Press, 2018 (2019) (0)
Book Review (2002) (0)
Time Warping of Compound Events and Signals (2016) (0)
About This Issue (2002) (0)

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Roger B. Dannenberg's Academic­Influence.com Rankings