Roger Stritmatter

Roger Stritmatter's AcademicInfluence.com Rankings

Roger Stritmatter

Philosophy

#12956

World Rank

#18148

Historical Rank

#2572

USA Rank

Logic

#10208

World Rank

#13065

Historical Rank

#1908

USA Rank

philosophy Degrees

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Philosophy

Roger Stritmatter's Degrees

PhD English University of Massachusetts
Masters English University of Massachusetts
Bachelors English University of California, Berkeley

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Why Is Roger Stritmatter Influential?

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According to Wikipedia, Roger A. Stritmatter is a Professor of Humanities at Coppin State University and the former general editor of Brief Chronicles, a delayed open access journal covering the Shakespeare authorship question from 2009 to 2016. He was a founder of the modern Shakespeare Fellowship, an organization that promotes Edward de Vere, 17th Earl of Oxford, as the true author of the works of William Shakespeare. He is one of the leading modern-day advocates of the Oxfordian theory of Shakespeare authorship, and has been called the “first professional Oxfordian scholar”.

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Roger Stritmatter's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Writer Verification of Historical Documents among Cohort Writers (2010) (12)
Shakespeare and the Voyagers Revisited (2007) (11)
Comparison of historical documents for writership (2010) (4)
Who was “William Shakespeare”? (2009) (4)
The Tortured Signifier: Satire, Censorship, and the Textual History of Troilus and Cressida (2009) (3)
BY PROVIDENCE DIVINE: SHAKESPEARE'S AWARENESS OF SOME GENEVA MARGINAL NOTES OF I SAMUEL (2000) (3)
THE INFLUENCE OF A GENEVAN NOTE FROM ROMANS 7:19 ON SHAKESSPEARE'S SONNETN 151 (1997) (2)
What's In a Name? Everything, Apparently... (2006) (2)
'O Brave New World': The Tempest and Peter Martyr's De Orbe Novo (2009) (2)
A LAW CASE IN VERSE: VENUS AND ADONIS AND THE AUTHORSHIP QUESTION (2005) (1)
A LAW CASE IN VERSE: VENUS AND ADONIS AND THE AUTHORSHIP QUESTION (2005) (1)
“Tilting under Frieries”: Narcissus (1595) and the Affair at Blackfriars (2006) (1)
The Pattern of Parody in Eastward Ho, and a New Date for King Lear (2014) (1)
The significance of anonymous authorship in Elizabethan England (2011) (1)
Oedipus, akhnaton and the Greek state: An archaeology of the oedipus complex (1987) (0)
Shifting the Centre of Gravity of the Falstaffiad: The Advantage of an Early Date for the Merry Wives of Windsor (2011) (0)
THE HEAVENLY TREASURE OF SONNETS 48 AND 52 (1999) (0)
Triangular Numbers in Henry Peacham's Minerva Britanna: A Study in Jacobean Literary Form (2012) (0)
Shakespeare's Ecclesiasticus 28.2–5: A Biblical Source for Ariel's Doctrine of Mercy (2009) (0)
Two more censored passages from Q2 Hamlet (2016) (0)
A Kingdom for a Mirth (2022) (0)
Spenser's “Perfect Pattern of a Poet” and the 17th Earl of Oxford (2010) (0)
A NEW BIBLICAL SOURCE FOR SHAKESPEARE'S CONCEPT OF ‘ALL SEEING HEAVEN’ (1999) (0)
'OLD' AND 'NEW' LAW IN THE MERCHANT OF VENICE: A NOTE ON THE SOURCE OF SHYLOCK'S MORALITY IN DEUTERONOMY 15 (2000) (0)
'OBraveNewWorld': The Tempest andPeterMartyr's De Orbe Novo (2009) (0)
Revelations 14:13 and Hamlet I.v.91-108: 'Write, Blessed are the Dead!' (2013) (0)
Melville’s Billy Budd and the Disguises of Authorship (2015) (0)
Arrangement, Natural Variation, Legibility and Line Continuity as Discriminating Elements in Forensic Handwriting Analysis: A Study of Herman Melville’s April 11, 1846 Hydrarchos Satire (2017) (0)
‘My Name Be Buried Where My Body Is’: The Influence of Ecclesiasticus 41 on Sonnets 71–74 (2015) (0)
‘Something Rich and Strange’: Senecan Influences on the Dover Cliff Scenes of King Lear (2021) (0)
THE BIBLICAL SOURCE OF HARRY OF CORNWALL'S THEOLOGICAL DOCTRINE (2001) (0)
TheTorturedSignifier:Satire,Censorship,andtheTextual Historyof Troilus and Cressida (2009) (0)

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Roger Stritmatter's Academic­Influence.com Rankings